Original-Cin's Scores

  • Movies
For 1,688 reviews, this publication has graded:
  • 75% higher than the average critic
  • 5% same as the average critic
  • 20% lower than the average critic
On average, this publication grades 10.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 76
Highest review score: 100 Memories of Murder
Lowest review score: 16 Nemesis
Score distribution:
1688 movie reviews
  1. If you want to dramatize a real-life celebrity fraud tale, you can’t settle for the superficial. Either go for psychological truth or camp it up to the level of the superduperficial. There’s not much of either quality in JT Leroy, a film that offers colourful performances by Laura Dern and Kristen Stewart but fails to find any urgency in retelling the tale of an early 2000s literary fraud.
  2. A dynamite ensemble cast and a truckload of heart keep the sentimental new comedy POMS from crumbling beneath multiple well-thumbed clichés including (but not limited to) plucky underdogs can triumph, friends are really important and life is short so live it fully.
  3. Cookson is engaging enough as Joan, mercurial politics and all, but it’s a prosaic tale considering its enormity. And it never really finds its feet as entertainment.
  4. Though it occasionally gets a little repetitive in its use of archival devil movie and tabloid television clips, Lane’s film is mordantly funny and certainly persuasive in making the case that religion should be kept out of politicians’ dirty hands.
  5. The Intruder is the sort of thriller where the audience is in on pretty much everything from the beginning, and spends the rest of the movie waiting for the dolts onscreen to catch up.
  6. Ultimately, it’s a standard formula for a kid’s movie (and standard formulas are standard for movies that are also toy ads). UglyDolls isn’t particularly inventive or outstanding.
  7. In a less careful movie, with a less relatable performance, this kind of narrative clumsiness would be ruinous. Here, it’s more like a permissible flaw in someone you care for too much to give up on.
  8. The level of sophistication in the storytelling is impressive, and Isaac’s attempts at Vulcan logic notwithstanding, it’s a movie that wears its heart on its sleeve.
  9. In a word, it’s terrific.
  10. The Public, which played at TIFF last fall, is the kind of movie you want to like and that probably needs to get made and seen. But needing to see something and wanting to see it are different things.
  11. Anyone expecting a crowd-pleasing crossover movie from the French director of modern art-house landmarks like Beau Travail and 35 Shots of Rum may be ill-prepared for this perplexing, repellent/fascinating vision of bodies in tight spaces.
  12. Perhaps the only scary thing about the new horror movie The Curse of La Llarona is the fear of mispronouncing the title.
  13. Minghella’s directorial debut is awash with mean girls, pretty boys, seizure-inducing club scenes, headache-inducing auto-tune, and a thin plot that unfolds (and ends) dizzyingly quickly.
  14. Penguins is the latest of DisneyNature’s wildlife documentary features, and in many ways among the best. There’s much to admire in it, but its devotion to a family-friendly tone is often at odds with the astounding footage onscreen.
  15. Not the most profound movie in Laika’s catalogue. But Missing Link is an entertaining 90 minutes, with glib dialogue that may skew a little old for younger viewers, but with maybe enough realistic physical comedy and terrific stop-motion animation to make up for it.
  16. The studio set recreation of Hong Kong’s famous Bar Street, along with the gaudily delectable costumes throughout, give Master Z a dreamy heightened artifice. More than once, the film seems on the verge of breaking into a vintage Hollywood musical.
  17. This Hellboy looks like the real Hellboy, but its heart and soul have gone AWOL.
  18. If you think Little sounds like something a 10-year-old might come up with after seeing Tom Hanks’ Big, you would be entirely correct.
  19. No doubt, it’s pretty great to watch and listen to Franklin, 29 at the time and at the height of her powers, demonstrating her mastery in the genre of music she grew up on.
  20. The “beats” in the story where hearts are supposed to swell are so telegraphed as to render The Best of Enemies emotionally flat. There are no surprises, no change-ups, no setbacks in this collision of sensibilities.
  21. A compelling story that’s well-acted, well-written, and beautifully shot is its own reward. The female perspective is pretty neat, too.
  22. The film brings great heart while underscoring ties between family, friends and, crucially, between humans and the wider environmental world in a way likely to resonate with tweens and teens in North America as it has already successfully done internationally.
  23. Yet another stilted comic thriller.
  24. The Brink, director Alison Klayman’s year-long cinema verité portrait of Steve Bannon, is unlikely to change anyone’s mind about Donald Trump’s political strategist, who helped connect the candidate to white nationalists before falling out of favour.
  25. Apart from the relief of seeing a conclusion to a long story, there’s scant pleasure to be found in the long-winded and jumbled The Man Who Killed Don Quixote.
  26. A genuine crowd pleaser. But its commitment to serving the hero’s legacy frequently brings the fun to a grinding halt. Not to worry though, the fun manages to resurface even after the film flounders in a blaze of super-human gobbledygook involving evil scientists, mythical demons, and a snarky wizard.
  27. Somehow, within this roiling pot of fancy costumes, class hatred, vicious misogyny and official corruption, we are supposed to discern the poisonous seeds of the violence that would wrack Europe. The connections are somewhat fuzzy.
  28. Neither version of the film — the talking-heads documentary or the period drama — has the depth to achieve much impact.
  29. With Pet Sematary, it seems like the remake was ordered, and the filmmakers tried unsuccessfully to come up with a reason. Sometimes less is better too.
  30. Mann’s laidback, dramatized-reality approach to the subject is to treat Carmine Street Guitars, at 42 Carmine Street, as a village general store from another era, a place for friendly gossip and home-made goods.

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