New York Post's Scores

  • Movies
  • TV
For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8343 movie reviews
  1. A blackly funny provocation.
  2. The fractured timeline covers five decades, which Miller weaves together, with the past shot in color and the present in black and white. Still, the soapy climax is unnecessary.
  3. Pedro Castaneda, a nonprofessional appearing in his first film, and Veronica Loren tug at your heartstrings with their portrayals of the lead characters.
  4. The film plays out pretty much exactly as you would expect - which won't bother some people one iota.
  5. Especially worthwhile for the chemistry between Bell and Myles.
  6. Sounds like a great idea for a gay porno, but the soapy Save Me actually takes itself seriously.
  7. A charming and enjoyable movie.
  8. Charming to the max.
  9. Boring movie.
  10. Darkly funny (par for the course with Miike), visually stunning and full of references to other films.
  11. The film's unusual look lends a magical feeling.
  12. A mildly raunchy comedy that might be more accurately titled "Love: Canadian Style."
  13. The best end-of-August movie I've seen in years.
  14. Statham is an essential tough guy, what the Brits call "well'ard," as self-assured as Lee Marvin.
  15. So haphazardly written and directed that it barely qualifies as a movie, The House Bunny is watchable solely for the comic stylings of the blond veteran of the "Scary Movie" series.
  16. Its characters are likable enough to settle in with for a pleasant hour and a half.
  17. The laughs begin with the excellent title Hamlet 2 - and they end there.
  18. Slowly builds power to devastating effect.
  19. It's time to stop calling Azazel Jacobs a "promising" filmmaker. With Momma's Man, Jacobs achieves the promise.
  20. This familiar scenario works because of well-written and acted characters. The disciplined direction is by Peter Cattaneo, who tackled somewhat similar material in "The Full Monty" a decade ago.
  21. Lucas' films are like Cher's face. No matter how many times you rework the same material, it's never going to be new and fresh again. And so it is with his latest, Star Wars: The Clone Wars.
  22. After years of diminishing returns, Woody Allen spectacularly returns to form with Vicky Cristina Barcelona, his funniest movie in years and arguably his sexiest.
  23. Chabrol, who is often called the French Hitchcock because of his intricate thrillers, is approaching the big 8-0, yet he continues to do quality work, as shown by A Girl Cut in Two.
  24. A high point shows O'Day, in a black-and-white hat and form-fitting dress, singing "Sweet Georgia Brown" at the Newport Jazz Festival. That scene alone confirms O'Day's place among the greats.
  25. Sappy and corny, but there are a few lovely moments.
  26. The animation IS great and absolutely so fantastic you'll want to reach out and touch the creatures - or swat them off your uncomfortable 3-D glasses.
  27. Matthews is supposed to be the star here, but it's Englund's hilarious, over-the-top performance that keeps Jack Brooks: Monster Slayer, by director Jon Knautz, from becoming another forgettable exercise in horror.
  28. Basically a mega-budget war movie that makes fun of mega-budget war movies.
  29. A windbaggy film of Phillip Roth's novella "The Dying Animal."
  30. Names of the other artists - such as Barry McGee, Ed Templeton, Margaret Kilgallen and Jo Jackson - won't necessarily ring a bell, but they all have interesting stories to tell in this pleasant film, which sings the praises of nonconformity.

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