A masterpiece by any measure. [July 2013, p.89]

The new campaign provides the perfect training ground for newcomers, who can then look forward to an incredible multiplayer mode. [July 2013, p.88]

A mostly triumphant return to form for this unique series. [July 2013, p.86]

Like an oboe, this game gets ruined in the playing. Well, a bit. [June 2013, p.94]

Offering very little progression on Dead Island, this is one for the fans. Series newcomers should get the cheaper original instead. [June 2013, p.92]

Anodyne falls between average and perfection, offering a strange, funny, horrifying few hours of old-school action-adventure. [June 2013, p.91]

Some great level design and new abilities await those who take this welcome return to Dunwall, but we wish the visit lasted longer. [June 2013, p.90]

A return-to-roots competitive FPS romp, let down a little by its niche target audience and our smaller local community. [June 2013, p.89]

If Trion can introduce better quest design, this will be a winner. [June 2013, p.88]

The plot, setting and characters are wonderfully strange but the rest of the game feels more than a little unpolished. [June 2013, p.86]

Worth more as a curiosity piece than as a complete and functioning game. This is what happens when you attempt too much. [June 2013, p.85]

A beautiful and creative indie gem. [June 2013, p.84]

If this is what Ubisoft is capable of in ts "spare time", it deserves more time off. Inject this glorious blue neon goop into our veins. [June 2013, p.82]

Monaco offers a new and unique kind of chaotic co-op stealth gameplay, resulting in a work of indie art worth stealing. [May 2013, p.94]

Hardcore aspects combined with uncomplicated play make for an intoxicatingly enjoyable and nostalgic journey. [May 2013, p.92]

The game is addictive as all hell. [May 2013, p.88]

Nicely balanced in many ways, but frustrating for the single player. Not detailed/stable enough for interactive, co-operative play yet, either. [May 2013, p.86]

Problematic plotting and excessive amounts of poorly balanced combat apply friction to what is otherwise one hell of a rollercoaster. [May 2013, p.80]

Omerta's 1920s mobster charm quickly wears away to show its shallowness, and any hope of mob-boss stardom dies with it. [Apr 2013, p.94]

Feels like a focused Bethesda, no longer stretched too thin in its task of crafting a world the size of Skyrim. [Apr 2013, p.93]

Dead Space 3 brings refreshing gameplay options without sacrificing the gritty, believable universe, but scares are few and far between. [Apr 2013, p.92]

A great wargame to play with friends, and a very dull one to play by yourself. [Apr 2013, p.90]

Impiously impractical in implementation, impressive only to the impetuous. [Apr 2013, p.88]

Some good old honest space combat fun, with an inoffensive free-to-play model. Worth your time, and possibly even your money. [Apr 2013, p.86]

A cool concept without much game behind it that's ready to be tossed into the growing pile of Braid-a-likes. [Apr 2013, p.84]

A series we're glad to see come to a close. But if you like games with HEAPS of graphics, or for the multiplayer. [Apr 2013, p.82]

Everything you could want from an archeological adventure, except having to press six keys to mantle. [Apr 2013, p.80]

Don't play it as a puzzle game. Play it as a way of recalibrating your perception of reality. [March 2013, p.96]