New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,334 out of 8343
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Mixed: 1,701 out of 8343
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Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
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- New York Post
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Reviewed by
V.A. Musetto
The fractured timeline covers five decades, which Miller weaves together, with the past shot in color and the present in black and white. Still, the soapy climax is unnecessary.- New York Post
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Reviewed by
V.A. Musetto
Pedro Castaneda, a nonprofessional appearing in his first film, and Veronica Loren tug at your heartstrings with their portrayals of the lead characters.- New York Post
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Reviewed by
Lou Lumenick
The film plays out pretty much exactly as you would expect - which won't bother some people one iota.- New York Post
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- New York Post
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Reviewed by
Kyle Smith
Sounds like a great idea for a gay porno, but the soapy Save Me actually takes itself seriously.- New York Post
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Reviewed by
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- New York Post
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- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
Darkly funny (par for the course with Miike), visually stunning and full of references to other films.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
A mildly raunchy comedy that might be more accurately titled "Love: Canadian Style."- New York Post
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- New York Post
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Reviewed by
Kyle Smith
Statham is an essential tough guy, what the Brits call "well'ard," as self-assured as Lee Marvin.- New York Post
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Lou Lumenick
So haphazardly written and directed that it barely qualifies as a movie, The House Bunny is watchable solely for the comic stylings of the blond veteran of the "Scary Movie" series.- New York Post
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Reviewed by
Kyle Smith
Its characters are likable enough to settle in with for a pleasant hour and a half.- New York Post
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Reviewed by
Kyle Smith
The laughs begin with the excellent title Hamlet 2 - and they end there.- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
It's time to stop calling Azazel Jacobs a "promising" filmmaker. With Momma's Man, Jacobs achieves the promise.- New York Post
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Reviewed by
Lou Lumenick
This familiar scenario works because of well-written and acted characters. The disciplined direction is by Peter Cattaneo, who tackled somewhat similar material in "The Full Monty" a decade ago.- New York Post
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Linda Stasi
Lucas' films are like Cher's face. No matter how many times you rework the same material, it's never going to be new and fresh again. And so it is with his latest, Star Wars: The Clone Wars.- New York Post
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Reviewed by
Lou Lumenick
After years of diminishing returns, Woody Allen spectacularly returns to form with Vicky Cristina Barcelona, his funniest movie in years and arguably his sexiest.- New York Post
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V.A. Musetto
Chabrol, who is often called the French Hitchcock because of his intricate thrillers, is approaching the big 8-0, yet he continues to do quality work, as shown by A Girl Cut in Two.- New York Post
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V.A. Musetto
A high point shows O'Day, in a black-and-white hat and form-fitting dress, singing "Sweet Georgia Brown" at the Newport Jazz Festival. That scene alone confirms O'Day's place among the greats.- New York Post
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- New York Post
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Reviewed by
Linda Stasi
The animation IS great and absolutely so fantastic you'll want to reach out and touch the creatures - or swat them off your uncomfortable 3-D glasses.- New York Post
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Reviewed by
V.A. Musetto
Matthews is supposed to be the star here, but it's Englund's hilarious, over-the-top performance that keeps Jack Brooks: Monster Slayer, by director Jon Knautz, from becoming another forgettable exercise in horror.- New York Post
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Reviewed by
Lou Lumenick
Basically a mega-budget war movie that makes fun of mega-budget war movies.- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
Names of the other artists - such as Barry McGee, Ed Templeton, Margaret Kilgallen and Jo Jackson - won't necessarily ring a bell, but they all have interesting stories to tell in this pleasant film, which sings the praises of nonconformity.- New York Post
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