Philadelphia Inquirer's Scores

  • Movies
  • TV
For 4,176 reviews, this publication has graded:
  • 70% higher than the average critic
  • 3% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 3.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Hell or High Water
Lowest review score: 0 The Mangler
Score distribution:
4176 movie reviews
    • 71 Metascore
    • 63 Critic Score
    As superb as Boseman is - moving with athletic grace, doing splits with hair curled in a sky-high pompadour, approximating Brown's rapid-fire, guttural speaking voice without descending to Eddie Murphy SNL parody - he's never quite good enough to convince you you're watching the Hardest Working Man in Show Business up on screen.
  1. The gadgetry and fight scenes are nicely rendered. The aeronautical battles, though, fall well short of state-of-the-art. Maybe they're collateral damage to the film's goofy style.
  2. Is it dumb to say, "Wow?"...I don't care. Wow.
  3. The Killer Inside Me is tough, disturbing stuff: We're tagging along with a sociopath as he explains himself, reveals himself, works things out inside his head.
  4. A clever, fun, and affecting romantic dramedy about love and rock-and-roll.
  5. A Most Wanted Man's cast - a mix of Germans speaking English, Americans speaking English with German accents, Russians, and men and women from the Middle East - is uniformly stellar.
  6. When it comes to sheer comic-book fun, few summer movies deliver a more consistent, satisfying, thoroughly enjoyable shot of cinematic jouissance than the delightfully adventurous actress Scarlett Johansson's latest bit of strange, Lucy.
  7. The animation in Planes: Fire & Rescue is considerably better, the landscapes grander, and the 3-D flight and firefighting scenes more exciting.
  8. Isn't a cheap knock-off but an equally effective, deliciously disturbing movie. It's bound to delight genre fans (and dismay critics, who attacked the first as heavy-handed and sloppy).
  9. There isn't an original frame or line of dialogue in Rage. It's strictly paint by numbers. Or in this case, plasma.
  10. Wickedly smart and wickedly playful, Roman Polanski's adaptation of David Ives' Tony-nominated Venus in Fur works on so many levels, it's almost dizzying.
  11. At a certain point in Dawn of the Planet of the Apes, you expect Caesar to say, "Et tu, Koba?" Maybe a bit obvious, but it would have shown some wit.
  12. Swinton is delightful in a twisted turn as Wilford's enforcer, a Margaret Thatcherian dragon lady who adores watching her men torture miscreants who have defied the train's No. 1 rule: Know your place.
  13. An exceptionally fine children's film.
  14. Like other entries of its pulpish ilk, the picture packs lots of violence, a fair bit of gore, and plenty of cheap scares.
  15. Supermensch is one of those truth-is-stranger-than-fiction tales.
  16. A remarkable, thoroughly disturbing creepshow that burrows deep under your skin and refuses to let go.
  17. In Don McKellar's remake of "Seducing Doctor Lewis", a 2003 French-Canadian comedy, the charm feels force-fed.
  18. The Signal is a road movie turned upside down and inside out.
  19. Funny, passionate, full of compassion for its just-pubescent protagonists, We Are the Best! is a total charmer.
  20. One of this year's true surprises, the superior animated sequel not only is infused with the same independent spirit and off-kilter aesthetic that enriched the original, it also deepens the first film's major themes.
  21. 22 Jump Street's scattershot approach to comedy is rooted in the belief that for every anatomical, scatalogical, sexual, or pop-cultural reference and pun gone awry, another will stick to the wall like, um, bodily fluid.
  22. A kind of Tracy/Hepburn rom-com with a "Dead Poets Society" backdrop and dollops of human failing for added drama, Words and Pictures stars Clive Owen and Juliette Binoche - a matchup that makes you want to like Fred Schepisi's film, even when it becomes impossible to do so.
  23. Maybe it's generational: In a movie about teens, it's the teens who should rule. And they do. With certainty. With laughter. And with tears - buckets and buckets.
  24. At its best, Edge of Tomorrow plays like a tripwire time-travel thriller. As it progresses, though, the built-in repetition can, and does, grow tedious.
  25. The 85-year-old Chilean-born auteur returns this week with his latest directorial attempt, The Dance of Reality, an intensely personal, deeply felt, if at times solipsistic autobiographical work about his childhood in Tocopilla, a seaside town at the edge of the Chilean desert.
  26. Ida
    A road trip at once tragic, hopeful, and unforgettable.
  27. They're not exactly Richard Linklater's "Before" trilogy, but French filmmaker Cédric Klapisch's "Spanish Apartment" movies - 2002's "L'Auberge Espagnole," 2005's "Russian Dolls," and now, Chinese Puzzle - have their devotees, too.
  28. Pulp fiction doesn't come much better than Cold in July, a gritty, grisly - and perversely giddy - crime yarn directed by Pottstown-born indie-film provocateur Jim Mickle.
  29. Jolie's Maleficent is magnificent.

Top Trailers