Paste Magazine's Scores

For 2,243 reviews, this publication has graded:
  • 60% higher than the average critic
  • 3% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 3.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Young Frankenstein
Lowest review score: 7 Reagan
Score distribution:
2243 movie reviews
  1. German director Maria Schrader almost achieves that sweet spot with I’m Your Man, but gets a little muddled in her storytelling in the last minutes. That doesn’t take away from her subtle and mature study of loneliness and intimacy via technology.
    • 60 Metascore
    • 78 Critic Score
    As a feature film debut this is a miraculous venture, one that feels glamorous and big while still relishing in the sparks that emit from talented actors finding new and interesting ways to fill an empty space.
  2. An inspiring movie for young, old and everyone in between, I would be shocked if the movie’s final moments didn’t lead to a cathartic cry for every viewer. The beauty of this story is timeless.
  3. Like the best “food porn” movies, Ramen Shop is an expression of authentic passion, the kind fostered by abiding connections not simply to food but to the people, places and times food recalls.
  4. There are reasons we enjoy the adrenaline blast horror movies give us. Scare Me, which should be essential viewing as the Halloween season dawns, understands those reasons well and celebrates them with enough laughs and gasps to leave viewers choking.
  5. Kingsman: The Secret Service may lack the sophistication of its peers, but damned if it doesn’t know how to have a good time.
  6. The First Slam Dunk, with familiar characters, an innovative art style, and a narrative that’s helped structure an entire subgenre of anime, plays both sides of the court as it finds a delicate balance between flash and fundamentals.
  7. Oxygen and Laurent’s performance rely on how human nature manifests in us all: With a desire to live, no matter the cost. And none of what is achieved in this claustrophobic mystery would be possible without Laurent.
  8. While there ample missteps—a villain the audience doesn’t really care about, a lack of epic fights that brought the original audience to both the games and shows, and a predictable plot—the film manages to be a hell of a lot of fun, capturing the spirit of its source material as effectively as a well-aimed Poké Ball.
  9. Hunted doesn’t exactly rewrite the original tale, but it doesn’t have to. It just has to have teeth, and Paronnaud’s kept those canines sharp and savage.
  10. If you love slashers, and love the language of slashers, it’s inevitable that the charms of In a Violent Nature will reach you. Eventually.
  11. Huesera may have needed more scares or a darker ending to push it over the top, but as is, it’s a thoughtful meditation on choice, love and the anguish of expectation, dressed in the clothing of a clear-eyed, anxious body horror.
  12. The script is nowhere near as tight and the characters nowhere near as well-rounded as in Dunham’s previous efforts, yet this unpolished quality is what allows the film to exist in a realm of messiness that feels alluringly unfamiliar. In fact, the ideological murkiness of Sharp Stick is one of the most rewarding things about it.
  13. Refreshingly devoid of a traditional plot and any forced conflict, Gloria instead studies how such a character can enjoy the ups and downs of life even after her family has left her behind.
  14. Ralph Breaks the Internet provides a fun, family-friendly time at the movies. It may lack the nostalgia-fueled power of the original, but it has a potent power source of its own in the messages it conveys.
  15. Visually, the film can be a bit rough around the edges, but at its heart it is built from the kind of pulpy sci-fi goodness that longtime series fans have likely been craving.
  16. With a narrative that adheres to such universal themes, Merchant reaches beyond the film’s wrestling fan core audience and constructs an inspiring story everyone can enjoy.
  17. A Quiet Place is an extremely compelling experience—but it could have been greater still.
  18. Domont’s compellingly drawn portrait of entitlement, impotence and the amplified conservative values of the bros casting the bones of capitalism is a violent delight, filled with tough scenes. Yet, its unpredictable ending is such a triumphantly visceral showdown that the impossible is achieved: The excruciating intensity is completely worth powering through.
  19. It’s a beautiful thing, Wright’s film, an act of historical tension made with the grandest of ambitions tempered by the most careful of portrayals—precise in its bloat and fearless in its fantasy—a reminder today of what makes for actual leadership in a world exhausted by flummoxed white men with sound and fury, signifying nothing.
  20. In a world full of soulless, self-conscious CGI-rampant action flicks and superhero movies that seem like they were made by robots, Emmerich seems to really care about this movie. And that’s a trend I can get behind.
  21. Despite achieving formidable scares and clever callbacks to the filmmakers’ debut Inside, a sinister specter of clumsy cultural engagement lingers in Kandisha.
  22. Brian and Charles isn’t striving to be a technical achievement, and it works well as a thoughtful, sentimental, funny, uplifting buddy comedy. It’s quite a feat for a feature debut, and is guaranteed to leave you waiting for what Jim Archer will do next.
  23. Rich with subtext and warring cultural iconography, it’s got body horror, religious doubt and enough delicious flesh to leave gorehounds completely sated. Colorful and bold, it’s a beautifully scary affair.
  24. Does the experience improve under the influence? Possibly. Then again, Yuasa’s work is effectively intoxicating on its own merits, squiggly and colorful, animation off-kilter enough to send you on a cinematic trip so long as you let it wash over you.
  25. [Chon's] work is haunting and flirts with delirium, but at all times feels urgently alive.
  26. Intimately, quietly, painfully, In the Fade reckons with supremacist beliefs, centering that process on Katja, and on Kruger, who breathes life and humanity into a film that intentionally lacks in both. Akin’s movie is worth seeking out on its own merits, and his subject matter is urgent, but Kruger makes them both feel essential.
  27. The Columnist argues that silence can be more violent and political than speech.
  28. Maybe we know Hite only slightly better when The Disappearance of Shere Hite ends than when it starts, but because of Newnham’s rigor, we certainly understand her better.
  29. After half a decade focusing on high-concept silliness, like the giant-fly tragicomedy Mandibles and the leather-jacket thriller Deerskin, Dupieux follows his more ridiculous impulses by letting the midnight horror anthology stay up until Saturday morning, blending gore and guffaws in an amiable, breezy comedy.

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