Mojo's Scores

  • Music
For 10,504 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10504 music reviews
    • 85 Metascore
    • 80 Critic Score
    This is fresh music, making exciting shapes with primitive resources, and though some will find Longstreth's keening bleat and bravura deconstructions show-offy there are constant flowerings of devastating prettiness, and when all the singers blare in unison the beauty they summon is almost overwhelming. [Jul 2009, p.100]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    Almost three decades into their journey, age has only emboldened them. [Jul 2009, p.99]
    • Mojo
    • 62 Metascore
    • 80 Critic Score
    The result is Placebo's best album since 1998's magisterial "Without You I'm Nothing." [Jul 2009, p.97]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    This is an album that demands careful attention before its meanings and musing reveal themselves, blending apocalyptic visions with occluded celebration. [Sep 2009, p.91]
    • Mojo
    • 68 Metascore
    • 80 Critic Score
    The results so far, as on 2006's martial piledriver "Empire," have both been levitating and gut-level, as befits a group who count DJ Shadow's "Endtroducing" and Oasis's "Definitely Maybe" among their musical epiphanies. These same virtues are all over "West Ryder Pauper Lunatic Asylum." [Jul 2009, p.93]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Oh My God, Charlie Darwin may well be the second best cabin-in-winter indie album ever made. [Jul 2009, p.96]
    • Mojo
    • 68 Metascore
    • 80 Critic Score
    It's a creative fecund, primeval power. [Jul 2009, p.100]
    • Mojo
    • 57 Metascore
    • 60 Critic Score
    The resulting album is, as expected, old school chest-beating man-size heavy rock. [Jul 2009, p.104]
    • Mojo
    • 66 Metascore
    • 60 Critic Score
    The album has its moments, but you really couldn't call it the main event. [Jun 2009, p.99]
    • Mojo
    • 70 Metascore
    • 80 Critic Score
    Costello has again hauled material from diverse regions of his writing life into a strangely cohesive cornucopia. [Jul 2009, p.96]
    • Mojo
    • 67 Metascore
    • 60 Critic Score
    Although every other verse here is filled by paradiddles, polyrhythms and wilfully complex time signatures, DMB's ear for a tune at least provides us with some fine choruses. [Jul 2009, p.94]
    • Mojo
    • 70 Metascore
    • 80 Critic Score
    Lean and timeless sounding, it's also as truthful as Everett's sobering autobiography, Things The Grandchildren Should Know. [Jun 2009, p.104]
    • Mojo
    • 92 Metascore
    • 100 Critic Score
    The sound is excellent, especially considering the age and the state of technology of some of the recordings. The songs, too, are invariably excellent. [Jul 2009, p.111]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    Rancid's strength is singer Tim Armstrong's touching depictions of the world; from his heritage on 'East Bay Night' to swimming through the devastation of hurricane-stricken New Orleans and on his brother's time in Iraq on the acoustic 'Civilain Ways.'
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    The going is initially uncertain, but by 'Turn It On,' space and size begin to shift and singer Alex Kapranos shimmers in and out of the mix. [Jul 2009, p.106]
    • Mojo
    • 64 Metascore
    • 40 Critic Score
    All passable fare. [Jul 2009, p.92]
    • Mojo
    • 69 Metascore
    • 80 Critic Score
    Grace only had 10 songs, and though it seems tiresome to sit through multiple live versions of 'So Real,' the title song, 'Hallelujah' et al, it's not. [Aug 2009, p.118]
    • Mojo
    • 65 Metascore
    • 40 Critic Score
    If his lyrics do have merit Chabot obscures them with generic electro-riffs. [Aug 2009, p.98]
    • Mojo
    • 85 Metascore
    • 60 Critic Score
    Awesome in scope and execution, it's an album that's ultimately easier to admire than it is to love. [Jun 2009, p.108]
    • Mojo
    • 82 Metascore
    • 60 Critic Score
    There was potential for so much more. [Jun 2009, p.98]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    The assured Eating Us proves that distractions aren't necessary. [Jul 2009, p.93]
    • Mojo
    • 88 Metascore
    • 80 Critic Score
    Beautifully arranged, its four pieces amplifiy Sunn O)))'s signature drone rumble. [Jun 2009, p.96]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    A real treasure. [Sep 2009, p.90]
    • Mojo
    • 73 Metascore
    • 80 Critic Score
    What they bring to the table is a living, breathing sence of the organic. [June 2009, p.109]
    • Mojo
    • 73 Metascore
    • 80 Critic Score
    The exuberance and delight in the newness and rightness of it all is captivating. [Jul 2009, p.107]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    The Glass Bead Game sees him broadening his palette to even greater effect. [Aug 2009, p.96]
    • Mojo
    • 61 Metascore
    • 60 Critic Score
    Not an easy listen, but a brave, bold debut. [Apr 2009, p.99]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    And while White Rabbits' wild Americana and freaked folk makes for a varied and vivid sprawl of sounds, their knack for addictive melody and honed songcraft delivers a beguiling, coherent and memorable whole. [Feb 2010, p. 97]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    Gone is the Fisher Price-redolent instrumentation and found--sounds, in their place something more measured and radio friendly. [Jun 2009, p.98]
    • Mojo
    • 62 Metascore
    • 40 Critic Score
    Toriphiles will be delighted to find a generous 76 minutes of songstuff here but the less committed might never get past the veritable encyclopedia of tortured vocal affections that blight the stodgy opening track. [Jun 2009, p.102]
    • Mojo