Philadelphia Inquirer's Scores

  • Movies
  • TV
For 4,176 reviews, this publication has graded:
  • 70% higher than the average critic
  • 3% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 3.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Hell or High Water
Lowest review score: 0 The Mangler
Score distribution:
4176 movie reviews
  1. This is very much Anderson's film. The publication of the novel made Wharton's reputation. The release of The House of Mirth should do the same for Anderson.
    • Philadelphia Inquirer
  2. Bold, ambitious -- and ambiguous.
    • Philadelphia Inquirer
  3. Devilishly delightful.
  4. Cage and Leoni make it offbeat.
    • Philadelphia Inquirer
  5. The makeover from ugly duckling to swan essentially replaces narrative catharsis.
  6. His (Mamet) direction is unobtrusive, unflashy, and always willing to allow the hilarious cast all the room it needs.
  7. A rewarding exploration of the knotty and often contentious relationship between teacher and protege.
    • Philadelphia Inquirer
  8. At its heart, there's Blanchett, an actress whose instincts are unerring, and dead-on.
    • Philadelphia Inquirer
  9. A winner.
  10. A spare and moving study of regret and redemption, marked with chilling truths about a life behind bars.
    • Philadelphia Inquirer
  11. It is a difficult and demanding movie, one that rewards the persevering moviegoer just as Pollock's difficult and demanding paintings ultimately reward the steadfast.
  12. Picks up speed as it goes along and the finale is frenzied and, well, cartoonish.
    • Philadelphia Inquirer
  13. Too bad Chocolat isn't as seductive as its leading lady.
    • Philadelphia Inquirer
  14. Whatever romantic tension the film has is communicated in the coiled-spring performance by Crowe, one of the most remarkable actors working.
  15. Much of the dialogue is the silliest sort of fantasy mush, and a good deal of the picture appears to have been shot while the lighting guys were out to lunch.
    • Philadelphia Inquirer
  16. It is with gravity and levity and incomparable grace that Ang Lee's Crouching Tiger, Hidden Dragon -- by light years the best movie of 2000.
    • Philadelphia Inquirer
  17. A little gem that's everything a fine independent film used to be.
    • Philadelphia Inquirer
  18. Not up to the freshness and inventiveness of its predecessors.
    • Philadelphia Inquirer
  19. The film, which is amiable, undemanding family holiday entertainment, is more a tribute to the astonishing skills of the dog trainers than anything else.
    • Philadelphia Inquirer
  20. It's a work that preaches to the choir, and the song has been more subtly sung in better movies.
  21. Far-fetched and utterly humorless, with a literally tacked-on conclusion (yes, more text on the screen), the only thing that's surprising about Unbreakable is how lame it is.
  22. It's a big stuffed turkey of a movie, just in time for the holidays.
    • Philadelphia Inquirer
  23. Roos introduces the possibility that perhaps two partials add up to the whole truth, and in so doing creates a provocative love story that sticks with you long after the credits roll.
    • Philadelphia Inquirer
  24. Suave, witty and wonderfully acted ensemble piece.
    • Philadelphia Inquirer
  25. There's no doubt that the formula for this kind of action film is showing its age.
    • Philadelphia Inquirer
  26. Remarkably poignant (and pungent) when it comes to child psychology.
  27. Macdonald's film brilliantly telescopes the '70s, an era when every physical action had its equal and opposite political reaction.
  28. Full of kerplunkingly unfunny jokes and ex-"Saturday Night Live" cast members turning up to do shtick.
  29. Hip, stylish, funny.
  30. A small but moving film that gets the details right (life in a sleepy burg, sidewalk chats between old high school pals) and gets at the heart of human longing for family, for love.

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