New York Post's Scores

  • Movies
  • TV
For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8343 movie reviews
  1. When Neeson engages in bare-knuckle fisticuffs at the climax of the cartoonish Taken 2, I honestly couldn't figure out if the 60-year-old actor was actually present at all except for the close-ups.
  2. Tim Burton's best film in years.
  3. It's a time capsule from a strange moment - like "Hair" without the groovy music.
  4. The siblings react with humor and horror to what they discover. So will many viewers of this self-indulgent but engaging work.
  5. I haven't seen a timelier or more important film this year, and the film's passion for school choice could hardly be more warranted. Along with documentaries such as "The Lottery" and "Waiting for 'Superman,' " the film comes with a background sound of the ice of inertia cracking.
  6. Michael J. Bassett's Solomon Kane is been there, done that.
  7. These characters, especially the uninteresting primary couple, can't sustain almost two hours of movie. Overall, BearCity 2 deals in mild amusement, not wit.
  8. Bouncy vocal rearrangements of pop songs, sparkling choreography and a hilarious script make for a movie that's made to be obsessed over, seen 50 times, quoted as devoutly as such sacred texts as "Heathers" and "Bring It On."
  9. The presentation is conventional in style but uplifting in spirit, and worth seeing even if you know nothing about basketball.
  10. More likely to play well with older children, due to its split-up story line, Ocelot's creation is like nothing else they are likely to see animating the multiplex.
  11. A serviceable animated movie about a soft-hearted Dracula.
  12. An indie-inflected popcorn movie with major brains, brilliant acting and a highly satisfying payoff, Looper is the first must-see movie of the season.
  13. Yes, there are the requisite jump-in-your-seat scares, many of them false alarms, and it all plays out basically exactly like any other horror movie, but Lawrence does elevate the proceedings.
  14. This carefully observed slice of life is dragged down by the dreary and distracting hand-held camerawork.
  15. Director Ben Hickernell soft-pedals the material into a blandly feel-good dramedy. As Abigail's spirited young trainees, Alexandra Metz and Meredith Apfelbaum give Backwards their all, but can't row their way clear of its clichés.
  16. Long before Occupy Wall Street, there was Bob Fass, the legendary overnight host on WBAI whose 50-year career is lovingly saluted in the documentary Radio Unnameable.
  17. The setting for "17 Girls" is a French seaside town with a gorgeous beach. Aside from that, what you have here are the ingredi-ents for a Maury Povich show.
  18. Initially, this low-budget film writes a lot of checks on the First National Bank of Whimsy, but I was astonished when none of them bounced.
  19. This is just a slow-moving skin flick broken up by lots of boring discussions about Cherry's future.
  20. The filmmakers are clearly fans, and any of Vreeland's personal shortcomings - child-rearing, for instance - are only hinted at.
  21. The acting is first-rate, and remarkably there's no sense that the sometimes tough material (which barely skirts an R rating) has been watered down to make it more palatable for a wider audience. I just wish Chbosky had changed that terrible title for the movie.
  22. How to Survive a Plague, while a shaggier-structured documentary than many, is a heart-wrenching portrait of one of the saddest, most heroic chapters in American history.
  23. Baseball movies tend to be lyrical, deeply felt, aggressively metaphorical and (consequently) terrible, but Trouble With the Curve has something most others lack: Eastwood's superb, cruel sense of humor, which reaches all the way back to "Every Which Way But Loose."
  24. America Ferrara ("Sisterhood of the Traveling Pants'') turns in an image-changing role as a tough lesbian officer who develops a grudging admiration for our heroes.
  25. All I wanted to do was escape from this aggressively ugly world and its equally unattractive characters. It's not that the movie is in bad taste or cheesy (though it is) but that all of its hyperviolence adds up to nothing: This thing is dedd.
  26. Liberal Arts comes to us produced by Josh Radnor. Written by Josh Radnor. Starring Josh Radnor. Josh Radnor is much like Woody Allen, except for the talent.
  27. What with the unexciting hand-held camerawork, and the off-putting script and lead performance, Francine remains as frustrating as its inscrutable title character.
  28. There may be a lot left to say about Hurricane Katrina, but if so, I'm Carolyn Parker doesn't say it.
  29. The film's true fascination is in the kitchen, as it is for the chefs themselves.
  30. Overall, though, the stakes are pretty low for this likable, tipsy crowd. Maybe I'm just too steeped in the underdog lore of "Freaks and Geeks" and "Awkward," but is there anything less narratively interesting than a high school reunion that focuses exclusively on the beautiful and popular crowd?

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