New York Post's Scores
- Movies
- TV
For 8,354 reviews, this publication has graded:
-
44% higher than the average critic
-
2% same as the average critic
-
54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
-
Positive: 4,341 out of 8354
-
Mixed: 1,703 out of 8354
-
Negative: 2,310 out of 8354
8354
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Lou Lumenick
Quite a slog, with most of the acting strictly amateurish save the veteran Ed Lauter as a fish and game inspector.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
You could say the 3-D animated kidpic How To Train Your Dragon is "Avatar" for simpletons. But that title is already taken, by "Avatar."- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Kyle Smith
Doesn't have as much behind-the-scenes juice as you'd hope.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
Someday, The Bounty Hunter and last month’s “Cop Out” will be featured in a cable movie double bill as the two worst 1988 films of 2010.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Repo Men is a rare film where Toronto plays itself. It's also the first I've ever seen where a typewriter is used as a lethal weapon.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
For me, the movie's high point comes when Tony auditions for a role in a Martin Scorsese movie. Tony learns not to try so hard -- a lesson that Garcia also seems to have absorbed from City Island.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
V.A. Musetto
The result is a finely plotted, stylishly photographed and brilliantly acted whodunit that clocks in at 2 1/2 hours but never seems long.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
To really pull off Greenberg would require a lead performance from a master actor. The actor it stars is . . . Ben Stiller.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Astonishingly sharp and stunningly beautiful images of galaxies as far as 100 billion light-years away.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
V.A. Musetto
Daniele Cipri's highly stylized lensing and Carlo Crivelli's bold score add to the movie's flamboyant aura. But then, the story of a bombastic dictator deserves a bombastic telling.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
Mother is yet another winner by Bong, one of Asia's most talented directors.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Mixes fact and speculation in a way that's already raised the ire of some on the right as well as on the left.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Those who can hang on through the mumblecore-ish narrative languor of the nicely photographed The Exploding Girl will savor a very talented actress' sensitive portrait of youthful awkwardness.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
Scenes that should be grotesquely funny deliver only chuckles rather than a big payoff.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
A cringeworthy, unfunny example of a culture-clash romantic comedy.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
The dullness of this writing is more than matched by the dull look achieved by director Allen Coulter, who appears to have shot the film through a piece of yard-sale Tupperware.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
James Van Der Beek plays the same suspect over a 50-year period, sporting some of the worst old-age makeup in memory in the present-day sequences.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
Much of this footage might have been illuminating, even fascinating, in 2003. But seven years on, it's ancient history lacking insight, hindsight or a fresh take.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
One way to judge a filmmaker is by the way he or she directs children. Take Tze Chun and his impressive first feature, Children of Invention.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Depp's nonsense-spouting Mad Hatter, decked out in a red fright wig and possibly more makeup than Michael Jackson, is an unlikely resistance leader.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Kyle Smith
At one sip per cuss word, though, few viewers will still be conscious for the ending, in which the three cops finally come to the same place, each for an entirely different but equally ridiculous reason.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
V.A. Musetto
Having Damon Wayans in the cast might attract viewers to Harlem Aria, but they're bound to be disappointed by the amateurish drama.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
Another Harlan work, "Kolberg" (1945), inspired the film within the film in "Inglourious Basterds."- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Kyle Smith
Even for a horror movie, The Crazies is a bore, and we're talking about the most boring genre this side of dysfunctional-family indie drama.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
The Yellow Handkerchief tells a timeless fable, and tells it extremely well.- New York Post
- Read full review
-
Reviewed by