Newark Star-Ledger's Scores
- TV
For 511 reviews, this publication has graded:
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50% higher than the average critic
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2% same as the average critic
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48% lower than the average critic
On average, this publication grades 4.2 points lower than other critics.
(0-100 point scale)
Average TV Show review score: 63
| Highest review score: | The Handmaid's Tale: Season 1 | |
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| Lowest review score: | In the Motherhood: Season 1 |
Score distribution:
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Positive: 270 out of 270
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Mixed: 0 out of 270
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Negative: 0 out of 270
270
tv
reviews
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Reviewed by
Alan Sepinwall
Having two nearly identical, equally mediocre sitcoms on the air at the same time isn't exactly a crime, but it seems an awful waste of someone's time and energy.- Newark Star-Ledger
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Reviewed by
Alan Sepinwall
There's plenty of humiliation in I Survived a Japanese Game Show as well, but there it's so varied and strange--and very much in keeping with what I understand of those shows--that it doesn't get repetitive or annoying.- Newark Star-Ledger
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- Critic Score
There's a desperation to the whole affair, a sense that if the creators just keep the pace fast and the jokes tasteless, everything will be fine.- Newark Star-Ledger
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Reviewed by
Alan Sepinwall
"Desire" will make you ashamed -- of society at large, if not yourself --whether you like it (chances: minimal) or not (chances: off the charts).- Newark Star-Ledger
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Reviewed by
Vicki Hyman
"The value of what's in the briefcase might not be in the money." That's what creator Dave Broome, the man behind "The Biggest Loser," clearly wants us to ponder, but The Briefcase also preys upon our judgmental side as we watch the couples attempt to justify keeping all the money.- Newark Star-Ledger
- Posted May 28, 2015
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Reviewed by
Vicki Hyman
They're all likeable enough, but the set-ups are straight out of a dog-eared playbook.- Newark Star-Ledger
- Posted Oct 16, 2015
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Reviewed by
Alan Sepinwall
Larry, Henry and virtually every person to walk through "Happy Hour" are broad, obnoxious, lame caricatures, even by the standards of Fox's laughtracked sitcoms.- Newark Star-Ledger
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Reviewed by
Alan Sepinwall
All of the characters speak in the same exposition-heavy voice; their individual quirks... are too calculated to be interesting; and the soundtrack is both too on-the-nose... and, for the most part, 10-15 years too old for the characters.- Newark Star-Ledger
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Reviewed by
Alan Sepinwall
The real problem with the new Knight Rider, though, isn't that it's stupid (again, it's a show about a guy and his talking car) or that Bruening's terrible (the Hoff would be the first to say he's no master thespian). It's that it's a show whose time has long passed.- Newark Star-Ledger
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Reviewed by
Vicki Hyman
The show comes from Kevin Williamson, who created the more equal-opportunity torture porn "The Following," which at least has a literary sheen and some effective scares. Here there are just trope.- Newark Star-Ledger
- Posted Sep 30, 2014
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Reviewed by
Vicki Hyman
On Best New Restaurant, [Tom Colicchio] is less guarded and more engaged with the chefs and restaurateurs, learning how their experience, management style and personalities interplay in the kitchen and in dining room. A delightful surprise of the premiere are those seemingly genuine, not pumped-up-for-the cameras personalities.- Newark Star-Ledger
- Posted Jan 21, 2015
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