New York Post's Scores

  • Movies
  • TV
For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8343 movie reviews
  1. An entertaining but routine rock flick.
  2. Daniele Cipri's highly stylized lensing and Carlo Crivelli's bold score add to the movie's flamboyant aura. But then, the story of a bombastic dictator deserves a bombastic telling.
  3. Mother is yet another winner by Bong, one of Asia's most talented directors.
  4. Mixes fact and speculation in a way that's already raised the ire of some on the right as well as on the left.
  5. Those who can hang on through the mumblecore-ish narrative languor of the nicely photographed The Exploding Girl will savor a very talented actress' sensitive portrait of youthful awkwardness.
  6. Scenes that should be grotesquely funny deliver only chuckles rather than a big payoff.
  7. A cringeworthy, unfunny example of a culture-clash romantic comedy.
  8. The dullness of this writing is more than matched by the dull look achieved by director Allen Coulter, who appears to have shot the film through a piece of yard-sale Tupperware.
  9. James Van Der Beek plays the same suspect over a 50-year period, sporting some of the worst old-age makeup in memory in the present-day sequences.
  10. Much of this footage might have been illuminating, even fascinating, in 2003. But seven years on, it's ancient history lacking insight, hindsight or a fresh take.
  11. One way to judge a filmmaker is by the way he or she directs children. Take Tze Chun and his impressive first feature, Children of Invention.
  12. Depp's nonsense-spouting Mad Hatter, decked out in a red fright wig and possibly more makeup than Michael Jackson, is an unlikely resistance leader.
  13. At one sip per cuss word, though, few viewers will still be conscious for the ending, in which the three cops finally come to the same place, each for an entirely different but equally ridiculous reason.
  14. Quite unlike anything I've ever seen before.
  15. Having Damon Wayans in the cast might attract viewers to Harlem Aria, but they're bound to be disappointed by the amateurish drama.
  16. Another Harlan work, "Kolberg" (1945), inspired the film within the film in "Inglourious Basterds."
  17. Repeatedly shoots for laughs -- but ends up mostly firing blanks.
  18. Even for a horror movie, The Crazies is a bore, and we're talking about the most boring genre this side of dysfunctional-family indie drama.
  19. The Yellow Handkerchief tells a timeless fable, and tells it extremely well.
  20. Scorsese has great fun with a story that in the final analysis does not really demand to be taken any more seriously as history than "Inglourious Basterds."
  21. Rolls out stiff clichés to tell a familiar story of racial injustice in the South.
  22. Although the movie is reasonably suspenseful for a while and has a few witty moments (of a first draft, the ghost says, "All the words are there. They're just in the wrong order"), it rings false.
  23. Not just a shabby "Wall Street" knockoff clogged with dull, jargon-spewing trading-desk scenes that fail to advance the plot in any way. It's also a nondescript "Sex and the City" retread.
  24. Rip Torn's recent real-life misadven tures are slightly echoed in Happy Tears, a moderately diverting black comedy in which he plays (what else?) a crazy old coot, to perfection.
  25. On the plus side, Derek McKane's moody camerawork makes Gotham look grand. Too bad it's wasted on The Last New Yorker.
  26. My only question: Why does Kleine -- who's married to Andre Gregory of "My Dinner With Andre" fame -- think that anybody outside her family gives a damn?
  27. It'll be a real miracle if anyone manages to stay awake throughout this extravagantly dull film.
  28. As a spooky midnight movie, The Wolfman is worth curling up with.
  29. Played by Logan Lerman -- the Zac Efron look-alike who was young George Hamilton in "My One and Only" -- Percy is a Manhattan high-schooler who learns he is a demigod.
  30. Less funny or romantic than your average colonoscopy, this cringe-inducing bore provides dubious employment for four Oscar winners, two nominees and a raft of TV performers.

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