New York Post's Scores

  • Movies
  • TV
For 8,350 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8350 movie reviews
  1. Satisfying, well-acted drama.
  2. A hard-hitting exposé of a shameful episode.
  3. Not every movie can come from the heart: This one is from the crotch. But what’s left for the sequel? Maybe it’ll feature Mark and Denzel sporting matching leather codpieces or giving each other bikini waxes. We can only hope.
  4. It's all interspersed with strange attempts at comedy that fail on two levels: They're not funny, and they puncture what little drama there is.
  5. For all its glutinous cuteness, damn if About Time doesn’t sneak up and sock you in the tear ducts. I tried not to fall for it. I failed.
  6. An action comedy for suburban women that's as toothless as a newborn, and nearly as stupid. It tries so hard to be cute that it practically drools on your shoulder.
  7. There are nice cameos by Joan Chen and Kyle MacLachlan as Li's mother and lawyer, respectively.
  8. There are zero surprises, but it looks good, moves well through a trim running time and wields its clichés with defiant aplomb.
  9. Like the film itself, it’s simple but well-executed enough.
  10. Strictly for the 8-and-under crowd.
  11. From beginning to end, the craft — directing, acting, writing, editing, design — is just not there.
  12. Manages to be a satisfying meal, if not quite a feast, for famished adult audiences.
  13. When it comes to magnetism, the Rolling Stones have nothing on Amma, the Indian mahatma ("spiritual guide") chronicled in Jan Kounen's handsomely photographed but one-sided documentary.
  14. An Aquaman sequel is reportedly in the works. The series already has a strong leading man and a feel for an epic. The filmmakers just need to find the heart of their ocean.
  15. The mellow Laue... makes a likable enough subject, if sometimes low-key to the point of dull. Watching other people watch him play, though, is definitely not.
  16. The beginning and end are classics.
  17. The demand for her services is so great that she suffers from "penis elbow," but her popularity also brings self-esteem and a possible boyfriend in her boss (Miki Manojlovic) in this lethargically directed comedy.
  18. By far the best single performance in the film - and it is really, really terrific, utterly believable and moving - is by Emma Thompson. To the extent that there is genuine feeling in the movie that doesn't feel slickly manipulative, it's in the scenes involving her character.
  19. 3
    Tykwer exhibits a fondness for split screens and other eye candy but no interest in formalities like character and plot development. By the time we reach the kitchy final scene, we've had our fill of visual tricks.
  20. Vanity, thy name is Kevin Spacey.
  21. Dialogue, we seem to have forgotten, matters, and the words — by the brutally funny screenwriter of “The Departed,” William Monahan — are electric eels, slithering and sinister and nasty. They sneak up and sting you, or sometimes tickle your toes. Lowlifes don’t actually talk this way? Yeah. But if only they did.
  22. Fails to dig out the dramatic meat, despite a yeoman performance by Danny Aiello.
  23. A solidly entertaining if predictable time-travel film that boasts something most DC movies sorely lack: a strong lead performance.
  24. A typically well-acted, if ultimately minor, effort by John Sayles, the socially conscious indie icon who's unafraid to take on unfashionable subjects.
  25. Its abundant laughs are heavily reliant on the chemistry of stars Ben Stiller and Owen Wilson - who show once again that they're as fine a comic team as Hollywood has ever produced.
  26. The gay sex scenes that punctuate Eloy de la Iglesia's limp Spanish comedy, Bulgarian Lovers, are frequent and graphic, and it often seems as if the lackluster story exists solely to showcase them.
  27. Dire musical interludes are sprinkled throughout the sprawling mess Beloved, an uninvolving would-be romantic epic that spans 45 years in the life of a mother and her daughter, starting in the early 1960s.
  28. Though the cast is a decade older, Zombieland: Double Tap is no less funny. Thanks to some new additions, it’s even more riotous.
  29. Much has been made of the fact that Promised Land was partly funded by the enemies of our domestic gas industry - the foreign oil nabobs in the United Arab Emirates. But the film gets so cheesy that I suspect it was also secretly funded by Velveeta.
  30. There are a few exciting battle sequences and the sets are lavish, but mostly the film meanders aimlessly for more than two hours. No wonder new sword-and-sandal movies are in short supply.

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