Mojo's Scores
- Music
For 10,495 reviews, this publication has graded:
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53% higher than the average critic
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5% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
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Positive: 6,850 out of 10495
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Mixed: 3,611 out of 10495
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Negative: 34 out of 10495
10495
music
reviews
- By Date
- By Critic Score
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- Critic Score
There are more retro-sounding pop-R&B numbers with "sha la la" backing vocals than the subject matter might indicate, a stadium rocker, some soulful ballads recalling early Van Morrison, and stirring gospel. [Sep 2002, p.94]- Mojo
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- Critic Score
Showcases her passionate and bittersweet voice in a stripped-down atmosphere. [Aug 2002, p.104]- Mojo
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Public Enemy are still making music of great substance and potency. [Dec 2002, p.122]- Mojo
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[The] eight covers [are] all imaginatively and emotionally committed, six of them brilliantly so. [July 2002, p.96]- Mojo
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If Yoshimi.... lacks the sheer shock value of Bulletin's panoramic delirium, its peak moments are enough to make it one of 2002's most rewarding releases. [Album of the Month, Aug 2002, p.92]- Mojo
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- Critic Score
Morcheeba's lightly shaken, hardly stirring sounds will doubtless satisfy fans, band and record company. [Aug 2002, p.104]- Mojo
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She's still producing songs that stand comparison with those past and purloined classics. [Aug 2002, p.106]- Mojo
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Subtle string and brass arrangements add to the brooding, stylish swing, evidence that some things never go out of fashion. [Sep 2002, p.97]- Mojo
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- Critic Score
There's only fleeting glimpses of Jason's weakness for dimestore Minutemen angularity. [Sep 2002, p.104]- Mojo
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This is a raging leviathan of a set, each track a powerful, swaggering anthem. [May 2002, p.97]- Mojo
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It's hard to imagine a more perfectly realised Wire artefact. [Sep 2002, p.95]- Mojo
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The band's conventional elements are even more conventional while the boundary-pushers stretch as far as ever. [Album of the Month, July 2002, p.92]- Mojo
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Windsor For The Derby have finally planed away the rough edges from their music. [Dec 2002, p.110]- Mojo
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Universal Truths is not as raw overall as GBV's earliest efforts, but it seems much closer to their wonderfully chaotic live sound than the last couple of records have. [July 2002, p.104]- Mojo
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Heathen is a fine restatement of classic Bowie elements with contemporary twists. [July 2002, p.110]- Mojo
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Overlong, but provocative and engaging. [Dec 2002, p.116]- Mojo
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The album is packed with sunny tunes which carry a '60s and '70s feel, but Prewitt never coasts. [July 2002, p.104]- Mojo
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The album only stretches to 35 minutes but its quality more than compensates. [July 2002, p.112]- Mojo
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Last Broadcast is visceral, pulsing, uplifting, widescreen but has none of the bluster that would tip its forbears into self-parody. [May 2002, p.108]- Mojo
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With The Private Press DJ Shadow ups even his own considerable ante. [May 2002, p.96]- Mojo
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High Society [proves] Schmersal capable of a good, straight-forward pop song. [July 2002, p.100]- Mojo
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Their pop peaks sound like an ecstatic communion of Mercury Rev, ELO and the cast of Hair. [Oct 2002, p.110]- Mojo
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A languorous, mid-paced affair that eschews visceral assault and pop nous for a raw, prowling, feline angularity. [June 2002, p.108]- Mojo
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