Mojo's Scores
- Music
For 10,495 reviews, this publication has graded:
-
53% higher than the average critic
-
5% same as the average critic
-
42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
-
Positive: 6,850 out of 10495
-
Mixed: 3,611 out of 10495
-
Negative: 34 out of 10495
10495
music
reviews
- By Date
- By Critic Score
-
- Critic Score
This is a fine record, a real grower, but it also sees a group comfortably adrift. [Sep 2005, p.89]- Mojo
-
- Critic Score
Engaging, inventive and emotionally charged. [Nov 2005, p.96]- Mojo
-
- Critic Score
Seems largely unable to go far beyond generic musical stylings and rather lifeless, matt[e]-finish reportage. [Nov 2005, p.97]- Mojo
-
- Critic Score
Calla aren't only as unique as NYC new wave gets... but beautifully tense too. [Feb 2006, p.103]- Mojo
-
- Critic Score
Stick on the nine minutes of opener Lufuala Ndonga, turn the bottom end up and stand back. What happens next is unbelievable. [May 2005, p.98]- Mojo
-
- Critic Score
While Kenny still sounds like he's mumbling mantras to himself, the band's soft-focus allure remains undiminished. [Oct 2005, p.102]- Mojo
-
- Mojo
-
- Mojo
-
- Critic Score
By track two... he has slipped back into the familiarity of sinuous guitar lines, fidgety beats and the cheesy language of international disco. [Jul 2005, p.110]- Mojo
-
- Mojo
-
- Critic Score
Brakes give the likeable impression of being a jokey jamming session at a party that got out of hand. [Aug 2005, p.98]- Mojo
-
- Critic Score
Given her almost unremittingly bleak subject matter, it helps enormously that she's blessed with a unique voice. [Oct 2005, p.108]- Mojo
-
- Mojo
-
- Critic Score
Any ad creatives hoping for mobile phone campaign music will be disappointed. [Oct 2005, p.102]- Mojo
-
- Critic Score
Those who thought White Ladder would stand as Gray's crowning achievement may now have to think again. [Oct 2005, p.104]- Mojo
-
- Mojo
-
- Critic Score
After the laboured Driving Rain, a welcome return of that definitive, love-it-or-hate-it McCartney effortlessness. [Oct 2005, p.98]- Mojo
-
- Mojo
-
- Mojo
-
- Mojo
-
- Critic Score
A triumph of majestic American pop uplift over bleak real-life adversity. [Oct 2005, p.112]- Mojo
-
- Critic Score
OOIOO instill Boredoms' cosmic clatter with an air of genre-bursting adventure and mischief. [Nov 2005, p.108]- Mojo
-
- Critic Score
Imagine Deerhoof without the jazzcore twist'n'turn or Stereolab with extra no-wave muscle and groove. [Jan 2006, p.126]- Mojo
-
- Mojo
-
- Critic Score
A glorious melange of love, loss, regret, homesickness and romance. [Sep 2005, p.86]- Mojo
-
- Critic Score
Though not without the odd turkey, it is arguably their most satisfying work since 1978's Some Girls. [Oct 2005, p.100]- Mojo
-
- Critic Score
Recasting love songs as ghost stories, and with no recycled early '80s moves, The Coral's self-created world seems reinvigorated. [Jun 2005, p.96]- Mojo
-
- Critic Score
Frankly this sort of thing makes Athlete, Snow Patrol et al sound like fire-breathing berserkers. [Oct 2005, p.102]- Mojo
-
- Mojo
-
- Critic Score
Where Kloot's self-titled second had moments of glowing, maximalist production, here the sound is pared back. [May 2005, p.106]- Mojo