Mojo's Scores

  • Music
For 10,495 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10495 music reviews
    • 61 Metascore
    • 60 Critic Score
    The covers format doesn't facilitate too much untamed Scabies (sadly), but Brian himself poignantly appears on The Last Time. [Mar 2026, p.81]
    • 83 Metascore
    • 80 Critic Score
    A powerful and uplifting experience. [Mar 2026, p.84]
    • Mojo
    • 63 Metascore
    • 80 Critic Score
    It's late-night, it's autumnal and it's really rather lovely. [Jan 2026, p.82]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Brutal and delicate, merciful and relentless, [Ahmed] luxuriate in the new spaces and sightlines the studio opens up. [Feb 2026, p.87]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Casually devastating. [Mar 2026, p.86]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    A sprawling Daphni DJ set in microcosm, Butterfly is feel-good music of the purest kind. [Mar 2026, p.89]
    • Mojo
    • 75 Metascore
    • 80 Critic Score
    EXPO's bleak outlook is explored inventively, live and electronic elements expertly collaged from an unpredictable sonic palette. [Mar 2026, p.81]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    He makes it all the juxtapositions and fusions feel fresh and natural.[Mar 2026, p.80]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    The cumulative result begs a position beyond the band's canon, in an intriguing mini universe of its own. [Mar 2026, p.80]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Craven Faults harness electronic power to recount compelling stories. [Mar 2026, p.88]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Wormslayer feels like the band's most consistently corporeal record since the Britpop era's iconic K. [Mar 2026, p.83]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Splitting the difference between the digital and the hand-cranked, Geologist has opened up his own haunting little universe. [Mar 2026, p.81]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    The album burns brightly, like a widescreen musical travelogue. [Feb 2026, p.87]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    Often startlingly brilliant. [Mar 2026, p.85]
    • 76 Metascore
    • 80 Critic Score
    It's the limpid slow tunes - Opal, Night Shade and more - that stand out. Only Storyville overstays its welcome, spinning off into a free-form scrabble, but the lovely Something More restores harmony. [Mar 2026, p.86]
    • Mojo
    • 74 Metascore
    • 80 Critic Score
    It's the rarest of soundtracks: one that makes you excited to watch the documentary, not the other way round. [Feb 2026, p.80]
    • Mojo
    • 87 Metascore
    • 80 Critic Score
    Yes, it can be formulaic, but when it's this deadly, bring on the soundalikes. Mar 2026, p.97]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    Jana Horn is a singing magic eye picture somewhere between the scratchy emotional static of early Cat Power and itchy Talk Talk Spirit Of Eden jazz. Unfocus and see. [Feb 2026, p.84]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    The album is a great showcase for the Fontaines D.C. guitarist's production skills, which makes even occasionally inert material punchy and dynamic. [Mar 2026, p.81]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    III
    Brown's post-production science turning these intricate guitar matrixes into something smeared, meditative and wholly transporting. [Feb 2026, p.97]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    Even as she turns 73, Williams sounds present, ready to mix it, and therefore as good a hope as we have. [Mar 2026, p.83]
    • 72 Metascore
    • 80 Critic Score
    There's so much controlled carnage to this double LP that it just flashes by. [Feb 2026, p.90]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    Bailey has been constantly moving towards something truly great and Can't Take My Story Away gets her closer still. [Feb 2026, p.82]
    • Mojo
    • 86 Metascore
    • 80 Critic Score
    Van's back, lending vocals to Ain't That A trip, a joyous R&B number that provides one of many highpoints on Hunter's eleventh album. [Jan 2026, p.86]
    • Mojo
    • 83 Metascore
    • 80 Critic Score
    By turns numinous and spectral. [Feb 2026, p.81]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Music that's moving, beautiful and uplifting. [Feb 2026, p.83]
    • 72 Metascore
    • 60 Critic Score
    Keeps a glossy electropop trajectory, but there's a precarious tilt to the shoegazing rush of Do You Still Believe In Me? or the startling heartbroken lyrics of Dolphins. [Feb 2026, p.87]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    An inspired, unique dramstist, at the peak of his powers. [Feb 2026, p.81]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    If this is a less turbulent FWF manifestation, they're still powerful, churning perilously. [Feb 2026, p.80]
    • Mojo
    • 87 Metascore
    • 100 Critic Score
    Dry Cleaning have lost none of their distinctive edge, their idiosyncratic set-up proving to be endlessly elastic, as big as they want, as small as they need, 
to capture the chaos of the world. No hidden messages here: Secret Love is a wonderful record.