I've seen four episodes; they're all good.

CSI is not looking for a facsimile, so fans can rest assured that Fishburne will evolve into a unique and valued lead on his own.

A beautiful, moving film, and Oprah (as usual) brings it.

Terrific start to the 6th.

Showtime lets them take their time to spin serpentine story lines, gradually pulling us deep into one very sticky, scary web of intrigue.

Initial indications are good--the second season of Broad City may even exceed the first.

Not a dull or wasted moment, and Lane may have just turned in the one of the best performances of her career.

"NYC" celebrates the human spirit, not just an institution. ... A beauty.

Nobody tries to be funny here, so they're more hysterical than the folks falling all over themselves elsewhere. They're simply hopeless specimens of spoiled humanity who haven't a clue how to operate in the real world. [2 Nov 2003, p.04]

Holmes commands the screen as if it belongs to her. She surely must have known all along that it would. Much of the footage here is of the dog-and-pony variety, once commissioned by Theranos and designed to sell the con. But it's so high-gloss--so weirdly hypnotic--that neither Gibney nor "The Inventor" can get to the real human behind the image. A shortcoming of the film? Sure, but the only one. Must watch.

The behind-the-scenes access to “Homecoming” is important. ... However, those scenes interrupt the momentum building in the powerful concert.

In Treatment deftly picks up where it left off--midpoint in the journey of Paul Weston's soul--and reminds us why we took this trip with him in the first place. The new cast is superlative, Bryne is intoxicating, and Ryan is an especially excellent addition. Bon voyage.

As real as real gets, invaluably adding human understanding to a hot-button topic.

As always, magnificent with a moving subtext.

As with "The Avengers," Whedon's ear and sensibilities match the material perfectly.

TV's best of the year, so far.

Quirky, funny, smart, wonderful acting, surprise cameos by cherished actors (Steve Harris, "The Practice"), and a one-two punch by Chandler and Britton that is unbeatable. What's not to love?

The opener is absolutely superlative--a thing of real beauty, even elegance.... Berry delivers a performance that's surprisingly layered and nuanced.

Magnificent.

A worthy successor to the original, Blue Planet II also brings an urgent environmental warning that the first lacked: It demonstrates that the seas are in trouble and that the world must act.

This is a spectacular new series, with some stunning performances--Pierce, Peters, Zahn, in particular--and gorgeous music.

Marvel’s Jessica Jones succeeds in all sorts of ways, especially the one that counts most: Ritter just might be the shrewdest casting move of the season, maybe several seasons, because she so fully inhabits the multidimensional Jones.

Based on the first two episodes, Saul is making a case that it could be even better than “Breaking Bad” (and do brush up on your Bible stories).

Taut, efficient and directed with a scalpel, Breaking Bad remains a marvel.

Owner's Manual looks as sharp as you'd expect from cinematic-minded AMC -- whip-pans, slo-mo, montage, animations, infographics. Sounds great, too, with heart-pumping action music and industrial power sounds. Best of all, homework-doer Marcus (aka Sweet Cheeks) and scoffer Ed (or is that English Muffin?) are natural bicker-buds throughout, adding life and laughs to each half-hour that flies (or rolls) by.

'Flying Blind' is the one gem that stands out in the Fox lineup. The first show takes off like a jet. And the second show is even better. If it's against your religion to watch Fox, this one is worth straying for. [10 Sep 1992]

The most brilliant and wild network program of the 1980s. [28 Apr 1988]

Character--as the old saying goes--is a long-standing habit, and their habits remain very much intact. The same could be could be said of Justified.