The Blackout Club is what happens when a concept isn't executed well. Everything about the setting and lore should lead the game to be a surefire hit. But, with the lack of a main story path, painfully repetitive levels, and a torturously grindy progression system, The Blackout Club feels unbalanced, unpolished, and immensely unrewarding. The only thing saving it from being a complete waste of time is that communicating and working as a team, planning out your strategy can be enjoyable, although only in short bursts.

A dated and niche license receives the game that it deserves - shallow, simplistic and unsatisfying. Turn left before you get to the checkout.

A bare bones concept, lacking any consequence to choosing to pursue what the game is supposed to be about: strategy. Only the most diehard of Dynasty Warriors fans will try it out, otherwise buyers are better suited to sticking with Dynasty Warriors 8.

Despite having to rustle up the occasional cup of coffee or tea, this is one of the least interactive games to grace the PS4. A little more effort on the part of the developer with character interaction could have made the storytelling more enjoyable and given the game some depth. Otherwise if you're happy relaxing and reading the dialogue for a few hours, it could be for you.

There’s a lot of potential with Archangel, but when so much potential is unrealized, then the end product loses its luster. Archangel is exactly that, starting off with a bang and tapering off too quickly to maintain its level of initial intrigue.

There is an attempt to make Farming Simulator 17 entertaining, but it’s a rather poor one. Dull, uninventive, and drier than sandpaper on crackers.

Lost Records is a visually gorgeous game and proves that the team who pioneered Life is Strange still have the aesthetic nailed down. Unfortunately this and some smart adaptations of mechanics do little to hide a story that tries in vain to recapture the same energy, managing to totally lose itself by the end. I can see what they were going for here, but that vision is lost in a game that doesn't know what it wants to commit to. A deeply personal story is subsumed by what feels like an obligation to the supernatural. A story about the supernatural is lost in a story about the personal. Neither is done justice and both feel like they deserved more.

Destroy All Humans! 2: Reprobed might be a brutally honest remake of the original game, but that doesn't make it any more pleasant to sit through all its rough parts. Few elements of the core gameplay remain as fun as they were on the PS2, but it's far too shallow to be worth it, especially when it is still riddled with performance issues that can seriously effect your experience.

City of Light may shine on occasion, but it too often slips into the darkness of bad writing, plot development, and characterization. A season finale that finally kills the hope of redemption for what has been a thoroughly disappointing Batman outing.

There's promise going forward, for the story at least, but this is an otherwise messy episode on several levels.

The side scrolling side of Smelter has a lot going for it. It has a welcome execution that doesn't demand much effort and doesn't bog you down with much, even if it is overly simplistic. The tower defense side of Smelter contradicts this simplicity, however. Bad control choices coupled with halfhearted explanations makes it a hard sell for the entire package. Smelter has something unique, but that's nowhere near enough to warrant your time.

A flawed take on the survival adventure template, The Solus Project's subpar execution ultimately undermines the few moments of true enjoyment that it occasionally provides.

Trillion: God of Destruction is an SRPG that probably should have been a visual novel. Its great character design, and top notch writing are held back by constant micromanagement. Worse still by a combat system that's hard to comprehend, and isn’t even fun when you do. Come for the art, don’t stay for the gameplay.

There's no doubt that White Shadows has something to offer in raw artistic spectacle, but there's far too many issues with the game to be celebrated. It comes across as a game that has its priorities completely upside down. While it's commendably brave that a brand new studio would explore delicate themes on their debut game, this preoccupation has apparently left no mind toward the fundamentals of what makes a gaming experience rewarding. Furthermore, these themes have not been handled in a very sophisticated manner. Social commentary aside, unoriginal level design, a forgettable narrative and poor frame performance sadly render White Shadows as one you can miss.

A shell of its predecessor. All the fun mechanics from Guided Fate Paradox have been removed and changed, leaving a generic but tedious combat system. The story, while potentially interesting, has major pacing and voice acting issues that dull the experience. Only a diehard NIS fan will want to play this game.

An unnecessary port of an already unspectacular game. It may find an audience, but it’ll make it as tough as possible to like it first.

Kerbal Space Program is a fascinating educational tool. There's a childlike joy to be had in experimenting with your space-faring efforts. You'll find it hard to appreciate that on PS4 though, as this version is a mess on multiple levels. A genuinely good game is spoiled by a terrible port.

Foregone is a mix of ideas that don't mesh well. The name of the game is simplicity, but Foregone contradicts itself with randomized loot, an immense difficulty spike, and a hard turn away from "play as you like" after committing to that formula. Foregone is a copycat title through and through with a couple good ideas that are encrusted with careless execution.

Dead Reset has horror, it can gross you out, and the choices and their deviating paths encourage experimentation-but its low-budget thrills quickly decay into rot as it fails to hold your attention or invigorate you in surprising new ways.

Aragami 2 could be a good stealth game, with a good foundation of stealth gameplay and even an intriguing story, but it is plagued by constant bugs, performance issues, poor level design, pacing, rough implementation of gameplay mechanics and a visual style that only further serves to make its flaws even more evident then they already are.

An otherwise robust combat system is summarily undone by dunderheaded AI, repetitive grinding, a lack of modes and uneven presentation. We've wanted to return to Ancient Rome for years now on PS4, but not like this.

With finicky controls and oversized maps, it’s hard to recommend this game to anyone other than those who love the franchise and the two series themselves.

There's a solid foundation to build upon here but far too many decisions feel contrived and confused for a strong recommendation to anyone other than the most diehard Touhou fan. Far too many mechanics can be borderline ignored, and the game hardly evolves throughout, leading to a game that struggled to keep my attention throughout its runtime with some nice visuals only doing so much to alleviate this tedium.

A voxel based console RTS that tries to simplify things for the platform but comes up short. There is a whole lotta game here but the simplistic controls and poor AI end up making the whole experience hard to enjoy unless you really love the RTS genre.

King Of Seas ultimately suffers through a lack of visual polish, some frustrating gameplay mechanics, and dull pacing and sequences, which when all combined together create a thoroughly unremarkable experience that doesn't manage to hold its own against even some of the most average of pirate games on the market.

Ever tried driving with butter smeared all over your tyres?

Blitz: The League II disappoints on almost every level, leaving gamers praying to be tackled by Lawrence Taylor himself rather than being forced to play the game.

A promising premise and some well-executed puzzles aren't enough to save The Station from the dull nature of its story and characters.