It's perhaps unsurprising that Love - and her late husband, Kurt Cobain - even manage to steal the show in a documentary about Schemel's life.

There isn't a surprising moment, and it's an affirmation for hard-core fans and pretty much everyone else of William Shatner's immortal exhortation to Trekkies: "Get a life!"

An appropriately respectful and dignified biopic.

Features some good acting, but most of it doesn't ring true.

Pablo Larraín and Alfredo Castro - the director and star, respectively, of the acclaimed Chilean black comedy "Tony Manero" (2008) - reunite in the chilling Post Mortem.

The slow, methodical pace of Here will undoubtedly drive a few viewers crazy. But for those in tune with its quiet rhythms, it's worth the journey.

Moves at a poky pace even by American indie standards. But it's worth checking out for the fine cast, which also includes Joanna Lumley as Rossellini's earthy pal, and scene-stealing Doreen Mantle as her tart-tongued but wise mother.

Like a dedicated teacher, this is a film that stays with you.

The only really believable character ends up being Bilson's chaste Laura, who snags herself a slot on the reality-show competition "America's Last Virgin."

Besson co-wrote and produced this cheesy mash-up of elements from James Bond and "Battlestar Galactica."

I've seen a lot of rip-offs of "The Truman Show" and a lot of rip-offs of "Scream." I guess I have to give credit to The Cabin in the Woods for ripping off both at once.

For starters, it wasn't a great idea to basically borrow the premise of "The Blues Brothers'' and turn these quintessential Jewish characters (something that's not even hinted at) into the bumbling would-be saviors of the Catholic orphanage where they were raised.

Overall We Have a Pope should prove a crowd-pleaser. Sacred music by the great Estonian composer is a plus.

Maybe DVDs of "Buried" and ATM will be sold in the same package someday. You could call it a trapped-in-a-box set.

I have to confess that this surreal departure by the iconoclastic filmmaker tried my patience more than a bit.

The script suffers from blandness and aimlessness.

So gripping and focused that it easily bests Hollywood movies with 50 times its budget.

Damsels contains much that's familiar to fans of previous Stillman films such as 1990's "Metropolitan": looping jokes that build on one another, allusions to art and literature, characters who are proudly out of step with the times.

It's a sobering slice of life that puts actual faces to local violent crime statistics.

Dafoe proves to have the right blend of ruggedness and sensitivity for this conflicted hero. The actor's habit of maintaining a lavishly styled coiffure in all situations, even when his character is meant to be sleeping in the rain for days on end, is becoming distracting, though.

Harmless if not exactly inspired, and rarely hilarious.

Despite the title, there is no nudity in the Chinese rom-com Love in the Buff, although there is a lot of risqué language.

Antony Cordier's Four Lovers offers only dull characters playing for extremely low stakes.

So deftly does Turn Me On, Dammit! approximate the experience of small-town teenagerhood that occasionally its slowness can frustrate.

You are unlikely to see a movie about incest made as sensitively and tastefully as Womb. And although the characters speak English, the film is firmly anchored in European sensibilities, thanks to its Hungarian director, Benedek Fliegauf.

Juan Carlos Fresnadillo's Intruders looks great and has a promising opening, but this atmospheric Spanish psychological thriller is otherwise pretty underwhelming.

The dialogue, while filthy, is wickedly funny, and sounds perfect coming out of the mouths of these beaten-down characters in their low-rent surroundings.

Wrath of the Titans suggests a franchise that isn't trying very hard, and I don't really expect a sequel. But if it does happen, I fear it'll be even less of an event: "Tiff of the Titans."