Observer's Scores

  • Movies
For 1,801 reviews, this publication has graded:
  • 49% higher than the average critic
  • 1% same as the average critic
  • 50% lower than the average critic
On average, this publication grades 4.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Denial
Lowest review score: 0 From Paris with Love
Score distribution:
1801 movie reviews
  1. To quote the late, great Dorothy Parker, “What fresh hell is this?” I’m talking about Colossal, a delirious, moronic mess that landed with a thud at last year’s Toronto International Film Festival and now opens commercially, seven months later, with a head-scratching “Duh”.
  2. Beautifully cast, intelligently written and a gorgeously assembled range of beautifully gauged emotions about movies and war, Their Finest is one of the best films of a still-young 2017.
  3. One only wishes they would put their talent and intelligence to better use than a formulaic and manipulative tearjerker that is really nothing more than a woman’s picture from a man’s point of view.
  4. Misguided and lethargic horror movie.
  5. In the title role of the sometimes clever but mostly contrived Carrie Pilby, she (Bel Powley) taxes the boundaries of both.
  6. In the end, it’s the animals who conquer the emotions and provide the suspense in The Zookeeper’s Wife.
  7. Beautiful and challenging, Bokeh has a pristine look and chilling feel of its own that contributes enormously to the mood and tone of the whole film.
  8. All Nighter is an alleged comedy that doesn’t know how to be funny. But at 80 minutes long, it does know how to be merciful.
  9. Life is not a great film, but it has its thrills.
  10. Directed with polish and restraint by Ritesh Batra, this is a gripping film that seizes your focus and never lets go. If this one fails to move you, then you don’t really care much about the power of movies.
  11. Not a great film in the same vein as "Badlands" and "Pretty Poison," but a very good one that is well worth seeing.
  12. Made and marketed for the sole purpose of shock and schlock. It succeeds as both, but the result seems psychologically bewildering and pointless.
  13. I call it cinematic freebasing. It’s tired, repetitious, superficial, dreary and done to death before, by the same director, movie to movie and—forgive me for the unpardonable pun — song by song.
  14. A charming, beautifully photographed modern fairy tale about love and gardening, This Beautiful Fantastic is worth seeing in spite of its dumb deterrent of a title.
  15. Raw
    Word to the wise: Start saving the vomit bags from your airplane flights. With movies like this, you’re gonna need them.
  16. Boring, derivative, and infuriatingly illogical, Lavender is a ghost story with no thrills, no surprises, and no sense.
  17. Despite the presence of Shirley MacLaine, the moments of pleasure provided by The Last Word are far outnumbered by scenes of exaggerated, phony, sugary marzipan-like make believe.
  18. Logan is another heinous and sophomoric waste of Hugh Jackman ‘s time and considerable talent and another expensive throwaway aimed at milking money out of people who still read comic books. Color it stupid.
  19. It’s a harrowing, sensitively realized study of cruelty, revenge and post-war retribution that ranks high among films about the cost of war and its continuing damage to humanity.
  20. A long, incoherent German horror film called A Cure for Wellness is well on its way to late-night cable TV. If you’re a dedicated masochist looking for torture, look for it fast. It won’t live to see a re-release.
  21. As a film, it’s uneven and clumsy, but as a responsible political statement about the chaos we live in now, it’s both enlightening and troubling.
  22. It’s fifty times more boring than the first one. It is also fifty shades dumber.
  23. The theme is nothing new, and the film has no shortage of clumsy biopic clichés, but sometimes we need to see the simplicity of humanity at its best. On that score, this movie delivers in spades.
  24. The actors are superb. The nuanced writing and direction have insight. The three-dimensional portrayals of women in the rural South during the war are praiseworthy.
  25. The terrific cast is well worth watching, but everything else about this wayward movie mistake leaves you feeling just awful.
    • 75 Metascore
    • 75 Critic Score
    The show, however, belongs to Batman and Will Arnett. This is a movie that will be enjoyed heartily and repeatedly.
    • 85 Metascore
    • 75 Critic Score
    Both Hosseini and Alidoosti underplay their parts with an apparent naturalism. And, yet, Farhadi constantly reminds the audience that they are watching a movie, that these handsome folks are actors playing actors in a film.
  26. It is without question the best dog movie since "Lassie Come Home."
  27. If it all seems a bit familiar, that doesn’t mean it isn’t also funny and pleasingly transporting, thanks to a game and attractive supporting cast and a transfixing setting that seems cut out of the pages of Conde Nast Traveler.
  28. The dreary, chug-along Australian film The Daughter offers a good but sadly wasted cast, obscured in the eye-rubbing mist of a foggy Down Under countryside and struggling to rise above the sludge of a basic soap opera with literary pretensions.

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