Philadelphia Inquirer's Scores

  • Movies
  • TV
For 4,176 reviews, this publication has graded:
  • 70% higher than the average critic
  • 3% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 3.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Hell or High Water
Lowest review score: 0 The Mangler
Score distribution:
4176 movie reviews
  1. Either Campion is the most inspirational director of performers or Winslet the most carnal.
    • Philadelphia Inquirer
  2. Brave enough to take up the war from the Southern point of view.
  3. Arnold has a gem for the third millennium in End of Days.
  4. Toy Story 2, like its forebear, will stand the test of time.
  5. Hoffman's turn as the drag queen has its endearing and comically catty moments, but Flawless' utter phoniness subsumes all efforts at honest acting.
  6. Spoofing James Bond in the '90s may lack an original comic bite, but making James Bond in the '90s is positively toothless.
  7. Your body's sitting there in the theater, but it feels as if your head is someplace else.
  8. This is more than a movie: It's Almodovar's design for living.
    • Philadelphia Inquirer
  9. Enormously satisfying.
  10. As pleasant and rosy and optimistic as it is, Liberty Heights doesn't really soar, emotionally or otherwise.
  11. It does commit a cardinal sin of filmmaking. It's boring.
    • Philadelphia Inquirer
  12. In this, Alfred Hitchcock's centenary year, Felicia's Journey so startlingly channels the obsessions of the late director that it might be the greatest Hitchcock movie the master of suspense never made.
    • Philadelphia Inquirer
  13. Corny and blubbery as it is, still packs an emotional wallop.
    • Philadelphia Inquirer
  14. You might be occasionally dumbfounded by The Messenger, but you won't be bored.
    • 43 Metascore
    • 75 Critic Score
    Heartbreaking and sometimes dazzlingly effective, the film still has flaws -- most of them in a too-often-maudlin script.
  15. Essentially, the film functions as a holiday catalog, introducing fans to a new Pokemon whose effigy they can collect in trading cards.
  16. Feeble and formulaic.
    • Philadelphia Inquirer
  17. Weaknesses are confirmed in the movie's laughable climax.
    • Philadelphia Inquirer
  18. Few American directors drive this wedge between mind and gut as masterfully as Michael Mann.
  19. It's never entirely clear whether Borchardt is also an object of ridicule for documentarian Chris Smith.
    • Philadelphia Inquirer
  20. There is one scene in The Legend of 1900 that is easily worth the price of admission. It finds the ship heeling in an Atlantic storm. In the ballroom Roth plays the piano as it moves and slides in an eerie waltz around the floor.
    • Philadelphia Inquirer
  21. The choppy film is like a composition crowded with competing themes.
  22. In theme and technique, it pushes the boundaries of animation and opens up new and imaginative possibilities.
  23. So jaw-droppingly out there, so bracingly bizarre, and, much of the time, so fall-over-funny that even its flaws don't matter. Easily the oddest movie of the year, it is also one of the best.
    • Philadelphia Inquirer
  24. Perry and Campbell are charming despite this straitjacket plot.
  25. The kind of date movie that should do a lot to promote celibacy.
    • Philadelphia Inquirer
  26. A chick movie for guys that zings and pings like a game of supersonic pinball.
    • Philadelphia Inquirer
  27. Develops microclimates of mood without fully developing the same shadings of character.
    • Philadelphia Inquirer
    • 73 Metascore
    • 88 Critic Score
    Moodysson has an uncanny eye and ear for teen speech and attitude, and is able to capture it without the usual condescension and exploitation.
    • Philadelphia Inquirer
  28. If you are unlucky enough to stray into the presence of Bats, I strongly recommend you follow their wise example. Hang from the ceiling and go to sleep.
    • Philadelphia Inquirer

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