What could have been an effective investigative drama and character study loses all momentum in the film’s structure.

Ultimately, what you see is exactly what you get with Poetic License – an average American comedy that unremarkably plays it safe.

As Normal barrels toward its conclusion, it’s easy to look past the way it glosses over in-depth characterization.

If you’re looking for a brisk bout of debauchery and family shenanigans, Alex Winter’s latest chilly tale may well be something to be warmed by.

Denis’ directorial prowess stems from her immaculate compositions, an iconic aspect of her oeuvre that’s diluted by her overt reliance on Koltès’ dialogue-dependent source material.

At its best, Blue Heron soars, creating the world of Sasha’s family in impressively precise ways and allowing the underlying questions to linger without succumbing to simplistic answers or pat moments for cathartic release.

The Blue Trail, despite its many narrative flaws, stands out for a striking visual style and ability to ask uncomfortable questions about aging and autonomy.

Sections of this story are missing to give an even broader context, and that means the more powerful message of what really went into making this picture ultimately is muted. However, for anyone who looked upon this enormous undertaking and wanted a bit more information, there is plenty here to satisfy.

Predators emerges as both a deeply unsettling reflection on a cultural moment and a probing look at how quickly compassion can erode when entertainment takes precedence over humanity. Stirring and provocative, it is not only one of the year’s most fascinating documentaries but also a career highlight for Dave Osit.

Whether you attended those shows, had your own musical taste shaped by those that took the stage, or are simply interested in a more detailed look at this impactful period of popular music history, Lilith Fair: Building a Mystery provides an excellent guide to this most epic of traveling shows.

Him falters as a comedy and even more so as a horror film, rarely putting in the effort to build tension or create memorable scares.

Mads Mikkelsen and Nikolaj Lie Kaas give terrific performances and the film’s wild mix of dark comedy, absurdity, and emotional moments keeps it endlessly engaging. Its visuals, sound design, and uniquely Scandinavian humor create a memorable cinematic experience.

John Early's unique sensibility bursts onto the big screen with huge laughs in this loving recreation of '80s-'90s Lifetime movies that's just as heartfelt as it is hilarious.

In a career of many masterworks, this may be Paul Thomas Anderson’s most vital film yet. It’s one cinematic delight after another, a battle cry, and undoubtedly not only the film of the year, but for an entire generation, perhaps the entire decade.

Kogonada channels something, often in the replication of the works of Jacques Demy and Hayao Miyazaki. Yet, it isn’t enough when the central dynamic at its core fails to elicit the yearning spirit that makes any viewer hopelessly head over heels.

Rian Johnson’s resurrection of the all-star murder mystery continues with yet another flawlessly cast, cleverly written, socially relevant, supremely entertaining entry in the “Knives Out” franchise

Ultimately, Tuner is a film about sound, silence, and rediscovering who you are. It’s about the terror of losing what defines you, and the strange, unexpected ways life can offer a new shot for those who feel they already missed it.

A profoundly moving experience about nuanced thematic explorations of connections that is exceptionally crafted. The somber filmmaking highlights an engaging atmosphere, and the narrative is layered, nuanced, and captivating. The performances are all exceptional.

Gavras awkwardly swaps politically charged potency in exchange for an unmemorable satirical take-down of those contributing to our planet’s ongoing environmental destruction.

For some, the narrative’s stronger foundation will be an asset. For others, it’s an underwhelming aspect that detracts from the overall enjoyment of the read. Either way, the film remains a fascinating piece that showcases a high level of creativity, making it worthy of being experienced.

This carefully crafted documentary is more focused on telling a particularly curated story about Candy than any incisive or thought-provoking portrayal.

Thanks to Ahmed and Karia’s creative collaboration, this new version of a man caught between expectation and collapse, tradition and insurgency, love and fury will hopefully find its way to a new generation that has never experienced Shakespeare’s timeless story before.

The character study being forged remains passionately vibrant, and Maura’s performance serves as the guiding light that makes this effort worthwhile. She is undoubtedly the film’s greatest asset, and it’s worth seeking out just to watch her brilliant work.

The film struggles to find an effective core focus that ties all the narratives together in a cohesive and entertaining manner. Ultimately, Fuze lacks the precision in its writing to make the twists and turns worthwhile.

Ultimately, Mile End Kicks is a messy, heartfelt portrait of youth and creative ambition.

Either you’re able to get on Fuller’s wavelength or not, but the freshness and boldness of Dust Bunny are cause for celebration, regardless of which side you find yourself. There’s nothing else like it.

Anchored by moving performances from Emilia Jones and Nick Robinson, you’ll find yourself falling in love with all that Charlie Harper has in store.

Crime simply hasn’t felt this hot, or this exciting, in quite some time.