New Musical Express (NME)'s Scores

  • Music
For 6,298 reviews, this publication has graded:
  • 55% higher than the average critic
  • 4% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 1.6 points lower than other critics. (0-100 point scale)
Average Music review score: 71
Highest review score: 100 Whatever People Say I Am, That's What I'm Not
Lowest review score: 0 Maroon
Score distribution:
6298 music reviews
    • 79 Metascore
    • 90 Critic Score
    This is one to file alongside 'American Idiot', 'Doolittle' and 'Nevermind' on your greatest US rock albums shelf.
    • 60 Metascore
    • 70 Critic Score
    If Sparta have been damned thus far as the weaker of ATDI's progeny, let it be so no longer.
    • 67 Metascore
    • 70 Critic Score
    Each tune is utterly lovely in its own right, but--my God--are they depressing. [7 Oct 2006, p.39]
    • New Musical Express (NME)
    • 74 Metascore
    • 70 Critic Score
    The Pirate's Gospel is a campfire folk gem perfect for the summer festivals.
    • 53 Metascore
    • 80 Critic Score
    'Rudebox' is not 'Robbie Williams the serious artiste', but it is an amazing pop album.
    • 57 Metascore
    • 70 Critic Score
    Cleaned up but never pared-down, it's his most wholesome collection since 'The Hour Of Bewilderbeast'. [21 Oct 2006, p.35]
    • New Musical Express (NME)
    • 64 Metascore
    • 60 Critic Score
    There's still signs of the nutso techno loony who prompted NME to invent the term 'drill'n'bass' back in the mid-'90s. [14 Oct 2006, p.35]
    • New Musical Express (NME)
    • 76 Metascore
    • 80 Critic Score
    We say: just give in, it'll be the best vomit of your life. [20 Jan 2007, p.29]
    • New Musical Express (NME)
    • 72 Metascore
    • 70 Critic Score
    A dark, beautiful collection. [26 Aug 2006, p.43]
    • New Musical Express (NME)
    • 62 Metascore
    • 50 Critic Score
    For the most part it's clear that the New Zealanders have lost what sense of direction or purpose they had left. [7 Oct 2006, p.39]
    • New Musical Express (NME)
    • 73 Metascore
    • 80 Critic Score
    An eclectic but thoroughly satisfying record. [21 Jan 2006, p.35]
    • New Musical Express (NME)
    • 73 Metascore
    • 80 Critic Score
    If Beck gets better as he gets madder, this is definitely his best since 'Midnite Vultures' - maybe even since 'Odelay'.
    • 64 Metascore
    • 80 Critic Score
    The Killers are still as flashy, unintentionally funny, and flagrantly affected as ever.
    • 85 Metascore
    • 80 Critic Score
    Almost cinematic in feel, much of The Hold Steady's genius lies in Finn's ability to craft songs that tell stories as wise, textured and three-dimensional as the nearest old oak tree. [13 Jan 2007, p.30]
    • New Musical Express (NME)
    • 84 Metascore
    • 60 Critic Score
    Sometimes you wish Meloy would just put away his studied thesp-schlock and say, "Man, I'm sick of singing about Victorian peasants. I got dumped once. I want to write about that..." [27 Jan 2007, p.31]
    • New Musical Express (NME)
    • 62 Metascore
    • 70 Critic Score
    If you get a kick out of glorious, ragged old rock'n'roll, then you'll consider it essential.
    • 68 Metascore
    • 60 Critic Score
    A bittersweet second album of gentle strumming and washed-out summer sun. [30 Sep 2006, p.37]
    • New Musical Express (NME)
    • 74 Metascore
    • 70 Critic Score
    Adem mirrors the ambitious approach of Sufjan Stevens. [13 May 2006, p.41]
    • New Musical Express (NME)
    • 70 Metascore
    • 80 Critic Score
    Dando is in spiky, Buzzcocks-esque form. [23 Sep 2006, p.31]
    • New Musical Express (NME)
    • 71 Metascore
    • 60 Critic Score
    Scissor Sisters sound under so much pressure to follow up a monster hit that they're not actually having any fun.
    • 78 Metascore
    • 80 Critic Score
    Superb stuff. [23 Sep 2006, p.33]
    • New Musical Express (NME)
    • 73 Metascore
    • 50 Critic Score
    The lows are low for sure, but the highs are largely absent.
    • 80 Metascore
    • 70 Critic Score
    The only downside? You don't get to see the band's plentiful hair thrashing about. [30 Sep 2006, p.39]
    • New Musical Express (NME)
    • 70 Metascore
    • 70 Critic Score
    'Tired Of Hanging Around' is one seriously pissed-off, paranoid, twitchy record.
    • 62 Metascore
    • 50 Critic Score
    Here, ultimately, the DJ remains resolutely in the background. ANd that was never the point. [16 Sep 2006, p.35]
    • New Musical Express (NME)
    • 55 Metascore
    • 60 Critic Score
    The whiff of soft-rock schmaltz is occasionally close to overpowering. [16 Sep 2006, p.36]
    • New Musical Express (NME)
    • 74 Metascore
    • 80 Critic Score
    An excellent third album. [23 Sep 2006, p.31]
    • New Musical Express (NME)
    • 65 Metascore
    • 90 Critic Score
    There's going to be a hearty scrap between this lot, Muse and the Monkeys when album of the year time comes round.
    • 83 Metascore
    • 70 Critic Score
    All in all, this is merely promising rather than masterful. [14 Oct 2006, p.35]
    • New Musical Express (NME)
    • 88 Metascore
    • 90 Critic Score
    Odd, addictive, unsettling and beautiful. [8 Jul 2006, p.41]
    • New Musical Express (NME)