New Times (L.A.)'s Scores
- Movies
For 639 reviews, this publication has graded:
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52% higher than the average critic
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1% same as the average critic
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47% lower than the average critic
On average, this publication grades 5.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Donnie Darko | |
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| Lowest review score: | Rollerball |
Score distribution:
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Positive: 314 out of 639
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Mixed: 210 out of 639
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Negative: 115 out of 639
639
movie
reviews
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- New Times (L.A.)
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Reviewed by
Gregory Weinkauf
Easily one of the finest and most sophisticated films of the year.- New Times (L.A.)
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Reviewed by
Gregory Weinkauf
In the end, after the super-modified shovel racing, wild half-pipe action and integral employment of Black Sabbath's "Paranoid," there's a poignancy to the piece.- New Times (L.A.)
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Gregory Weinkauf
In tampering with history, these storytellers present to us a rare and wonderful case of enlightenment beyond the accepted truth.- New Times (L.A.)
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Gregory Weinkauf
This is a sensitive, thinking person's movie with a lot on its mind.- New Times (L.A.)
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Bill Gallo
If there's any justice in moviedom, this summer's feel-good hit will be an unassuming Dutch comedy called Everybody's Famous!- New Times (L.A.)
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Gregory Weinkauf
Director Oliver Parker (An Ideal Husband) -- who also adapted the screenplay to include aspects from Wilde's unrevised four-act version of the play -- embraces the material with great gusto, delivering as charming and irresistible a film as one could demand.- New Times (L.A.)
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- New Times (L.A.)
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- Critic Score
If Drew Barrymore weren't at the center holding it all together, the result could have been disastrous.- New Times (L.A.)
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Reviewed by
David Ehrenstein
The cast is uniformly excellent; all involved seem keyed into the subtextual subtleties of a story that, while simple on the surface, is exceedingly rich underneath.- New Times (L.A.)
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Gregory Weinkauf
While you think you're watching just another in a series of British gangster films, you may suddenly realize that you're watching what is, thus far, the year's best horror movie.- New Times (L.A.)
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Bill Gallo
Analyze This won't win any Oscars, and its comedy is pretty tortured in places, but the pleasures of watching DeNiro onscreen never diminish--not even when he's putting the glories of his criminal past at risk.- New Times (L.A.)
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Andy Klein
This is not Tsui's best film by a substantial margin, but it's immense fun.- New Times (L.A.)
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- New Times (L.A.)
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Reviewed by
David Ehrenstein
Not as tumultuous as "Happy Together" (the best gay break-up movie to date) it nonetheless offers much food for thought, particularly in regard to issues of trust and condom use.- New Times (L.A.)
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David Ehrenstein
Has all the crowd-pleasing elements moviegoers respond to: appealing hero, absorbing story, a solid group of supporting players and a big fat happy ending.- New Times (L.A.)
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Bill Gallo
En route, we also get a chance to examine the nature of the self and the responsibilities of science. Das Experiment has all this and more, excitingly packaged as a prison movie featuring superb performances and high emotional tension.- New Times (L.A.)
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Luke Y. Thompson
It makes as good a case as any for the use of animation as a medium for serious, mature features.- New Times (L.A.)
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Jean Oppenheimer
Viewers expecting another enchanting, whimsical tale of high energy and mischievous spirits will be sorely disappointed.- New Times (L.A.)
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M.V. Moorhead
Forster is the reason that even non-Mamet-heads might consider giving Lakeboat a shot. It's worth it just to see him in his long one-take exchange with Johnston about booze, but he's remarkable throughout.- New Times (L.A.)
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Robert Wilonsky
Signs blessedly displays a sense of giddy dark humor absent from Shyamalan's previous outings. It appears for much of the film he's merely having fun with the genre, goofing on its paranoid roots.- New Times (L.A.)
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Andy Klein
The muddiness of the basic concept and the thinness of its execution eventually defeat even Witherspoon's talents.- New Times (L.A.)
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Jean Oppenheimer
The film takes an incredibly wrong turn when it shifts to the courtroom trial -- It all but kills any goodwill Silberling has engendered up to this point.- New Times (L.A.)
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Jean Oppenheimer
The film is worth seeing for Sorvino alone. The actress hasn't been this good since Woody Allen's "Mighty Aphrodite," a role that couldn't be more dissimilar.- New Times (L.A.)
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M.V. Moorhead
The movie may be intellectually sophomoric, dramatically adolescent and morally vacuous, but it's good fun while it lasts.- New Times (L.A.)
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Andy Klein
It's always risky to characterize a new film as "unique," but Tuvalu, the debut feature from German director Veit Helmer, has as good a shot as any at claiming that label.- New Times (L.A.)
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Gregory Weinkauf
Of all the A-list men playing dedicated authority figures, Star Wars alums Harrison Ford and Liam Neeson remain among the most amusing and pleasing, which is why K-19: The Widowmaker glides along engagingly rather than sinking.- New Times (L.A.)
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Luke Y. Thompson
Horror fans and those who just plain enjoy a well-told story should thank the cinematic gods. Session 9 is not only the scariest movie of the year, but also perhaps the most easy to believe since the first "Blair Witch."- New Times (L.A.)
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Jean Oppenheimer
A genuinely affecting movie that approaches its adult themes with intelligence, maturity, and rare authenticity.- New Times (L.A.)
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Robert Wilonsky
Either a put-on or a straight shooter; that you can't tell the difference underscores its small but ultimately overwhelming flaws.- New Times (L.A.)
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