Philadelphia Inquirer's Scores
- Movies
- TV
For 4,176 reviews, this publication has graded:
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70% higher than the average critic
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3% same as the average critic
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27% lower than the average critic
On average, this publication grades 3.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 68
| Highest review score: | Hell or High Water | |
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| Lowest review score: | The Mangler |
Score distribution:
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Positive: 3,145 out of 4176
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Mixed: 682 out of 4176
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Negative: 349 out of 4176
4176
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Steven Rea
This is a picture of quiet observation, contained emotion, the hush before the cathartic scream.- Philadelphia Inquirer
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Steven Rea
Funny, fear-inducing, with periods of voyeuristic gore and an undercurrent of anxiety and dread, Let the Right One In is up there with the bloodsucking classics.- Philadelphia Inquirer
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Carrie Rickey
In Synecdoche, Kaufman the screenwriter is not well-served by Kaufman the filmmaker. As a director, his propensity for heavyosity leadens rather than leavens this affair.- Philadelphia Inquirer
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Steven Rea
Fear(s) of the Dark, a French production, interweaves the shorts, linking the segments together thematically, and narratively.- Philadelphia Inquirer
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Steven Rea
A tale of horror, heroism, unimaginable physical challenges, and, yes, cannibalism, Stranded offers the kind of real-life drama that can't help but bring up notions of God, fate, and nature's imposing will.- Philadelphia Inquirer
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Carrie Rickey
Unlike the filmmaker's previous stabs at presidential biopic-ing and conspiracy theorizing - "JFK" and "Nixon" - this one doesn't have the luxury of historical perspective.- Philadelphia Inquirer
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Steven Rea
Impossibly arty and, at times, narratively incoherent, Filth and Wisdom still has its goofy charms.- Philadelphia Inquirer
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Steven Rea
An OK sports doc that owes as much to reality TV competitions as it does to the genre of nautical cinema.- Philadelphia Inquirer
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Carrie Rickey
The filmmakers give Latifah and Fanning room to create characters that breathe in the sweet smell of clover and breathe out the contented sigh of independence.- Philadelphia Inquirer
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Steven Rea
A testosterone-fueled road movie that displays the same Apatow-ian obsessions, and raunch, as "Pineapple Express," "Superbad," and "The 40-Year-Old Virgin."- Philadelphia Inquirer
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Steven Rea
Sure, it's a skewed view through adolescent eyes, but it's one that still speaks to the aspirations, agendas, image-making and spin control behind a real, grown-up political election.- Philadelphia Inquirer
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- Philadelphia Inquirer
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Reviewed by
David Hiltbrand
The Express eventually reaches its triumph-of-the-human-spirit climax, but it yanks too hard on the heart strings during the long journey there.- Philadelphia Inquirer
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Steven Rea
Windblown, with a sage and playful Zen vibe, Wong Kar Wai's Ashes of Time Redux is a color-saturated, slo-mo martial arts piece about time, memory, love, regret, betrayal.- Philadelphia Inquirer
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Steven Rea
All the running, the hiding, the escaping (from giant moles, from giant Murray) are decidedly less exciting, and compelling, than City of Ember wants to be.- Philadelphia Inquirer
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- Philadelphia Inquirer
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Reviewed by
Steven Rea
Stays with you like great movies tend to do. It asks you to examine the inner mechanisms of human beings, cheerful and miserable alike. It's not about looking at a glass half empty or a glass half full. It's about drinking down what's in that glass and letting it fill your soul.- Philadelphia Inquirer
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Steven Rea
If only RocknRolla's characters were at all believable - even in the context of its own cartoon universe.- Philadelphia Inquirer
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Carrie Rickey
While even believers can support Maher's skepticism, when he denounces the faithful in sweeping absolutes at film's end, he sounds as absolutely certain as those he has mocked for the previous 100 minutes.- Philadelphia Inquirer
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Steven Rea
An embarassingly unfunny, stumblebum adaptation of Toby Young's memoir.- Philadelphia Inquirer
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Carrie Rickey
Some movies skate by fast on slick action. Others snap with crisp dialogue. Nick and Norah springs high on the bounce of its hugely likable leads, Michael Cera and Kat Dennings.- Philadelphia Inquirer
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- Philadelphia Inquirer
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Carrie Rickey
Graced with unusually expressive and seamless voice work by Drew Barrymore and George Lopez, the best of its kind since "Babe."- Philadelphia Inquirer
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Steven Rea
Murky and grainy, and showing human beings at their grimmest - thievery, rape, betrayal, murder - Blindness is no barrel of laughs. But it IS a barrel of pretentious metaphorical musings.- Philadelphia Inquirer
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Steven Rea
Kinnear does what he's done in the past: You underestimate the guy's acting chops, and suddenly, strikingly, he floors you.- Philadelphia Inquirer
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Carrie Rickey
Jonathan Demme's superb rule-bending, heartrending and family-mending drama - ends with a wedding, it resists conventions as brazenly as does the bride's sister.- Philadelphia Inquirer
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Carrie Rickey
What this unclassifiable story may lack in decibels, it has in emotional depth. At once a mystery, a family drama, a snapshot of children at risk, Ballast is an unusually perceptive character study more eloquent in action than in dialogue.- Philadelphia Inquirer
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Steven Rea
What Eagle Eye wants to do is show us technology's dark side: all the stuff that's there to make our lives easier - ATMs, PDAs, iPods, GPS, cell phones, PCs, "smart" houses - turned against us in a vast conspiracy.- Philadelphia Inquirer
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- Philadelphia Inquirer
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Reviewed by
Carrie Rickey
Man, oh, man, much of the dialogue is so heavy, and heavy-handed, that you can see fine actors such as Derek Luke and Michael Ealy buckle under the weight. Clearly, Lee fell in love with McBride's words and couldn't bear to cut them, even when the visuals made those words redundant.- Philadelphia Inquirer
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