New York Post's Scores
- Movies
- TV
For 8,350 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,339 out of 8350
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Mixed: 1,702 out of 8350
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Negative: 2,309 out of 8350
8350
movie
reviews
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Reviewed by
Kyle Smith
Idiocy can be funny, but let's not forget that for all of this movie's aspirations to be out-there, it relies on the staple of the sitcom mentality.- New York Post
- Posted Jul 8, 2011
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- New York Post
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Kyle Smith
First-time writer-director Andy Muschietti, an Argentine discovered by Guillermo del Toro, relies too much, especially in the early going, on horror clichés (sudden loud noises and jagged blasts of music), but he does make the tension hum.- New York Post
- Posted Jan 17, 2013
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Lou Lumenick
The disappointing The Company You Keep consistently stretches credulity way past the breaking point in its depiction of journalism, police procedure and political activism.- New York Post
- Posted Apr 4, 2013
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Kyle Smith
Some ideas are auto-stolen (from Coupland's last novel, "JPod"), but those quirky atmospherics aren't enough to sustain a largely plotless film.- New York Post
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V.A. Musetto
The preachy movie is hardly worth the hassle and money required to see it in a theater. Better to download it or wait for it to pop up on TV.- New York Post
- Posted May 6, 2011
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Kyle Smith
The chatty killer and the nervy atmosphere are both so depraved that the film, though it contains hardly any explicit violence, is like stepping into a blood Jacuzzi, and there is a biblical severity to the ending.- New York Post
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Hannah Brown
Just as spectacular as seeing the view from Everest or other natural wonders caught by the IMAX technology.- New York Post
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V.A. Musetto
The screenplay also fails to put the unconventional relationship into context. It never lets on that Andrea helped Duras produce some of her best work, including the autobiographical "The Lovers."- New York Post
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Lou Lumenick
Ron Shelton effectively ratchets up the tension without resorting to the stylistic flourishes of a more recent flick about dirty cops, "Narc."- New York Post
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V.A. Musetto
Best advice: Wait for Two Men Went to War to go to the small screen.- New York Post
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Lou Lumenick
A clever and stylish Dutch twist on the old good-twin/bad-twin plot.- New York Post
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- New York Post
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Lou Lumenick
The flaws of Flash of Genius are worth putting up with for Kinnear's committed performance.- New York Post
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Megan Lehmann
An intelligent and entertaining exploration of racial and sexual politics that brings alive the Harlem Renaissance of the 1920s, and draws parallels with African-American identity crises of today.- New York Post
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V.A. Musetto
Colpaert makes nice use of blue and green hues, and he makes some valid points about the Iraqi war. But the script lacks coherence and ends with a 180-degree flip that lessens the impact of what has gone before.- New York Post
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Lou Lumenick
It's Complicated is basically "Avatar" for women of a certain age, with blond highlights replacing blue skin.- New York Post
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V.A. Musetto
Your baby is near death. Instead of dropping everything to save his life, you make sure the video camera keeps rolling.- New York Post
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Kyle Smith
The attraction between the resolutely empirical scientist and his “spiritual,” hippy-dippy girlfriend gives the film an unpredictable quality.- New York Post
- Posted Jul 17, 2014
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Lou Lumenick
It’s not exactly giving away anything to reveal that Stamp also sings three numbers in Unfinished Song — the last one so stirring that you should bring at least one box of Kleenex.- New York Post
- Posted Jun 20, 2013
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Kyle Smith
Don't confuse the 18th-century Vene tian setting in Casanova with sophisti cation. The film's one-dimensional characters and lame one-liners make it a sitcom with petticoats.- New York Post
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Kyle Smith
After an hour or so, when the would-be comedy War Dogs finally gets around to a point to focus on, it’s stale ammunition that’s been sitting in a dusty Albanian warehouse for 40 years. I assume the movie got its jokes from the same place.- New York Post
- Posted Aug 18, 2016
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Lou Lumenick
There’s nothing hugely original about the script by Richard Wenk (who cowrote “Expendables 2” with Sylvester Stallone), but Washington is a master at putting his own inimitable and stylish spin on even the most familiar situations.- New York Post
- Posted Sep 26, 2014
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Kyle Smith
Soundly structured, smart and fast, with a plausible central scenario, several gripping moments and well-wrought dialogue.- New York Post
- Posted Jan 15, 2014
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Kyle Smith
Sherlock Holmes dumbs down a century-old synonym for intelligence with S&M gags, witless sarcasm, murky bombast and twirling action-hero moves that belong in a ninja flick.- New York Post
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Sara Stewart
It’s a blatantly terrible idea with potential for comedy, but DuVall’s sometimes amusing screenplay has trouble finding its footing as an ensemble portrait of struggling relationships.- New York Post
- Posted Aug 25, 2016
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- New York Post
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Reviewed by
Jonathan Foreman
It's hardly a dramatic story. You learn absolutely nothing about her personal life. But there is plenty of drama in that amazing, soulful voice and the songs she sang.- New York Post
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Megan Lehmann
Has a desolate air, but Eyre, a Native American raised by white parents, manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor.- New York Post
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Lou Lumenick
May be the most purely entertaining foreign-language crossover since "Crouching Tiger, Hidden Dragon."- New York Post
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