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For 1,073 reviews, this publication has graded:
  • 60% higher than the average critic
  • 3% same as the average critic
  • 37% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 Amour
Lowest review score: 0 This Means War
Score distribution:
  1. Positive: 694 out of 1073
  2. Mixed: 317 out of 1073
  3. Negative: 62 out of 1073
1073 movie reviews
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  1. Mother and Child
    When it comes to family togetherness, love and quality time are thicker than blood, water or just about any other social glue you can think of. That's the admirable if hardly news-breaking message of Rodrigo Garcia's domestic drama Mother and Child, whose official thread is the impact of adoption on three different women.
  2. Disconnect
    Disconnect is naturally gripping. Using unforgiving closeups, Rubin pokes into unexpected corners— not least the different ways in which men and women respond to calamity — and never forces his story's social-media scares to improbable heights.
  3. The Innkeepers
    West's throwback style and disdain for excess allows his characters to shine.
  4. Quartet
    Personally, I'd show up for Maggie Smith's top-drawer basilisk stare if she were guesting on "Sesame Street."
  5. Orgasm Inc.
    Canner's eye-opening, entertaining account of the search for the little pill that supplies the Big O is looney-tunes enough without the cartoon asides.
  6. Goon
    Scott has made an art - or at least a career - out of playing the affable dimwit. And with Goon, a salty Canadian comedy about the rise of a minor league hockey enforcer, Scott finally has his Hamlet, a role that calls for every blank, uncomprehending look in his toolbox while accessing the cuddly puppy within.
  7. Renoir
    Renoir doesn't present a particularly dynamic tale, and its attempts at stage-like drama — notably the sometimes epigrammatic dialogue — can seem overdone. But the performances are assured, the ambiance impeccable and the themes resonant.
  8. Big Bad Wolves
    There's black comedy, and then, in the darkest corner of an airtight box buried deep underground, there's the humor of Big Bad Wolves.
  9. Bettie Page Reveals All
    That she continues to invite not just Beyoncé and Katy Perry but millions of adoring men and women along for the ride is icing on the cake.
  10. Wolke Neun
    Cloud 9 is most moving when it steps quietly into the gap between physical decline and the persistence, at full blast, of unfulfilled longing and desire.
  11. Kaboom
    Kaboom's one-liners are snappy, knowing, and unexpected.
    • 64 Metascore
    • 80 Critic Score
    Killing Them Softly
    Killing Them Softly has more unruly energy, and less art-house pretension, than "The Assassination of Jesse James." Its disreputability does come with a faintly arty sheen sprayed on - the picture could be a little grubbier, but let's not split hairs, especially such nice, greasy ones.
  13. Brideshead Revisited
    This is a world of dinner jackets and evening gowns, casual jaunts to Venice and Morocco; it's about elegance, style, money and perhaps too heady a mix of drink, religion and intrigue.
  14. Tamara Drewe
    On its own terms, Tamara Drewe is a hugely exuberant black comedy, unfolding over four scenic seasons at a writer's retreat set in a rose-strewn village overrun by city bobos in search of authenticity.
  15. Nick and Norah's Infinite Playlist
    Though these two really grow on you, what's almost more remarkable than Nick, Norah or their playlist (which may not be infinite, but really does include some great music) is the quirky, melting-pot world director Peter Sollett creates around them.
  16. Lemmy
    Lemmy gives the filmmakers enough time and candid access to create a profile of the man that goes deeper than just the sex, drugs and rock 'n' roll - even though in Lemmy's case, there's enough of a surplus of all three to power multiple documentaries.
  17. The Hedgehog
    Perhaps the ending worked better in the book, Muriel Barbery's The Elegance of the Hedgehog, which sold more than a million copies in France. Certainly this adaptation, Mona Achache's directorial debut, is a very bookish movie.
  18. We Have a Pope
    We Have a Pope is not the filmmaker's next assault on a Roman patriarch. It's a half-sweet, half-rueful existential drama in which the satire comes secondary.
  19. Pineapple Express
    Probably the most artful of the Apatow Factory comedies so far, but that's not to suggest it doesn't take being sweetly dumb just as seriously as the rest.
  20. Supermensch: The Legend of Shep Gordon
    Any slack, though is picked up by Shep Gordon, who seems every inch the "supermensch" of the title — splendid company, a sterling storyteller, and yeah, a real mensch.
  21. Nymphomaniac: Volume I
    Oddly though, the most shocking thing about the film is that it often prompts laughs.
  22. Last Call at the Oasis
    The movie presents grim assessments from such experts as the Pacific Institute's Peter Gleick and professor and author Robert Glennon, yet it ends with a flurry of hopeful notes.
  23. The Grey
    The movie might not be a vengeance-driven wolf-man cage fight, but in subverting those escapist expectations, it sinks its teeth far deeper and more memorably.
  24. Michael
    It's hard to make a movie about a pederast without being exploitative, and Michael eventually comes to feel like an art house stunt.
  25. Film Socialisme
    Film Socialisme, his (Godard) latest intellectual assault, includes grating noise, scruffy camera-phone video and subtitles in fractured "Navajo English."
  26. Monsters
    Edwards is a wizard with his laptop's effects program. The squiddy things he conjures up look like the real deal - thoroughly creepy and a gazillion feet tall. Too bad his screenwriting software didn't have an equivalently impressive plot-twisting algorithm to get him to the final fade.
    • 63 Metascore
    • 70 Critic Score
    Babies
    Of course, there's no need to overthink it: If you just want to watch a baby respond to the arrival of a rooster in his bed with perfect comic timing, Babies is the movie to see.
  28. Nobody Else But You (Poupoupidou)
    Not even the presence of a goth-chick hotel clerk could turn Nobody Else But You into "The Girl With the Dragon Tattoo." The movie may teeter on the edge of Switzerland, but its playful sensibility is entirely French.
  29. Love Crime
    The lack of authenticity underlines the thinness of their conceit: Without a plausible backdrop, all that's left of Love Crime are the power games between two duplicitous women and the serpentine plotting that results. And even that, under the slightest scrutiny, frays like a thin layer of tissue paper.
  30. Hors Satan (Outside Satan)
    Strange and uncompromisingly personal. It's also vivid and unforgettable.
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