Pitchfork's Scores
- Music
For 12,704 reviews, this publication has graded:
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41% higher than the average critic
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6% same as the average critic
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53% lower than the average critic
On average, this publication grades 2.8 points lower than other critics.
(0-100 point scale)
Average Music review score: 70
| Highest review score: | Sign O' the Times [Deluxe Edition] | |
|---|---|---|
| Lowest review score: | nyc ghosts & flowers |
Score distribution:
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Positive: 10,441 out of 12704
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Mixed: 1,949 out of 12704
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Negative: 314 out of 12704
12704
music
reviews
- By Date
- By Critic Score
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- Critic Score
The early-stage versions of a few Ultramega OK tracks that round out this reissue ... add to the story by showing how much more precise the band got in the year or so after they recorded the Screaming Life EP, with the two versions of the single-chord grind “Incessant Mace” showing how that song’s brimming dread was the result of a fair amount of experimentation.- Pitchfork
- Posted Mar 20, 2017
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Packs is a record by, of, and for New York City, espousing the romantic notion it will never change, no matter how much the world does.- Pitchfork
- Posted Mar 20, 2017
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- Critic Score
It feels more like an intimate recording project than a live band document, mostly splitting the difference between routine electro-Stones rave-ups and strung-out ballads.- Pitchfork
- Posted Mar 20, 2017
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This isn’t a record you crank in traffic en route to an across-town meeting; it’s a record to unwind with later that night on your second glass of Syrah--a sturdy shrug to cap off the day- Pitchfork
- Posted Mar 20, 2017
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ADULT. still do a convincing showroom-dummies impersonation, but they’ve never sounded more human than they do here.- Pitchfork
- Posted Mar 20, 2017
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In 2017, the challenge for a veteran metal act is to not relentlessly innovate, but to mine any small new parts of their sound. Kreator and Immolation have proved successful in this regard already, and Obituary, while sticking closer to their roots, have also proven their vitality here.- Pitchfork
- Posted Mar 20, 2017
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This is a band whose effortlessness can misguide you into thinking they’re not trying. Don’t be fooled.- Pitchfork
- Posted Mar 20, 2017
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- Pitchfork
- Posted Mar 17, 2017
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While it’s laudable that Jenkinson is always moving, never resting, Elektrac feels a bit of a sideshow: a flexing of technique with little to display but its own shiny spectacle.- Pitchfork
- Posted Mar 17, 2017
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Paradise challenges its listeners to emotionally engage with their surroundings in hopes that they develop a conscious understanding that there are consequences to our daily conveniences.- Pitchfork
- Posted Mar 17, 2017
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The result is a vibrant, bold record that is, at its heart, a love letter to her home country.- Pitchfork
- Posted Mar 16, 2017
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The tinkering of the trim Spoon attitude has become the most engaging part of their latter-day career. For a band that seems built on a reliable formula, they remain full of possibilities.- Pitchfork
- Posted Mar 16, 2017
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Her boozy, morning-after croon is still gorgeous, but now there’s elements of Puerto Rican bomba and salsa, son cubano, doo-wop, and even the spoken-word poetry of the Nuyorican Poets Cafe she haunted as a teen. Her band has gone through a variety of lineups, but this one feels like a clean slate.- Pitchfork
- Posted Mar 15, 2017
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Where Semper Femina might have sketched a feminist utopia, Marling instead uses her broad study of femininity to explore flawed, sometimes devastating relationships between women.- Pitchfork
- Posted Mar 14, 2017
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Though Salutations is one of Oberst’s most demanding albums, it’s also one of his least ambitious, even before taking these new arrangements into account.- Pitchfork
- Posted Mar 14, 2017
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The core strength of Love in a Time of Madness is its range of dance-pop appreciation.- Pitchfork
- Posted Mar 13, 2017
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Youngish American is a hapless vanity album, sad for all the wrong reasons, and all the more frustrating because it couches wokeness in songs about the extra advantages afforded to Tomson’s demographic.- Pitchfork
- Posted Mar 13, 2017
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Children of Alice is different from its predecessors. Its nostalgia feels less escapist than therapeutic, and its composure amid the mundane and deranged is more of a promotion for mindfulness.- Pitchfork
- Posted Mar 13, 2017
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World Eater does not seem like a doomsday device by design, though. It might sound like one now, but Power leaves open the possibility of it being his darkest transmission before the dawn of a new bright tomorrow.- Pitchfork
- Posted Mar 13, 2017
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Despite the lyrical punch, Yours Conditionally is hamstrung by Tennis’ drums. The keys and bass on the album are unfailingly warm, but the shabby percussion is one-note, almost the work of a different band.- Pitchfork
- Posted Mar 13, 2017
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Although Heartworms never quite conjures the magic of those first couple Shins albums, it’s further proof that they weren’t a fluke. This guy always did, and still does, know how to write a song that sticks.- Pitchfork
- Posted Mar 13, 2017
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While a cynic might see New Gen as merely a reflection of Caroline SM and Renz’s taste and grassroots network; an optimist might say it’s an underground scene collectivizing for its mutual benefit. Nevertheless, it’s one of the more impressive collections of underground talent of late.- Pitchfork
- Posted Mar 10, 2017
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Just a few years into her adult life, and only one album into her recording career, Melina Duterte has swept past a milestone many musicians never even get in their sights.- Pitchfork
- Posted Mar 10, 2017
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The lack of honesty doesn’t really matter--nobody’s going to Sheeran for gritty soul-searching. But the lack of imagination does.- Pitchfork
- Posted Mar 10, 2017
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While never able to fully grasp the Japanese sounds they adore, Visible Cloaks nevertheless have created an album along the axis of Fennesz’s Endless Summer and OPN’s Replica, an abstract electronic album that’s readily accessible and an immersive listen.- Pitchfork
- Posted Mar 9, 2017
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Ohren’s mix is beefy but not outsized or over-processed like so much modern metal can be. The music reveals endless contours over repeat listens.- Pitchfork
- Posted Mar 8, 2017
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- Pitchfork
- Posted Mar 8, 2017
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There’s no explicit theme behind Piano Song. It’s simply strong, well-considered jazz, with Shipp’s piano leading a thorough dialogue with bassist Michael Bisio and drummer Newman Taylor Baker.- Pitchfork
- Posted Mar 7, 2017
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Some minor touch-ups would have gone a long way. Had Sprout tightened a few loose screws here and there, it would have told us more about who he is now.- Pitchfork
- Posted Mar 7, 2017
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With Chill, dummy, P.O.S avoids retreating into the program of Never Better, while also one-upping his prior outing.- Pitchfork
- Posted Mar 7, 2017
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