New Musical Express (NME)'s Scores

  • Music
For 6,298 reviews, this publication has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 1.6 points lower than other critics. (0-100 point scale)
Average Music review score: 71
Highest review score: 100 Whatever People Say I Am, That's What I'm Not
Lowest review score: 0 Maroon
Score distribution:
6298 music reviews
    • 79 Metascore
    • 80 Critic Score
    Dirty Three have become increasingly proficient at speaking a private musical language in public. [22 Oct 2005, p.41]
    • New Musical Express (NME)
    • 72 Metascore
    • 50 Critic Score
    It's a little like a Crimewatch reconstruction: very well put together, all in a good cause, vaguely entertaining, but really they're just hoping it'll vaguely remind you of something that happened years ago. [1 Oct 2005, p.47]
    • New Musical Express (NME)
    • 74 Metascore
    • 70 Critic Score
    Truly, Weller's back. And this time, he rules.
    • 65 Metascore
    • 50 Critic Score
    Samey and inaccessible in parts. [5 Nov 2005, p.43]
    • New Musical Express (NME)
    • 65 Metascore
    • 50 Critic Score
    Dios (Malos) are clearly capable of breezily mordant psychedelia nd thumpingly pie-eyed pop... Sadly, they're not so hot on tunes you can't help whistling. [4 Mar 2006, p.31]
    • New Musical Express (NME)
    • 86 Metascore
    • 90 Critic Score
    The Go! Team's eclectic soundclash makes us feel deliriously dizzy. [11 Sep 2004, p.53]
    • New Musical Express (NME)
    • 80 Metascore
    • 80 Critic Score
    Gives up its delights slowly and not without a wry smirk along the way. [11 Jun 2005, p.66]
    • New Musical Express (NME)
    • 84 Metascore
    • 70 Critic Score
    Lurches spectacularly from lounge-jazz to avant-vaudeville and takes a pop at everything in between. [14 Jan 2006, p.34]
    • New Musical Express (NME)
    • 82 Metascore
    • 80 Critic Score
    Absolutely stunning. [4 Feb 2006, p.29]
    • New Musical Express (NME)
    • 83 Metascore
    • 90 Critic Score
    An album which radically extends the Franz musical palette.
    • 78 Metascore
    • 70 Critic Score
    A record that rather makes one want to have sex. [24 Sep 2005, p.47]
    • New Musical Express (NME)
    • 90 Metascore
    • 90 Critic Score
    Z
    By balancing progression with consolidation, technology with tradition, MMJ have created a work of stunningly expansive ambition. [15 Oct 2005, p.36]
    • New Musical Express (NME)
    • 80 Metascore
    • 80 Critic Score
    The Fall are actually at their most settled, stable and plain rocking in years. [1 Oct 2005, p.47]
    • New Musical Express (NME)
    • 71 Metascore
    • 80 Critic Score
    Despite questionable lyrics, it's a much more cohesive album. [8 Jul 2006, p.41]
    • New Musical Express (NME)
    • 51 Metascore
    • 60 Critic Score
    Please Mr Eitzel, get to the bar and pour yourself another drink. [1 Oct 2005, p.45]
    • New Musical Express (NME)
    • 59 Metascore
    • 80 Critic Score
    The beats are slick and the vocals flawless.
    • 72 Metascore
    • 70 Critic Score
    Adams could clearly make use of an editor here--but you can't possibly hate an album that uses pedal-steel on every track. [24 Sep 2005, p.43]
    • New Musical Express (NME)
    • 61 Metascore
    • 70 Critic Score
    It's not perfect--but no Big Star album ever was. [24 Sep 2005, p.47]
    • New Musical Express (NME)
    • 69 Metascore
    • 70 Critic Score
    If this is an indication of what to expect [on the next LP], things are going to get very hairy. [8 Oct 2005, p.43]
    • New Musical Express (NME)
    • 73 Metascore
    • 70 Critic Score
    'Road To Rouen' is the sound of a band at last hitting their stride, finding out who they are and sounding like it's finally making them happy.
    • 83 Metascore
    • 70 Critic Score
    Sounds as if it were recorded on one perfectly wasted afternoon. [22 Oct 2005, p.43]
    • New Musical Express (NME)
    • 78 Metascore
    • 80 Critic Score
    Laid-back and controlled, yet at times almost obsessively moody... [Collisions] hits all the peaks and troughs at just the right frequency. [4 Feb 2006, p.29]
    • New Musical Express (NME)
    • 52 Metascore
    • 40 Critic Score
    The truth is that metal fans used to have a word for music like this, and that word is wimpy. [1 Oct 2005, p.45]
    • New Musical Express (NME)
    • 66 Metascore
    • 70 Critic Score
    A bit less front and slightly more of her crazed, talon-nailed, plastic surgery-enhanced Bratz doll-persona would've made for a classic. [12 Nov 2005, p.41]
    • New Musical Express (NME)
    • 72 Metascore
    • 50 Critic Score
    Terrific to get stoned to, the unfortunate upshot being that this is music that makes you fall asleep. [3 Sep 2005, p.74]
    • New Musical Express (NME)
    • 76 Metascore
    • 80 Critic Score
    A bit of a winner. [17 Sep 2005, p.58]
    • New Musical Express (NME)
    • 66 Metascore
    • 30 Critic Score
    There's now something a bit crumbly, a bit rattly about E&TB. [17 Sep 2005, p.58]
    • New Musical Express (NME)
    • 61 Metascore
    • 10 Critic Score
    [He] returns with exactly the same sound he's been torturing us with for years. [9 Jul 2005, p.58]
    • New Musical Express (NME)
    • 59 Metascore
    • 10 Critic Score
    You'll find nothing more despicable this year. [17 Sep 2005, p.58]
    • New Musical Express (NME)
    • 79 Metascore
    • 80 Critic Score
    'Cripple Crow' is way too much, in a way we don't get given often enough these days. Take it all in at one sitting and you'll end up bloated. But little and often? It's a cut-and-come-again treat.