Utterly predictable and full of trite dialogue.

The Edgertons pile on the plot twists a bit thick, but the director steadily ratchets up the tension until a climactic shootout.

A sometimes insightful, sometimes absurdly devotional but steadily engaging film.

There isn't anything especially wrong with Who Do You Love but there's nothing here that cries out to be seen, either. Read more: http://www.nypost.com/p/entertainment/movies/who_do_you_love_VZgyGvsv0ruc9teHrzQIlJ#ixzz0kcaj8Mwl

You don't have to have ever seen any of their movies to enjoy It Came From Kuchar, directed by one of George's former students, Jennifer M. Kroot. But you'll probably want to catch up with their work afterward.

The acting is super -- these guys know how to be sweet and disgusting -- and the story provides its share of laughs. But after a while, the one-note movie, directed by Felix van Groeningen, grows tiresome.

Their conversation is so insipid that watching this movie is no more interesting than talking to any random New York couple about what makes them tick.

Though quite watchable thanks to its cast, the overly ambitious Don McKay ends up as confused as its main female character.

The film is well-constructed, as one would expect from Gondry, but it offers little reason for anyone outside the family circle to care about dear old Tante Suzette.

Is nothing sacred? In the schizophrenic war epic The War lords, Jet Li, the hunky action hero, cries -- no, make that sobs -- several times. What will his legion of young male fans think?

A roaring old-school action adventure for kids, with as many mythical beasts as a year at Hogwarts and a healthy dose of smiting without the crazed bloodlust of “300.”

It's the worst of both worlds as Disney cash cow Miley Cyrus makes the most dubious "dramatic" debut of any singer since Britney Spears.

The documentary does a superlative job of examining the half-century dispute over Chinese rule of mountainous Tibet.

Bluebeard revisits themes often found in Breillat's films -- sibling rivalry, pedophilia, gender conflict -- but it remains fresh and new.

A raunchy, endearing and often hilarious cross between “Back to the Future” and Reagan-era cheese-fests such as “Hot Dog: The Movie.”

A Skinemax movie cloaked in art-house fancy dress, the sex thriller Chloe might have worked better as an out-and-out popcorn flick starring, say, Jennifer Lopez.

It would have been nice to learn as much about Sar the man as about Sar the dancer.

Well worth seeing for its acting and its tempting cinematography. Don't be surprised if you find yourself wanting to book a vacation in Cobh.

Quite a slog, with most of the acting strictly amateurish save the veteran Ed Lauter as a fish and game inspector.

You could say the 3-D animated kidpic How To Train Your Dragon is "Avatar" for simpletons. But that title is already taken, by "Avatar."

A working-class hero of a film.

Doesn't have as much behind-the-scenes juice as you'd hope.

Someday, The Bounty Hunter and last month’s “Cop Out” will be featured in a cable movie double bill as the two worst 1988 films of 2010.

Repo Men is a rare film where Toronto plays itself. It's also the first I've ever seen where a typewriter is used as a lethal weapon.

For me, the movie's high point comes when Tony auditions for a role in a Martin Scorsese movie. Tony learns not to try so hard -- a lesson that Garcia also seems to have absorbed from City Island.

An above-average and sometimes surprising kid movie.

The result is a finely plotted, stylishly photographed and brilliantly acted whodunit that clocks in at 2 1/2 hours but never seems long.

To really pull off Greenberg would require a lead performance from a master actor. The actor it stars is . . . Ben Stiller.