New York Post's Scores

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For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,334 out of 8343
  2. Mixed: 1,701 out of 8343
  3. Negative: 2,308 out of 8343
8343 movie reviews
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  1. Love & Friendship
    The sharpest, least sentimental and possibly the best version of Austen yet.
  2. Listen to Me Marlon
    Whether you’re a veteran Brando-phile or a newcomer, Listen to Me Marlon is a totally fascinating glimpse into the making (and unmaking, and remaking) of a legend.
  3. The Death of Mr. Lazarescu
    It's supposed to be about a Kafkaesque experience. Instead, it IS a Kafkaesque experience. Why are we here? Is everything absurd? Is anyone in charge?
  4. Maria Full of Grace
    More than a ripped-from-the- headlines drug drama, Maria Full of Grace is like a horror movie made real.
    • 87 Metascore
    • 100 Critic Score
    Shakespeare in Love
    If she (Paltrow) were the only good thing about Shakespeare in Love, it still would have been worth seeing; that she is the crown jewel in a glittering tiara of a film studded with writing and acting gems testifies to the deep pleasures to be found in this remarkable movie.
  6. Fateless
    Profound and majestic.
  7. The Fog of War: Eleven Lessons from the Life of Robert S. McNamara
    An extraordinary documentary about an extraordinary man that brings to urgent life potentially dry questions of American foreign policy in the 1960s.
  8. Uncle Boonmee Who Can Recall His Past Lives
    Perplexing but pleasing.
  9. Brokeback Mountain
    This is one of the best serious films about homosexuality ever made, but though it's sad and sobering it's still only a rough draft of a great movie.
  10. The Kid with a Bike
    In The Kid With a Bike, Belgian filmmakers Jean-Pierre and Luc Dardenne offer a sly but finally banal update of the Italian neorealist classic "The Bicycle Thief."
  11. Spider-Man: Into the Spider-Verse
    The movie proves a New York teen superhero can do more than just excitedly swing around. He can move us, too. It’s the best stand-alone film to feature the iconic character so far. And it’s animated.
  12. Tarnation
    Caouette has used art, wit and a huge heart to forge his experiences into an unqualified masterpiece.
  13. Murderball
    Fast-moving, psychologically savvy.
  14. Life Itself
    Roger Ebert makes an unusual candidate for a documentary: He was a writer, which isn’t cinematic, and not the swashbuckling kind. He didn’t go to war zones, just movies.
  15. The Shape of Water
    Ultimately, this is a film from a group of terrific talents that never quite comes together the way you'd hope. It's just too fluid to wholly take shape.
  16. Caché (Hidden)
    A deliciously elusive mystery.
  17. The King and the Mockingbird
    The surreal images, offbeat jokes and pointed human-rights allegory make this an altogether different experience from most American animation. It’s dreamy, poetic and not to be missed.
  18. All About My Mother
    The year's best foreign-language movie an absolute must-see.
    • New York Post
  19. Moneyball
    A crowd-pleasing baseball movie for people - like me - who don't like baseball movies...Probably the finest baseball movie since "Bull Durham".
  20. Gregory Crewdson: Brief Encounters
    These elisions give an odd feeling to a film so long in the making. Crewdson's work ultimately begins to seem less enigmatic than he is himself.
  21. My Golden Days
    Desplechin draws uniformly superb performances from his young cast, making the coming-of-age genre seem fresh and vital.
  22. The Wind Will Carry Us
    Poetic but tedious and all but plotless.
    • New York Post
  23. Force Majeure
    Though far too long for its wisp of a plot, this stylish film has a nerve-cinching grip that makes it more alarming than most horror flicks, let alone most movies about a couple having a tiff.
  24. Ten
    Breezy, entertaining and enlightening.
  25. Tangerine
    The two working girls at the center of Tangerine are played by engaging newcomers: Kitana Kiki Rodriguez as the freshly out-of-jail Sin-Dee Rella, and Mya Taylor as her best friend Alexandra.
  26. The Tillman Story
    The Tillman Story purports to be an exposé of the cover-up of the death by friendly fire of the Army Ranger and one time NFL star Pat Tillman. But, provocative and colorful as the film is, it does the very thing it denounces -- massaging the facts to seize Tillman for a political agenda.
  27. Room
    Dopey as the film is on a plot level, it’s equally vapid in its psychology.
  28. Nebraska
    Bob Nelson’s original script, a sort of unlikely cross between “The Last Picture Show’’ and “The Miracle of Morgan’s Creek,’’ offers a biting satire of Midwestern life that Payne sometimes allows to border on condescension.
  29. Under the Sand
    A sensitive and subtle meditation on aging, loss and bereavement.
  30. Spider-Man: Across the Spider-Verse
    Directors Joaquim Dos Santos, Kemp Powers and Justin K. Thompson and writers Phil Lord, Christopher Miller and David Callaham web-swing to such high heights by treating Miles Morales, our Spidey, as a complicated and hormonal New York teen who love-hates his parents and not just another cog in a franchise.
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