New York Post's Scores
- Movies
- TV
For 8,354 reviews, this publication has graded:
-
44% higher than the average critic
-
2% same as the average critic
-
54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
-
Positive: 4,341 out of 8354
-
Mixed: 1,703 out of 8354
-
Negative: 2,310 out of 8354
8354
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
V.A. Musetto
Joe Swanberg - who directed, edited, lensed, co-wrote and played one of the lovelorn characters - has done wonders with a nothing budget and a personable cast of nonprofessional actors. For viewers so disposed, there are several arty shots of nude women.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
Starts as a serious examination of the two women's lives, but it descends into a mushy melodrama complete with schmaltzy music and dewy cinematography.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
The film failed to be frightening, suspenseful or dramatic but accidentally succeeded in being absolutely hilarious.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
A campus comedy that's as dull as bong water, Accepted is like the product of a community college filmmaking class, remedial division.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Deserved an end-of-the-year prestige release, is a true work of art in a marketplace filled with velvet paintings. It's positively magical, the reason we loved movies in the first place.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
There is plenty of blame to go around for this laughless mess.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
Each scene stumbles onto a detail of inspired absurdity or a crunchy bite of dialogue that encapsulates Chinaski's weird flavor of self-destruction.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Lou Lumenick
Solid cast notwithstanding, 10th and Wolf is a generic, direct-to-video-grade gangster movie.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
[Refn] mixes jittery hand-held camerawork, improvised dialogue and available light to create a nightmarish world of sex, drugs and horrific brutality that will turn off many viewers while delighting others.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
[Refn] mixes jittery hand-held camerawork, improvised dialogue and available light to create a nightmarish world of sex, drugs and horrific brutality that will turn off many viewers while delighting others.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Lou Lumenick
Pulse bears more than a slight resemblance to a 1994 American horror called "Ghost in the Machine." They didn't screen that stinker in advance for critics, either.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
The teen dance drama Step Up seems like it was not only inspired by a Janet Jackson video but entirely written during one.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Kyle Smith
Too bad there is only about half an hour's worth of story here. Mostly, we just watch the teacher get high, and his classroom talks about civil rights are nothing but filler.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
Director-co-writer Fabrice du Welz has taken a clichéd premise and infused it with a stylish perversity that should have horror fans squealing with delight.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
Plot? Who needs a plot? Certainly not neophyte director Matt Porterfield, whose Hamilton gets along just fine without one.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
Ricardo Della Rosa's sumptuous, wide-screen cinematography takes full advantage of the sandy vista, complementing beautiful acting by Montenegro and Torres.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Lou Lumenick
A physically impressive, well-acted, sometimes emotionally powerful - and mostly apolitical - re-creation of that awful day that has some conservative pundits praising Stone as some sort of born-again patriot.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
Inspired by Edgar Allan Poe and the Marquis de Sade (interesting combination, no?).- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
A British indie as tepid as yesterday morning's tea.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Kyle Smith
If you want to punish your kids, send them to bed without dinner. If you want to disturb, frighten and depress them while making sure they fail biology, take them to the animated feature Barnyard.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
This Sundance dud is a turgid gay soap opera with a limp twist, showcasing Robin Williams at his maudlin worst.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
For the first half-hour or so, this thing works like white lightning.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
The film flawlessly glides along as bodies start piling up. The finale brings to mind another Hitchcock film, "Psycho."- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
Even on that happy 2005 election day, which was so successful that it led to a December round of elections in which the Sunnis did participate, Poitras takes a break to show us a close-up of someone slitting the neck of a rooster.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
Quinceañera isn't a work of art, nor does it want to be. But it is a crowd-pleaser.- New York Post
- Read full review
-
Reviewed by