People Weekly's Scores

  • TV
For 1,042 reviews, this publication has graded:
  • 57% higher than the average critic
  • 13% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 1.6 points higher than other critics. (0-100 point scale)
Average TV Show review score: 69
Highest review score: 100 Girls: Season 4
Lowest review score: 16 Fear Factor: Season 1
Score distribution:
  1. Mixed: 0 out of 757
  2. Negative: 0 out of 757
757 tv reviews
  1. The show is flat. [7 Nov 2005, p.41]
    • People Weekly
  2. It's a hair-sprayed cobweb. And not funny. [9 Jan 2012, p.40]
    • People Weekly
  3. Done without any of the smart silliness that made Drew Barrymore's 2000 movie reboot so much fun, the show is just vixen nostalgia. [17 Oct 2011, p.42]
    • People Weekly
  4. Millennium ... has grown more pretentious and less coherent with each new installment.
  5. This is one kid who should not stay in the picture. [7 Nov 2011, p.45]
    • People Weekly
  6. The only thing that might make them come to their senses would be a violent but salutary shock. Like Cancellation. [7 Nov 2011, p.45]
    • People Weekly
  7. How'd They Do That? rehashes a previously aired Home Edition and adds a few details that weren't worth including the first time. Why'd they bother?
  8. I just wish he'd [Will Arnett] run away from this dead horse of a sitcom. [11 Oct 2010, p.38]
    • People Weekly
    • 54 Metascore
    • 25 Critic Score
    The premise of this one is about as dumb as you can get.
  9. Apart from the fact that the gags aren't funny... it's off-putting to see something sacred being mucked around with. [30 Apr 2007, p.37]
    • People Weekly
  10. The Real World is an insult to anyone who lives in the real world.
  11. [Skip's] part is virtually unplayable, especially since Bill Pullman and Jenna Elfman, as the first couple, give restrained, relatively natural performances, and Skip's siblings are written more along the lines of Modern Family. [14 Jan 2013, p.52]
    • People Weekly
  12. The show moves along with the dull, humming smoothness of commerce. [19 Mar 2012, p.42]
    • People Weekly
  13. The show makes Survivor look like a utopia. [17 Apr 2006, p.43]
    • People Weekly
  14. The pilot has come under fire for racist jokes, but at Cheap Laffs there's not enough of a creative sensibility for that to matter. [23 Sep 2013]
    • People Weekly
  15. Saddled with stars who neither clash nor click, breaking In appears to be broken. [19 Mar 2012, p.46]
    • People Weekly
  16. It hyperventilates when it means to be breathless. [18 Feb 2013, p.44]
    • People Weekly
  17. The show might work if Steven Pasquale had a script that allowed for bolder contrasts. [2 Feb 2013, p.40]
    • People Weekly
  18. There's no erotic pull between him (Jay Ryan) and the detective (Kristin Kreuk). [15 Oct 2012, p.49]
    • People Weekly
  19. Kathy Bates' surly gravity can't prevail over the silliness of this new series. [24 Jan 2010, p.43]
    • People Weekly
  20. Playboy Club makes the mistake of aping Mad Men's Stern social seriousness. [26 Sep 2011, p.54]
    • People Weekly
  21. Like the world cares. [6 Jun 2011, p.46]
    • People Weekly
  22. No zest, no fun. [26 Mar 2007, p.37]
    • People Weekly
  23. Mostly it feels like an instructional film about disaster preparedness. [2 Oct 2006, p.45]
    • People Weekly
  24. Can you say "ill-conceived"?
  25. The show makes little effort to create a sense of the potent clash--or erotic attraction--between cultures. [24 Feb 2014, p.38]
    • People Weekly
  26. Actually watching Big Brother five nights a week (total air time: 3½ hours) seems like the entertainment equivalent of enduring gavel-to-gavel convention coverage on C-SPAN.
    • tbd Metascore
    • 25 Critic Score
    [A] dreary, derivative sci-fi series. ... Such silliness might be palatable if Alba were more than the sum of her svelte, zippered bodysuits. Instead she pouts throughout, speaking in a Valley Girl drone.
  27. An irritating comedy-drama. [15 Jul 2013]
    • People Weekly
  28. Everything has the familiar mechanical deadness of a sitcom assembled from old ideas. [12 Feb 2007, p.39]
    • People Weekly

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