New Times (L.A.)'s Scores

  • Movies
For 639 reviews, this publication has graded:
  • 52% higher than the average critic
  • 1% same as the average critic
  • 47% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Donnie Darko
Lowest review score: 0 Rollerball
Score distribution:
639 movie reviews
  1. Stylish, but definitely not for the squeamish
  2. Easily one of the finest and most sophisticated films of the year.
  3. In the end, after the super-modified shovel racing, wild half-pipe action and integral employment of Black Sabbath's "Paranoid," there's a poignancy to the piece.
    • New Times (L.A.)
  4. In tampering with history, these storytellers present to us a rare and wonderful case of enlightenment beyond the accepted truth.
    • New Times (L.A.)
  5. This is a sensitive, thinking person's movie with a lot on its mind.
  6. If there's any justice in moviedom, this summer's feel-good hit will be an unassuming Dutch comedy called Everybody's Famous!
  7. Director Oliver Parker (An Ideal Husband) -- who also adapted the screenplay to include aspects from Wilde's unrevised four-act version of the play -- embraces the material with great gusto, delivering as charming and irresistible a film as one could demand.
    • New Times (L.A.)
  8. Gentle and gorgeous, honoring atmosphere over attitude.
    • 60 Metascore
    • 70 Critic Score
    If Drew Barrymore weren't at the center holding it all together, the result could have been disastrous.
  9. The cast is uniformly excellent; all involved seem keyed into the subtextual subtleties of a story that, while simple on the surface, is exceedingly rich underneath.
  10. While you think you're watching just another in a series of British gangster films, you may suddenly realize that you're watching what is, thus far, the year's best horror movie.
    • New Times (L.A.)
  11. Analyze This won't win any Oscars, and its comedy is pretty tortured in places, but the pleasures of watching DeNiro onscreen never diminish--not even when he's putting the glories of his criminal past at risk.
  12. This is not Tsui's best film by a substantial margin, but it's immense fun.
  13. Delightful almost in spite of itself.
  14. Not as tumultuous as "Happy Together" (the best gay break-up movie to date) it nonetheless offers much food for thought, particularly in regard to issues of trust and condom use.
  15. Has all the crowd-pleasing elements moviegoers respond to: appealing hero, absorbing story, a solid group of supporting players and a big fat happy ending.
  16. En route, we also get a chance to examine the nature of the self and the responsibilities of science. Das Experiment has all this and more, excitingly packaged as a prison movie featuring superb performances and high emotional tension.
  17. It makes as good a case as any for the use of animation as a medium for serious, mature features.
  18. Viewers expecting another enchanting, whimsical tale of high energy and mischievous spirits will be sorely disappointed.
  19. Forster is the reason that even non-Mamet-heads might consider giving Lakeboat a shot. It's worth it just to see him in his long one-take exchange with Johnston about booze, but he's remarkable throughout.
  20. Signs blessedly displays a sense of giddy dark humor absent from Shyamalan's previous outings. It appears for much of the film he's merely having fun with the genre, goofing on its paranoid roots.
    • New Times (L.A.)
  21. The muddiness of the basic concept and the thinness of its execution eventually defeat even Witherspoon's talents.
  22. The film takes an incredibly wrong turn when it shifts to the courtroom trial -- It all but kills any goodwill Silberling has engendered up to this point.
    • New Times (L.A.)
  23. The film is worth seeing for Sorvino alone. The actress hasn't been this good since Woody Allen's "Mighty Aphrodite," a role that couldn't be more dissimilar.
    • New Times (L.A.)
  24. The movie may be intellectually sophomoric, dramatically adolescent and morally vacuous, but it's good fun while it lasts.
  25. It's always risky to characterize a new film as "unique," but Tuvalu, the debut feature from German director Veit Helmer, has as good a shot as any at claiming that label.
  26. Of all the A-list men playing dedicated authority figures, Star Wars alums Harrison Ford and Liam Neeson remain among the most amusing and pleasing, which is why K-19: The Widowmaker glides along engagingly rather than sinking.
    • New Times (L.A.)
  27. Horror fans and those who just plain enjoy a well-told story should thank the cinematic gods. Session 9 is not only the scariest movie of the year, but also perhaps the most easy to believe since the first "Blair Witch."
  28. A genuinely affecting movie that approaches its adult themes with intelligence, maturity, and rare authenticity.
  29. Either a put-on or a straight shooter; that you can't tell the difference underscores its small but ultimately overwhelming flaws.

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