Mojo's Scores
- Music
For 10,495 reviews, this publication has graded:
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53% higher than the average critic
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5% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
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Positive: 6,850 out of 10495
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Mixed: 3,611 out of 10495
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Negative: 34 out of 10495
10495
music
reviews
- By Date
- By Critic Score
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- Critic Score
Listen to Frances The Mute without any prog-induced prejudice... and it emerges as the triumphant sound of a band bound only by their imagination. [Apr 2005, p.86]- Mojo
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- Critic Score
It finds the group's estimable strengths consolidated as never before. [Jun 2005, p.112]- Mojo
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A rare feat: gentle and kind without becoming soppy or daft. [May 2005, p.109]- Mojo
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For all the band's rich resonance, she shines brightest when [producer Colin] Cripps holds the kilowatts. [May 2005, p.98]- Mojo
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I know which post-millennial album I'll add to the Atlantic, Bell and gospel classics. [Apr 2005, p.96]- Mojo
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There are a few weak links... but there's a melodic buoyancy here. [Mar 2005, p.106]- Mojo
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There's a freshness uncommon to fortysomething men two decades into their career. [Oct 2004, p.110]- Mojo
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An unexpectedly weird bolt from the blue, an ultimately outstanding crack at brokering an accord between spiky noo wave and fuzzy '70s stoner rock. [Nov 2004, p.116]- Mojo
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Transistor Radio's songs do lack the shirtfront-clenching grip of Ward's Transfiguration of Vincent set. But shapeless and misty atmospherics have their shadowy power too. [Mar 2005, p.92]- Mojo
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[A] queasy mix of super-sharp realism, clammy surrealism and elegant melody. [Feb 2005, p.98]- Mojo
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Barzelay's eye for quirky detail and ear for delicious melody keeps a nice balance to things. [Jun 2005, p.105]- Mojo
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A veritable treasure trove of electro-bubblegum, irresistible punk-funk, and hypnotic noise experiments. [Mar 2005, p.116]- Mojo
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It's a soundtrack for rainswept, sodium-lit backstreets. [Feb 2005, p.101]- Mojo
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It's a few tracks too long, but it's easy to get lost in its smoked-out haze. [Apr 2005, p.89]- Mojo
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Many of these sessions trump the original album versions. [Mar 2005, p.100]- Mojo
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Looting a Smithsy guitar line for Winter In The Hamptons or aping Steve McQueen-era Prefab Sprout on My Love Has Gone momentarily lifts Rouse's gloom, but it is scant relief from the stillness at Nashville's core. [Mar 2005, p.106]- Mojo
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Inescapably, Losing My Edge is the best thing here, yet happily Murphy has more than one trick up his stylish sleeve. [Feb 2005, p.101]- Mojo
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As eloquent an emotional discourse as [Gedge] has mustered. [Mar 2005, p.101]- Mojo
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There's a slow-burning moodiness... together with a new directness. [Mar 2005, p.101]- Mojo
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A Healthy Distrust turns his scouring insight upon America's turbulent recent history, the response of a vulnerable, impassioned, imperfect man. [Mar 2005, p.106]- Mojo
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An overwhelming record that bends and blusters with grand passions, bittersweet beauty and no small hint of desperation. [Apr 2005, p.98]- Mojo
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