New York Post's Scores

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For 8,350 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,339 out of 8350
  2. Mixed: 1,702 out of 8350
  3. Negative: 2,309 out of 8350
8350 movie reviews
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  1. Maestro
    Nothing Cooper does is organic or authentic, and his show-off performance is always stilted. He arduously thinks through every single choice — it’s time to scream into a pillow; cue the laugh; ready, set, cry. Nobody goes to a movie to watch actors ponder their next beat. We want to feel, and his overwrought turn does not allow us to.
  2. Don't Worry Darling
    Pugh, a sensational actress, keeps our interest as she grows increasingly suspicious and sees disturbing visions in mirrors and on windows. She brings class and gravitas to a movie that would otherwise be kinda trashy.
  3. Seducing Doctor Lewis
    The movie is no more than a TV sitcom stretched to feature length. All that's missing is the laugh track.
    • 43 Metascore
    • 50 Critic Score
    Exhuming Mr. Rice
    An earnest, well-meaning film.
    • New York Post
  5. Monsieur N.
    The film tends to be pretentious and melodramatic; and Grant, better suited to comic roles, gives a heavy-handed performance.
  6. Elvira's Haunted Hills
    At 52, Elvira (Cassandra Peterson) still looks a treat and, more important, effortlessly wields her double entendres like a Romanian Mae West.
  7. Driven
    Driven is a lot like a DeLorean: Looks great, but moves slow — if it even moves at all.
  8. Life, Above All
    A downer that too often resorts to melodrama.
  9. The End of the Affair
    It's hard to feel anything but disappointment and boredom by the time the picture grinds to a mystical ending.
    • New York Post
  10. Leonard Cohen: I'm Your Man
    If you're going to make a documentary about Leonard Cohen, the singer-songwriter, you should have him perform some of his better-known melodies, like "Suzanne."
  11. Romance & Cigarettes
    It has cult item stamped all over it, and fans of (severely) experimental cinema might see it as a revelation. Most others will find that watching this movie is like having your senses beaten with a rake.
  12. Zombie Strippers!
    Shot on ugly digital video with Troma-grade special effects, campy humor and frighteningly bad acting, Zombie Strippers should provide many laughs for stoners watching it on video.
  13. Those Who Wish Me Dead
    Despite being a She-Hulk who’s seemingly impervious to physical pain, Jolie turns in her best performance in a while — arguably in over a decade. She’s relaxed, determined and maternal here, and connects well with Little, who is a big talent.
  14. Cake
    Gunning for the near-annual Ugly Makeup Oscar, Aniston proves, as always, a modestly gifted actress, only this time with scars and weedy hair.
  15. Shwaas
    An old-fashioned soaper that will please or not, depending on a viewer's tolerance for schmaltz.
  16. Joe
    David Gordon Green’s Joe largely succeeds in immersing us in a rural world of cruelty, ugliness, decay, neglect and aggression, but if there is a point to it all, I couldn’t find it.
  17. Loudmouth Soup
    The director, Queens-born Adam Watstein, who also edited and co-produced, deserves credit for making a film with modest resources.
  18. Girlfriend
    By far the best scenes are shared by Sneider and his struggling but devoted mother, played by the seldom-seen Amanda Plummer.
  19. Marilyn Hotchkiss' Ballroom Dancing & Charm School
    Overall it's got two left feet - and charm is in dangerously short supply.
  20. Little Monsters
    Director-writer Abe Forsythe (“Down Under”) nails a handful of funny juxtapositions, but too often leans into mean-spirited and tired yuks. As far as red flags for lameness go, fat-kid and pooping your pants jokes are, well, dead giveaways.
  21. The Shape of Things
    Despite an empowered female protagonist, manages in its own way to be as misogynous as "In the Company of Men."
  22. John Wick: Chapter 2
    The first “John Wick” was taut and nasty, a potent slug of B-movie. This one is so enamored of its own extravagance that, on more than one occasion, I was reminded of “Zoolander 2.”
  23. White Wedding
    An affable comedy that, unfortunately, has too many characters and subplots for its own good. The film also could do without the stereotypical character of a gay wedding planner who is supposed to be funny -- but is just embarrassing and clichéd.
  24. Ratcatcher
    Has its moments, but overall the effect is uneven.
    • New York Post
  25. Forget Baghdad: Jews and Arabs - The Iraqi Connection
    Despite some fancy editing, Forget Baghdad is forgettable.
  26. My Mother Likes Women
    PAGING Pedro Almodovar! We have a movie badly in need of your help.
  27. Lucky
    Alas, the complications don't arrive nearly quickly enough for the overlong and slow-paced Lucky to really cook.
    • 38 Metascore
    • 50 Critic Score
    Gemini Man
    If you don’t think “All About Eve” was a documentary, you’ve never dated an actor. That classic show-business paranoia is the subtext that drives Gemini Man, an action flick with a twist.
  29. Gerry
    A gorgeously shot endurance test that is impossible to get through on anything less than a full night's sleep and a double shot of espresso.
  30. Here
    Robert Zemeckis’ film “Here” is an object lesson in how to take a touching idea and make an extremely annoying movie out of it.
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