People Weekly's Scores

  • TV
For 1,042 reviews, this publication has graded:
  • 57% higher than the average critic
  • 13% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 1.6 points higher than other critics. (0-100 point scale)
Average TV Show review score: 69
Highest review score: 100 Girls: Season 4
Lowest review score: 16 Fear Factor: Season 1
Score distribution:
  1. Mixed: 0 out of 757
  2. Negative: 0 out of 757
757 tv reviews
  1. It's educational, kid-oriented and fun, and Tyson us confidently smooth popularizer of science. [17 Mar 2014]
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  2. Tyson elevates this character into a prism through which passes the span of existence.... You will be sighing for days. [10 Mar 2014, p.48]
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  3. At its best, Sirens has some of the emotional and comedic recklessness and shock of his FX comedy about firefighters, Rescue Me. Sirens needs to howl a little more. [10 Mar 2014]
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  4. Meyers is talented and interesting enough that I shouldn't be watching his premiere and wishing that Stefon had shown up instead of Joe Biden.... The monologue was nothing much. Meyers at least seemed instantly comfortable, at home, once he finished a string of so-so punchlines and sat down behind the desk.
  5. The characters are too uneven a group: Some of them you instantly overlook, like the olive in a cocktail. Even so, thus has potential. [3 Mar 2014, p.41]
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  6. [It] promises to be a dizzyingly clever season 2. [3 Mar 2014, p.39]
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  7. The show makes little effort to create a sense of the potent clash--or erotic attraction--between cultures. [24 Feb 2014, p.38]
    • People Weekly
  8. Growing Up Fisher is a winning, welcome example [of a family sitcom], conceptually novel and solidly cash. [24 Feb 2014, p.37]
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  9. The one thing lacking is writing that goes beyond fondness into truly funny. [17 Feb 2014, p.45]
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  10. For now, apart from the Underwoods, it's underwhelming. [17 Feb 2014, p.43]
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  11. Cooper is compelling as an overconfident hothead who sees creative potential around each corner. Trouble is, no matter what the writers dream up for Fleming, Fleming has already dreamed up better for Bond. [10 Feb 2014, p.48]
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  12. This is advertising with a side of bruthah (and muthah)-ly love. [10 Feb 2014, p.50]
    • People Weekly
  13. The coach-team setup give the show a slight Voice vibe, but the whole thing feels flat. [10 Feb 2014, p.50]
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  14. With its rugged leads displaying a light comic touch, the series has a fresh appeal. [3 Feb 2014, p.44]
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  15. In its zeal to avoid Johnny Depp-style silliness, any sense of pirate fun is lost at sea. [3 Feb 2014, p.44]
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  16. Flowers, both the book and the new movie, is completely absurd--if you want to gauge the absurdity, just know that one of the darkest secrets in the narrative involves a doughnut--but somehow also psychologically coherent. It has a grip.
  17. The first few episodes of Rake are, if anything, even fluffier than White Collar. All the better for Kinnear to gently cut through the whimsy with his sharp delivery. [27 Jan 2014, p.39]
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  18. Intelligence is nicely done. [20 Jan 2014]
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  19. After an awful season 2, Lena Dunham's Brooklynocentric comedy celebrating coffee, ambition and sex is fixed. [20 Jan 2014, p.41]
  20. Very little happens in the first three hours of this anthology crime series, yet it's absolutely riveting. [20 Jan 2014]
    • People Weekly
  21. This parody of bad vintage miniseries is asinine--it's supposed to be--and from time to time hilarious. [13 Jan 2014, p.49]
  22. The show must carry on, and of course it does, but rather sluggishly.... Overall the acting from the ensemble remains strong enough to sweep you along from episode to episode. [13 Jan 2014, p.47]
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  23. In the golden age of narrative TV, cartoons offer countervailing subversive pleasures: They're juvenile, satiric, surreal. Those words all apply to the wild spree Rick and Morty. [23 Dec 2013]
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  24. Sort of a Real Housewives with saddles. [16 Dec 2013]
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  25. The show fades away like a Mari Gras parade drifting out of range. But it's a potent memory. [16 Dec 2013]
    • People Weekly
  26. A slight, bright, British caper. [16 Dec 2013]
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  27. Holliday Grainger is an excellent Bonnie.... Emile Hirsch, a very good actor, plays Clyde as a passive nonentity.... Bonnie and Clyde seem as remote and illogical as another notorious couple of the era, Wallis Simpson and the Duke of Windsor. [16 Dec 2013]
    • People Weekly
  28. Neither [Underwood nor Moyer were] helped by the fact that the production stuck to the original Broadway show, which premiered more than half a century ago. It was full of business that might be delightful or even exciting on a stage--nuns gliding about while singing their alleluias, characters racing up and down grand, sweeping staircases--but on a wide-screen television it tended to look like just that, lots and lots of stage business.
  29. Brooklyn Nine-Nine is fine as it is. Tell your DVR to book it. [9 Dec 2013, p.43]
    • People Weekly
  30. Every so often, Alley extracts a solid laugh from an unexceptional joke. [9 Dec 2013, p.45]
    • People Weekly

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