New Musical Express (NME)'s Scores

  • Music
For 6,298 reviews, this publication has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 1.6 points lower than other critics. (0-100 point scale)
Average Music review score: 71
Highest review score: 100 Whatever People Say I Am, That's What I'm Not
Lowest review score: 0 Maroon
Score distribution:
6298 music reviews
    • 72 Metascore
    • 70 Critic Score
    Trading bolshy indie for pin-drop lullabies and pedal steel guitars, 'Whiskey Tango Ghosts' is Donelly's 'I'm a full-time mum and dammit I'm happy' record. [24 Jul 2004, p.49]
    • New Musical Express (NME)
    • 60 Metascore
    • 80 Critic Score
    A record which is closer in spirit to the rustic eccentricity of his '...Bewilderbeast' debut, while still moving things forward. [19 Jun 2004, p.57]
    • New Musical Express (NME)
    • 56 Metascore
    • 30 Critic Score
    Kittie are rubbish, with a permanent lyrical setting of "Feel A Bit Miserable, Parents Don't Understand Me" and no original ideas whatsoever. [21 Aug 2004, p.49]
    • New Musical Express (NME)
    • 71 Metascore
    • 60 Critic Score
    Hushed vocals, strummed guitars, creeping cello, and an all-encompassing sense of politeness are the order of the day. [19 Jun 2004, p.57]
    • New Musical Express (NME)
    • 81 Metascore
    • 90 Critic Score
    By celebrating what it is to be a freak in 2004 they've made a debut that's unique yet uniting, deep yet designed for the dance-floor.
    • 62 Metascore
    • 50 Critic Score
    Sadly, The (I)NC have mistaken the ultra-safe sound of maximum R&B for the scream of revolution. [24 Jul 2004, p.49]
    • New Musical Express (NME)
    • 80 Metascore
    • 60 Critic Score
    Don't start here before the essential LPs... But once you've fallen in love (and believe us, it's inevitable), this is a mesmerising next stop. [17 Jul 2004, p.48]
    • New Musical Express (NME)
    • 80 Metascore
    • 70 Critic Score
    As intelligent as it is ferocious. [31 Jul 2004, p.40]
    • New Musical Express (NME)
    • 78 Metascore
    • 80 Critic Score
    Thirty minutes of chugging and howling, you go from one killer riff to another with barely a millisecond to recover. [17 Jul 2004, p.46]
    • New Musical Express (NME)
    • 62 Metascore
    • 80 Critic Score
    Strange, out of time, unfashionable, eccentric, obsessed with found sound, full of boffiny tics and tricks. [24 Jul 2004, p.48]
    • New Musical Express (NME)
    • 75 Metascore
    • 70 Critic Score
    A happy, penguin-chilled sunset beach barbecue of a collection. [3 Jul 2004, p.65]
    • New Musical Express (NME)
    • 70 Metascore
    • 10 Critic Score
    Toe-curlingly unlistenable. [4 Sep 2004, p.73]
    • New Musical Express (NME)
    • 70 Metascore
    • 80 Critic Score
    An enormous, symphonic, sprawling, highly ambitious, far-reaching work of wonder. [17 Jul 2004, p.48]
    • New Musical Express (NME)
    • 61 Metascore
    • 30 Critic Score
    More of the same from an act who have been ploughing the same furrow for so long they'll be reaching the Earth's core soon. [5 Jun 2004, p.57]
    • New Musical Express (NME)
    • 59 Metascore
    • 50 Critic Score
    At least 40 per cent of 'The Spine' is really rather charming. [3 Jul 2004, p.65]
    • New Musical Express (NME)
    • 79 Metascore
    • 70 Critic Score
    Deceptively inventive, darkly melodic Simon & Garfunkel and (Elliott) Smithisms. [4 Sep 2004, p.72]
    • New Musical Express (NME)
    • 72 Metascore
    • 80 Critic Score
    The Tipping Point has more soul, vision and musicianship than most bands muster in a lifetime. [31 Jul 2004, p.41]
    • New Musical Express (NME)
    • 62 Metascore
    • 40 Critic Score
    Ultimately 'Porcelain' proves that there's more to great bands than good musicianship. [10 Jul 2004, p.49]
    • New Musical Express (NME)
    • 63 Metascore
    • 80 Critic Score
    Oddly for an album so big in scope... it's very intimate and confessional. [3 Jul 2004, p.64]
    • New Musical Express (NME)
    • 75 Metascore
    • 80 Critic Score
    Startling from the first listen... the band are heavier, more menacing, more rhythmic than ever. [19 Jun 2004, p.55]
    • New Musical Express (NME)
    • 71 Metascore
    • 70 Critic Score
    If you like your rock with sawdust on the floor and blood in its mouth, this is as good as it gets. [14 Aug 2004, p.49]
    • New Musical Express (NME)
    • 61 Metascore
    • 70 Critic Score
    Full of banging beats, big noise and abundant wit and joy. [26 Jun 2004, p.55]
    • New Musical Express (NME)
    • 75 Metascore
    • 90 Critic Score
    An understated classic: a triumph of delicacy over decibels. [19 Jun 2004, p.56]
    • New Musical Express (NME)
    • 66 Metascore
    • 70 Critic Score
    An assured debut that scores as much for what it doesn't do as it does for its low-key, insidious rhymes and chrome-gleaming rhythmical clatter. [24 Jul 2004, p.49]
    • New Musical Express (NME)
    • 73 Metascore
    • 80 Critic Score
    A superbly impertinent set. [10 Jul 2004, p.48]
    • New Musical Express (NME)
    • 68 Metascore
    • 60 Critic Score
    Zooming sheets of spacious wind-tunnel prog and raw, solo-spattered soul. Commercially, it's suicide. [26 Jun 2004, p.55]
    • New Musical Express (NME)
    • 81 Metascore
    • 60 Critic Score
    It's like Scissor Sisters on tranquilisers. With a bit of ELO. And a dash of Ramones. And, with this eclecticism, a worrying lack of focus. [5 Jun 2004, p.57]
    • New Musical Express (NME)
    • 66 Metascore
    • 80 Critic Score
    Goswell's voice... is a rich wonder in itself; and unlike every other singer-songwriter in the world, she sounds nothing like Nick Drake! [26 Jun 2004, p.55]
    • New Musical Express (NME)
    • 55 Metascore
    • 40 Critic Score
    Wilson's voice is a sorry wisp of what it once was. [19 Jun 2004, p.57]
    • New Musical Express (NME)
    • 88 Metascore
    • 80 Critic Score
    The immediate reference point would be a Swedish Coral to the power of ten--but it's more mental, more hippy and psychedelic. [14 May 2005, p.67]
    • New Musical Express (NME)