New York Post's Scores

  • Movies
  • TV
For 8,350 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8350 movie reviews
  1. Europe’s immigration dilemma was also the focus of Aki Kaurismaki’s winsome “Le Havre,” and the Africans themselves were front and center in Moussa Touré’s “La Pirogue.” This film is somewhat less effective; Crialese’s message seems to take priority over a deeper sense of individuals.
  2. Possibly the least sexy vampire flick ever to crawl out of the crypt (it never occurs to anyone that biting someone's neck is kinda intimate; the act is strictly utilitarian), but it's unusually detailed in its imagining.
  3. Pinto's lack of dramatic range (she basically has two expressions) and an awkward third act do not provide a solid foundation for Hardy's tragic ending.
  4. Lebanon-born director Ziad Doueiri, a camera operator on Quentin Tarantino's films, has a dreamy, fluid style he decorates with light electronic sounds -- from bands like Air -- that give this film more than a touch of youthful poetry.
  5. Much of this footage might have been illuminating, even fascinating, in 2003. But seven years on, it's ancient history lacking insight, hindsight or a fresh take.
  6. Although mostly routine, Pet Sematary is intermittently scary.
  7. Bateman has rarely had the opportunity to play a snarling lawman, but with his cool aviators and his bristling putdowns he's perfect, too.
  8. Great fun for the first 20 minutes - which include Kubrickian tracking shots and music from "2001" and "A Clockwork Orange" - but seems long at 86.
  9. It lurches ineptly from lame comedy to hokey melodrama.
    • New York Post
  10. It's no funnier than your average grade-school biology lesson and less pedagogically useful than your typical Farrelly brothers comedy.
  11. A stylish but distressingly generic and not particularly scary American remake of a phenomenally popular Japanese supernatural thriller that spawned two sequels and a TV miniseries.
  12. The screen comes alive only at the end, when a frightening tornado destroys the seaside village.
  13. Nearly stolen by the veteran Stamp's gently fatuous John.
  14. Gut-bustingly funny.
  15. Netflix needs to add a category for its new original film The Laundromat. Right under “Movies you might like” should be “Movies you will loathe.”
  16. Caro (“Whale Rider”) largely forgoes the eardrum-shattering ballistics of a typical war movie — yes, there are bombings and shootings, but they’re the backdrop, not the focus. Her film dwells more in the aftermath of violence.
  17. A sluggish and murky sub-Polanski-esque psychodrama.
  18. Comes closer to what a Bond movie should be and once was.
  19. The gimmicky title is doubly misleading: The Disappearance of Eleanor Rigby is neither a mystery nor Beatles-themed, but it is an elegantly wrought tale of anguish.
  20. A twisty, spectacular farce.
  21. Coming on the eve of the 9/11 anniversary, this snapshot of middle America is a worthwhile addition to the cultural conversation.
  22. Having written this script for themselves, Sharp and Jackson are a scream. Imagine if a vodka Redbull transformed into two human beings — that’s who they are.
  23. As misconceived as it is corny and predictable.
  24. The low-budget "Master" lacks the polish and romance that made "Crouching Tiger" so popular. But for old-fashioned raw energy, it's tough to beat.
  25. A delightful, fresh dark comedy.
  26. Combined with the eyestrain produced by the cheap cardboard 3-D glasses, the resulting vertigo is decidedly unpleasant -- although having moon rocks and blobs of cream pie flying out from the screen is kinda cool in a retro way.
  27. It turns into something that is much smarter, and in a gentle, low-key way, tougher and funnier than you expect.
  28. This essentially good-natured movie, a massive hit in France, is more likely to strike American audiences as trite than offensive.
  29. Fogel’s focus is female friendship, and the challenges presented by growing older and pairing up. It all makes for a rocky road, regardless of the romantic rival’s gender.
  30. There's plenty of smash, thunder and brawl for the kids. But in taking a bit of Hulk and a bit of Superman while re-imagining Excalibur as a hammer, Thor amounts to putting new horns on old ideas. And the screenplay sounds like the lyrics of Spinal Tap.

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