New York Post's Scores

  • Movies
  • TV
For 8,350 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8350 movie reviews
  1. Too much of the film is given over to the soap opera of Elmer's life.
  2. It may have the faintest relationship to any kind of reality, but Jones' tart performance cuts through the saccharine.
  3. The initial suspense of Cautiva gives way to sentimental clichés, but Lombardo's performance (including a daring nude scene) keeps us watching.
  4. The first half has erratic pacing, but past the midpoint the film roars into action. Dornan is monotonous, but Murphy is intense enough for them both; side romances for the men feel phony but apparently are based in fact.
  5. Chilling documentary.
  6. The film tastefully handles the sensitive subject, but it lacks the bite that a Michael Moore would have provided.
  7. The real unflinching truth is that an average newspaper reporter can do a more artful, compassionate job with a drug-war story than this movie does.
  8. More than lives up to its clever positioning as the first movie of the new millennium.
    • New York Post
  9. This is one perfectly terrifying movie, an instant classic.
  10. The plot of Attitude isn't exactly original and won't have you sitting on the edge of your seat. But Nilsson knows how to create a noirish mood, and some of the camera work is interesting, if pretentious.
  11. Captures some remarkably vivid present-day performances by the aging performers.
  12. But it's more than a crowd-pleaser shot at spectacular Rocky mountain locations -- it's almost revolutionary.
  13. The Rock deserves better than The Rundown, a brisk, good- hearted but predictable and uninspired - not to mention bone-crunchingly violent - action comedy.
  14. The film is well shot and edited, backed with a bouncy hip-hop soundtrack and full of pep.
  15. Highly entertaining - but far from classic.
  16. Pacino demonstrates considerable comic chops in The Humbling — which has some interesting similarities to “Birdman.’’ It loses some momentum in its third act, but provides plenty of juicy material for a terrific cast.
  17. French director Yann Demange doesn’t clean up the story or make a hurting neighborhood look pretty. The film stays foreboding, gritty and honest. Merritt’s no-frills style is the film’s greatest asset, while McConaughey brings an authentic paternal concern to his usual trailer-park persona.
  18. Firth, who can still be a heartthrob when he wants, douses the smoldering embers of old romance and turns Archibald completely tense and awkward. It’s a wise choice that makes his eventual transformation more poignant.
  19. An unexpectedly disarming, extremely well-cast little variation on "E.T."
  20. Thanks to Jordan's bravura storytelling, Breakfast on Pluto is one of very few movies this year truly worth remembering.
  21. Overly long and complicated, it's packed with crowd-pleasing moments and satisfactorily wraps up the trilogy - without quite capturing the magic of the first two installments.
  22. Check your brains at the popcorn stand and hang on for a spectacular ride.
  23. Now it can be told. The erotic film "Emmanuelle" helped end the Cold War. That's one tasty tidbit from Disco and Atomic War, a subversively funny documentary.
  24. Aspires to be a scary suburban satire like “Get Out” or “Hot Fuzz.” But watching adults murder or attempt to murder toddlers, teens and even a newborn baby just isn’t funny. At times, it’s downright sickening.
  25. While there are some giggles in the film-within-the-film (also called "Road to Nowhere"), the artsy-fartsy direction and flat-as-a-pancake acting (including a cameo by Variety columnist Peter Bart as himself) invites invidious comparisons to "Mulholland Drive."
  26. Fails to elicit any substantive information from his (Tommy Davis) subjects. And he fails to put their plight into perspective.
  27. An overdone sex comedy.
  28. Unbroken, is a cinematic scrapbook, a collection of well-composed scenes practically cut and pasted from “Memphis Belle,” “Chariots of Fire,” “Life of Pi” and “The Bridge on the River Kwai.” Unlike those other films, though, Angelina Jolie’s second effort as a director is more a series of similar events than a story, and lacks an underlying message except that torture hurts.
  29. Wood and Page generate a believable, prickly sibling closeness in Rozema’s unhurried but harrowing micro-portrait of how easily civilization could crumble.
  30. The movie is no more than a TV sitcom stretched to feature length. All that's missing is the laugh track.

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