Mojo's Scores
- Music
For 10,495 reviews, this publication has graded:
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53% higher than the average critic
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5% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
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| Lowest review score: | Milk Cow Blues |
Score distribution:
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Positive: 6,850 out of 10495
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Mixed: 3,611 out of 10495
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Negative: 34 out of 10495
10495
music
reviews
- By Date
- By Critic Score
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- Critic Score
Whether this leaves you head-scratching or dancing like an electrified monkey, it certainly won't bore you. [Jul 2003, p.109]- Mojo
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- Critic Score
The balance between Joe's resigned words and uplifting melodies remains sublime. [Aug 2003, p.100]- Mojo
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Occasionally gestures towards greatness, but remains earthbound for the most part. [Sep 2003, p.112]- Mojo
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Delivers some great tunes in tight, concentrated blasts, but sets them behind a gauze of distortion that gives the impression they are gradually fraying around the edges. [Apr 2004, p.102]- Mojo
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For every aching melodic twist and sagacious lyric, there's a lumpy, sub-Beach Boys dirge and dicing-with-doggerel couplet to negotiate. [Mar 2003, p.103]- Mojo
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On a couple of tracks here he feels the need to introduce some lame house beats and equally passe drum'n'bass, which is a shame because the rest of the time he creates a vocabulary that's utterly his own. [Jun 2003, p.100]- Mojo
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Better than the conceptual barf of its predecessor Holy Wood, but not as sharp as his best record to date, '98's glammy Mechanical Animals. [Jun 2003, p.100]- Mojo
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For a genre whose young bands are increasingly concerned with girls and girls only, the Alkaline Trio have delivered an album offering far more than the pink blush of awkward adolescence. [Jul 2003, p.108]- Mojo
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Paul proves this production pioneer can still turn in brilliant beats when he wants to. [Jul 2003, p.106]- Mojo
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Cex moves slightly away from his former snot and swagger towards more humble inflection. [Jun 2003, p.108]- Mojo
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Glazed soul music that's both lucid and ambiguous, that chimes simultaneously with Donna Summer, John Barry and Suicide, beautifully schizophrenic and poised on the edge of ruin. [May 2003, p.91]- Mojo
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Invigorating and intriguing, as hummable as it is inventive... it's also possibly the best thing Blur have done. [May 2003, p.88]- Mojo
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In part gripping.... But Gore doesn't always push his voice to its brilliantly effete/effeminate extremes. [May 2003, p.104]- Mojo
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This record is full of surprises, roping in all manner of esoteria for a sweaty, beer-splattered and tune-drenched rock'n'roll party that rivals even Nevermind for balancing the pop sugar with the twisted underbelly and subtle smarts. [May 2003, p.90]- Mojo
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A phenomenal album.... As always, Wire embrace the technology of the day while always sounding somehow out of time. [May 2003, p.91]- Mojo
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Shine is an intriguing portrait of a civilised chap in turmoil. [Apr 2003, p.110]- Mojo
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