Newsweek's Scores

  • Movies
  • TV
For 1,617 reviews, this publication has graded:
  • 57% higher than the average critic
  • 3% same as the average critic
  • 40% lower than the average critic
On average, this publication grades 1.7 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 Children of a Lesser God
Lowest review score: 0 Down to You
Score distribution:
1617 movie reviews
  1. It's a testament to his (Amenabar's) cinematic flair that he has taken as daunting a subject as euthanasia and turned it into a crowd-pleasing movie. It's also an indication of what feels wrong here. I can't deny that I was moved, but it all goes down a bit TOO easy.
    • 53 Metascore
    • 70 Critic Score
    Harris leavens the familiar suburban angst with dark humor, rich characterizations and a terrific cast.
  2. Eastwood takes the audience to raw, profoundly moving places. If you fear strong emotions, this is not for you. But if you want to see Hollywood filmmaking at its most potent, Eastwood has delivered the real deal.
  3. Busier, messier and thinner than its predecessor...the studied hipness can get so pleased with itself it borders on the smug.
    • 65 Metascore
    • 80 Critic Score
    Here's a surprise: of the four actors in Closer, Clive Owen is the least famous, but he delivers the most memorable performance.
  4. Sometimes stunning, ultimately stupefying epic .
  5. Mingling reality and fantasy, Forster has given us a luminous, touching meditation on life and art.
    • 90 Metascore
    • 90 Critic Score
    The vocal performances are a blast, Hunter's and Lee's in particular. The animation of the villain's tropical isle is stunning.
  6. Ray
    It's hobbled by the too-familiar conventions of the musical biopic: with so many chapters of Charles's life to cover, Hackford's movie never finds a rhythm, a groove, to settle into. It wins its battles without winning the war.
    • Newsweek
  7. Ridiculous, and oddly unforgettable.
  8. A meditation on love, faith and science in the guise of a thriller, the movie's a tad schematic, but thoroughly gripping.
  9. In Sideways, Payne has created four of the most lived-in, indelible characters in recent American movies. This deliciously bittersweet movie makes magic out of the quotidian.
  10. The folks who served up this formulaic swill seem to think comedy grants you a free pass from credibility. Our lonely hero's artificial Yuletide enthusiasm is more than odd: it's not recognizably human.
  11. Films about great theatrical divas (so temperamental! So divine!) all strike familiar notes. This Somerset Maugham adaptation is no exception. But Annette Bening, playing the queen of the '30s London stage, makes it worth another go-round.
  12. Few films have shown so powerfully the slashing double edge of sports fever.
  13. It's a marvelous premise, and Crudup's serpentine performance has a venomous grace. But Jeffrey Hatcher's screenplay too often sacrifices psychological insight for bogus theatricality.
  14. Full of invention, but under the colorful icing is a slightly stale cake.
  15. Ultimately, Huckabees doesn't work. But it sure does stimulate. This is just the kind of "failure" we could use plenty more of.
  16. It's like a spectacular roadside accident: you can't turn away.
  17. It's hard not to be impressed by Kerry's courage and calm leadership--and to wonder if that guy will show up again.
  18. Expect to be confused for 10 minutes. Then sit back and enjoy the ride.
    • 76 Metascore
    • 90 Critic Score
    Takes the prize. It's a bloody hoot.
  19. It's poppycock, but well directed: Ruben delivers two or three guaranteed jolts, which almost make up for the copout of an ending.
  20. It's a picturesque tale that, hobbled by its episodic structure, never achieves full steam.
  21. Never mean-spirited, A Dirty Shame has some big laughs, but it's a one-joke movie that shows its strain well before the finish line.
  22. A paint-by-numbers old-fashioned romantic epic, Head in the Clouds is neither romantic nor epic, but it does succeed at old-fashioned.
  23. Nair and Witherspoon pull back from the ferocity of Thackeray's portrait: they're afraid we won't find Becky Sharp likable enough. Yes, she's the most brilliant, bold and vibrant creature in this social panorama, but she should also be chilling.
  24. Mann vividly captures the nocturnal pulse of East L.A. in this taut, confined game of cat and mouse. In the homestretch the thrills get too generic and farfetched for their own good. But the first two thirds are a knockout.
  25. A hugely entertaining thriller shot through with dark shards of agony and paranoia. It takes nothing away from the original while delivering pleasures all its own.
  26. The entire solemn, portentous edifice that is The Village collapses of its own fake weight. Just about everything that makes Shyamalan special misfires here.

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