musicOMH.com's Scores

  • Music
For 6,229 reviews, this publication has graded:
  • 61% higher than the average critic
  • 4% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 0.8 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Prioritise Pleasure
Lowest review score: 0 Fortune
Score distribution:
6229 music reviews
    • 81 Metascore
    • 80 Critic Score
    It continues a run of quality that stretches all the way back to her debut.
    • 81 Metascore
    • 80 Critic Score
    Becoming Undone is a twisted, thrilling ride, at once stylish and unhinged, showing that more sophisticated production techniques haven’t taken away any of ADULT.’s edge over the years.
    • 81 Metascore
    • 70 Critic Score
    It’s a brutal, intense listen, and certainly won’t be for everyone, but those who care to take the journey will find many rewards.
    • 81 Metascore
    • 80 Critic Score
    Star Eater’s Delight is Neale’s best, and most accessible, work to date.
    • 81 Metascore
    • 90 Critic Score
    The whole record is exhilarating, a bustling house party where the aux is only ever passed judiciously.
    • 81 Metascore
    • 90 Critic Score
    Beck proves once again here that he’s a tremendously versatile artist, capable of excelling throughout the musical spectrum.
    • 81 Metascore
    • 80 Critic Score
    The Inheritors is a rich and vivid work that is as mysterious as it is compelling.
    • 81 Metascore
    • 80 Critic Score
    There is pain, frustration, beauty and love whistling away in every crevice of this album.
    • 81 Metascore
    • 50 Critic Score
    At times The Decemberists sail close to being an horrific hybrid of They Might Be Giants and The Coral - all arched eyebrows and accordions.
    • 81 Metascore
    • 80 Critic Score
    This is a very carefully thought out new page to Hayden Thorpe’s career, yet the page has freshly written calligraphy on it. There is much to admire and much to relate to, in what is surely just the start of this particular Wild Beast’s solo migration.
    • 81 Metascore
    • 80 Critic Score
    Musical diversity has been embraced to better reflect his character, whilst a positive tone remains, even when he’s examining negatives. No longer is McKenna a teenager emerging at Glastonbury, he is someone for the generation he speaks for to listen to.
    • 81 Metascore
    • 70 Critic Score
    Like much of Richard Dawson’s material, it’s an album that has to be immersed in and savoured – and although it may be a struggle sometimes, there’s nobody else out there making music quite like this.
    • 81 Metascore
    • 80 Critic Score
    Altogether a belter of an album, then, as their reputation for consistency prevails once more.
    • 81 Metascore
    • 80 Critic Score
    The emotional impact of this music is sometimes disorientating or alienating, but that is probably the intention. It's mostly impossible to discern the lyrics or comprehend their themes. Somehow this doesn't matter, given the striking, weird and often turbulent music beneath.
    • 81 Metascore
    • 80 Critic Score
    It's a work of craft from a continually rewarding, continually American, singer-songwriter.
    • 81 Metascore
    • 80 Critic Score
    Everything Everything return with Fever Dream, a brave, boundary pushing album which shows many of their peers how things should be done.
    • 81 Metascore
    • 80 Critic Score
    Caroline Rose’s most personal album to date which, while it may not have the immediacy of Superstar or Loner it will, given time, prove just as emotionally affecting.
    • 81 Metascore
    • 70 Critic Score
    Cold Spring Fault Less Youth is an album that’s as purposefully awkward as its title: cleverly put together, but occasionally just not very much fun.
    • 81 Metascore
    • 80 Critic Score
    There’s the bones of at least three spin-off albums within its grooves. Yet, this constant shapeshifting means that there’s much to be discovered and loved here. Sounding different every time it’s played is the mark of a great achievement.
    • 81 Metascore
    • 80 Critic Score
    An album of satisfying wholeness, its range of moods power Taylor’s most successful solo outing to date. Anyone who had him pigeonholed will have to think again.
    • 81 Metascore
    • 70 Critic Score
    Whilst the linguistic half of Sleaford Mods is developing in two very different directions, Andrew Fearn has turned in his most musically satisfying set of tracks to date.
    • 81 Metascore
    • 80 Critic Score
    Quite comfortably the duo’s best album to date, Unity is – literally – like all your favourite bands rolled up into one.
    • 81 Metascore
    • 90 Critic Score
    By the time the album’s 54 minutes have drawn to a close, you feel exhausted but in the best possible way.
    • 81 Metascore
    • 100 Critic Score
    Inspiring and ingenious, this is an album you shouldn't be without.
    • 81 Metascore
    • 80 Critic Score
    Lopatin dispenses with radio’s interchangeable verse chorus verse format, instead replicating the labyrinthine ways the internet once promised formerly unreachable music might become graspable before being commoditised.
    • 81 Metascore
    • 90 Critic Score
    As an exercise in maintaining artistic form, it's an indisputable success.
    • 81 Metascore
    • 80 Critic Score
    It’s a brilliantly consistent and, at eight tracks, concise offering that perfectly captures their sound.
    • 81 Metascore
    • 80 Critic Score
    One of the best Pet Shop Boys albums in years.
    • 81 Metascore
    • 90 Critic Score
    This is very much an album that feels necessary right now--one that packs a political punch without being didactic or evangelical--and offers positive thinking, including a clarion call of co-operative and community responses to global issues.
    • 81 Metascore
    • 80 Critic Score
    It’s an intriguing album with few dips (only Kanye’s verse on Puppet sounds rather phoned in and lacklustre), and it adds up to Tyler, The Creator’s best work to date. He may not be threatening Western civilization anymore, but he is creating something far more interesting.