Despite its elaborate nature, Omerta does not offer a great deal of variety, while giving the impression of a 10-hour-long tutorial, constantly guiding the player. Such a repetitive game will not take long to get tiresome. [March 2013]

Certainly not for newcomers in the genre; but it’s a blast for hardcore gamers that crave for action instead of the classic FPS mechanics and want matches that last something between a Counter-Strike and Battlefield 3 battle. [March 2013]

Resembling more of an experimentation in interactive storytelling than a complete, actual game, Reperfection somehow makes up with the gimmick of “entering” the lives of different characters. [March 2013]

I’m under the impression that Strike Suit Zero’s developers paid attention to aspects of the game that, although important, like graphics, music, presentation, were not the truly essential ones- thus leaving important elements, like gameplay, A.I and action, to chance. [March 2013]

While failing to revolutionize the horror genre, Eleusis is still a decent, alternative suggestion. [April 2013]

Judging by the result, Gearbox could not handle the tremendous success of Borderlands 2. On the other hand, there’s this erroneous notion that franchises can exploit their name and are justified to produce mediocre titles for ever. Those two facts were enough to condemn Aliens: Colonial Marines. While it’s true that the console version is even worse, the competition in the PC shooter genre, is relentless. [April 2013]

The basic premise is original and the physics-based gameplay looks interesting but it’s also a bit clumsy: more often than not, you get the impression that chance and insistence are more important than skill and intelligence. [May 2013]

The old-school approach of the gameplay is not that fresh anymore and the steep price cannot justify the overpriced sentimentality. [May 2013]

Dejobaan has made a game with attention to detail: the text is tingling with witty black humor, there’s pleasantly looped music and the static drawings portray beautifully this surreal monster-world. [May 2013]

It could have been much better, with more features to enrich gameplay and cut-scenes that would have utilized the game’s engine, but still, it’s reasonably priced as a game. [May 2013]

Following Magicka’s bad example, we have the same formula. Fun gameplay, miserable connection problems. [May 2013]

Truth be told, this was a game made for little people and nephews, not for Sega fans. [May 2013]

A great example of what horror can bring to gaming- especially when not even a handgun is used. [May 2013]

Mixed emotions, overall. On the one hand we have the same graphics, not at all improved. On the other, Steam offers functional multiplayer and workshop support, that breathe life into an old game. [May 2013]

Reversion’s difficulty level is somewhere between low and very low, as most puzzles have a rather obvious solution and will not give anyone a rough time, not even to novice adventurers. Still, they are charming through their simplicity. [May 2013]

Given enough patches and DCLs, SimCity might eventually become the game that should have been on its release and justify the ambiguous choices that its developers made. [May 2013]

In essence, it’s Strike Suit Zero without the (let’s face it, mediocre) story, focused only on arcade-style action. No missions, no objectives, just a goal to survive the endless waves of spacecrafts that attack each round, ever chasing an even better high-score. [June 2013]

This is a world so crazy, so original and eerily psychedelic, you will often wonder what you’re actually looking at. [June 2013]

Even with its low price, Hearthfire is only for a handful of crazy fans of the game. [November 2012]

Dawnguard basically adds a storyline/side quest of roughly ten hours, that introduces the Vampire Hunters regime of Skyrim, the notorious Dawnguards and a royal fraction of Vampires that could care less about this whole fuss. More of what we like, but hardly worth the 20 euros. [November 2012]

It’s surely a polished, well-executed title, for an extremely niche title- this one’s for an extremely small, limited target group. [November 2012]

It’s not a bad game, the problem is that it’s too generic. No character, no identity, nothing to make us remember it by, after reaching the end credits. [November 2012]

The irony is that the PC version could have been much better than the PS3/360 ones, with higher resolutions to make the textures look better, a cornucopia of mods and/or an active (in theory at least) community. But FROM ruined it all (with the assistance of Games for Windows Live). It’s a shame really, if we at least had just a decent port (or a better infrastructure for a less appalling multiplayer mode), Dark Souls could have been one of the best RPG for the PC. [November 2012]

Each aspect is well-executed, but there’s no soul, none of that extra, zany magic stuff that made Plants vs Zombies so lovable. If you are a fan of Tower Defense, with an inclination towards cooperation and social relations, you’re in for a treat. [October 2012]

We loved the humorous mood, the direct nature of each level (that would end in five minutes, maximum) and the fact that we didn’t have to grind for experience, as is the case with nearly all RPGs. It’s a game you play while relaxing and sipping on the day’s cup of tea/coffee. [December 2012]

Super Meat Boy fans will relish the insane challenge, while the rest will have their temper and keyboards destroyed. [December 2012]

Lucius’s main premise is amazing. But the execution could have been way more solid. It limits the player, it’s ruthlessly and unjustly difficult in some cases, the characters pale and the graphics fail to impress. Lucius will be remembered as a great idea that “could have been”. [December 2012]

The first Edna & Harvey was weird, unique and original. The second attempted to be more weird, unique and original, but went too far and overdid it. Furthermore, one can’t ignore the complete lack of challenge and it’s a shame really, as there were some amazing ideas here…[December 2012]