New York Post's Scores

  • Movies
  • TV
For 8,350 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8350 movie reviews
  1. Idiocy can be funny, but let's not forget that for all of this movie's aspirations to be out-there, it relies on the staple of the sitcom mentality.
  2. Wonderfully quirky love story.
  3. First-time writer-director Andy Muschietti, an Argentine discovered by Guillermo del Toro, relies too much, especially in the early going, on horror clichés (sudden loud noises and jagged blasts of music), but he does make the tension hum.
  4. The disappointing The Company You Keep consistently stretches credulity way past the breaking point in its depiction of journalism, police procedure and political activism.
  5. Some ideas are auto-stolen (from Coupland's last novel, "JPod"), but those quirky atmospherics aren't enough to sustain a largely plotless film.
  6. The preachy movie is hardly worth the hassle and money required to see it in a theater. Better to download it or wait for it to pop up on TV.
  7. The chatty killer and the nervy atmosphere are both so depraved that the film, though it contains hardly any explicit violence, is like stepping into a blood Jacuzzi, and there is a biblical severity to the ending.
  8. Just as spectacular as seeing the view from Everest or other natural wonders caught by the IMAX technology.
  9. The screenplay also fails to put the unconventional relationship into context. It never lets on that Andrea helped Duras produce some of her best work, including the autobiographical "The Lovers."
  10. Ron Shelton effectively ratchets up the tension without resorting to the stylistic flourishes of a more recent flick about dirty cops, "Narc."
  11. Best advice: Wait for Two Men Went to War to go to the small screen.
  12. A clever and stylish Dutch twist on the old good-twin/bad-twin plot.
  13. Solidly old-fashioned entertainment.
  14. The flaws of Flash of Genius are worth putting up with for Kinnear's committed performance.
  15. An intelligent and entertaining exploration of racial and sexual politics that brings alive the Harlem Renaissance of the 1920s, and draws parallels with African-American identity crises of today.
  16. Colpaert makes nice use of blue and green hues, and he makes some valid points about the Iraqi war. But the script lacks coherence and ends with a 180-degree flip that lessens the impact of what has gone before.
  17. It's Complicated is basically "Avatar" for women of a certain age, with blond highlights replacing blue skin.
  18. Your baby is near death. Instead of dropping everything to save his life, you make sure the video camera keeps rolling.
  19. The attraction between the resolutely empirical scientist and his “spiritual,” hippy-dippy girlfriend gives the film an unpredictable quality.
  20. It’s not exactly giving away anything to reveal that Stamp also sings three numbers in Unfinished Song — the last one so stirring that you should bring at least one box of Kleenex.
  21. Don't confuse the 18th-century Vene tian setting in Casanova with sophisti cation. The film's one-dimensional characters and lame one-liners make it a sitcom with petticoats.
  22. After an hour or so, when the would-be comedy War Dogs finally gets around to a point to focus on, it’s stale ammunition that’s been sitting in a dusty Albanian warehouse for 40 years. I assume the movie got its jokes from the same place.
  23. There’s nothing hugely original about the script by Richard Wenk (who cowrote “Expendables 2” with Sylvester Stallone), but Washington is a master at putting his own inimitable and stylish spin on even the most familiar situations.
  24. Soundly structured, smart and fast, with a plausible central scenario, several gripping moments and well-wrought dialogue.
  25. Sherlock Holmes dumbs down a century-old synonym for intelligence with S&M gags, witless sarcasm, murky bombast and twirling action-hero moves that belong in a ninja flick.
  26. It’s a blatantly terrible idea with potential for comedy, but DuVall’s sometimes amusing screenplay has trouble finding its footing as an ensemble portrait of struggling relationships.
  27. Disappointing and surprisingly crude.
    • New York Post
  28. It's hardly a dramatic story. You learn absolutely nothing about her personal life. But there is plenty of drama in that amazing, soulful voice and the songs she sang.
  29. Has a desolate air, but Eyre, a Native American raised by white parents, manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor.
  30. May be the most purely entertaining foreign-language crossover since "Crouching Tiger, Hidden Dragon."

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