A near-perfect crowd-pleaser. Thanks to clear, confident direction from Phil Lord & Chris Miller, this soaring adaptation is bursting with creativity. Impressively crafted across the board. Ryan Gosling’s flawless turn is both hilarious and heartbreaking. Both an epic journey to save humanity and an intimate story of friendship.

Campanella’s suspenseful direction makes for an emotionally resonant (and at times very upsetting) watch about enduring love, pain, and the evasiveness of true justice.

Jane Austen Wrecked My Life feels destined to become a quintessential Austen-adjacent classic. The film lives up to its playful title with a thoughtful blend of the author’s sense and sensibility.

It’s a film that’s emotional, exhilarating, and essential.

A profoundly moving experience about nuanced thematic explorations of connections that is exceptionally crafted. The somber filmmaking highlights an engaging atmosphere, and the narrative is layered, nuanced, and captivating. The performances are all exceptional.

One of the most impactful documentaries in recent years.

It serves as both an exploration of the law and a powerful tribute to a mother, a woman, and a human life tragically cut short.

Park Chan-wook has once again crafted a stunningly energetic and endlessly creative film that delights the mind and the eyes.

The act of dreaming itself is what sustains us. Life is unpredictable, and dreams are sacred, which is why it’s nearly impossible not to find yourself rooting for someone as foolhardy as Marty Mauser, or for the beautifully unhinged vision of Josh Safdie.

By the end of the film, it is evident that it is not about whether Father Flynn hurt a student; it is about the contradictions of humans and the uncertainty of the world our characters live in, and how powerful and scary that uncertainty is.

Certain to energize longtime fans and generate new ones for generations to come, EPiC: Elvis Presley in Concert is a masterwork of montage. It’s a definitive doc that gives the sense of how the artist changed popular music, but also about how at his core he was a man with a powerful voice and a zealous need to entertain.

Despite the constant threat of censorship (or worse), the reporters still manage to find joy and even humor in their daily lives. That comedic energy grows increasingly dark and even apocalyptic as the situation becomes more perilous, but “My Undesirable Friends” shows that the power of human connection and the fight for justice and freedom endure even in the most oppressive settings.

It’s exactly the kind of solid entertainment, with the right mix of laughs and tears, that reminds us of the genius-level storytelling the good folks over there are capable of. It’s precisely what the animation studio needed at this time and fits comfortably alongside some of their upper-tier offerings.

Many audiences may shy away from projects like “Late Shift” because its realism is too unsettling, but that’s exactly why it’s necessary in the first place.

A near-perfect parody chock full of witty wordplay, ingenious physical comedy, and diabolically clever sight gags.

Joker: Folie à Deux does many things right to deliver a fresh and unique sequel to the dark story of Arthur Fleck.

A beautifully crafted documentary that’s a celebration of the profound ways in which women like Sara Shahverdi can – and do – change the world around them.

Tessa Thompson and Nina Hoss are electrifying and seductive, and you can't take your eyes off them. Nia DaCosta puts her flair all over this retelling.

The Tale of Silyan becomes not just a portrait of one man’s endurance but a testament to human resilience everywhere. Blending myth and realism with exquisite sensitivity, Kotevska crafts a work of rare poetic power, a film that observes, listens, and ultimately illuminates the quiet, stubborn beauty of life itself.

Roofman is another standout film from Cianfrance who continues to pull us in with fascinating character studies and explorations of humanity. Tatum delivers on every level, giving one of his very best performances thus far in his career, and Dunst gives so much through her subtle, emotional work.

A coming-of-age film that feels surprisingly original. It's hilarious and charming and features fantastic performances. Everett Blunck is a brilliant new talent to keep an eye on.

Charming and truthful, this excellent film about the perils of the gig economy serves as a metaphor for the ruthlessness of the free market at large. Bastien Bouillon gives a terrific, grounded lead performance.

While the structure can be a little too unfocused, Coixet’s subtle depiction of love and loss goes a long way, building to a memorable conclusion.

KPop Demon Hunters slays as a mystical, action-packed musical full of surprises, and it deserves to be played in theaters.

Writer-director Lucía Aleñar Iglesias and star Zoe Stein announce themselves as major talents in the former’s contemplative, moving feature debut - a work that's as patient and impeccably-composed as it is alluring from a plot standpoint.

Stiller and Meara: Nothing is Lost stands not only as Ben Stiller’s best film directorial work in years but also as a very personal keepsake for him and his family. With admiration, respect and honesty, this carefully crafted cinematic family album ensures his parents’ brilliance and love will never fade.

Boots Riley is a genuine original, and in I Love Boosters, he makes a statement as wildly entertaining as possible.

Pulling from personal and vulnerable archives, Birds of War gives voice to the people and gives us a grounded perspective on international conflict.