Mojo's Scores
- Music
For 10,507 reviews, this publication has graded:
-
53% higher than the average critic
-
5% same as the average critic
-
42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
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Positive: 6,861 out of 10507
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Mixed: 3,612 out of 10507
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Negative: 34 out of 10507
10507
music
reviews
- By Date
- By Critic Score
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- Critic Score
Starts with elegant Congolese rumba then transforms into something angrier and more powerful... What lets it down, however, is an unfocused mid-section. [Jan 2012, p.101]- Mojo
Posted Jun 29, 2012 -
- Critic Score
Satriani, a Hendrix obsessive, is brilliant throughout. But above all, it's the quality of their songs that makes Chickenfoot more than just a rich rock star's hobby. [Jan 2012, p.100]- Mojo
Posted Jun 28, 2012 -
- Mojo
Posted Jun 28, 2012 -
- Critic Score
Auguste Arthur's third, and best, set of lonesome-pine Americana. [Jun 2012, p.100]- Mojo
Posted Jun 28, 2012 -
- Critic Score
Sepalcure finds its feet firmly in Chicago - past and present - blending early house melodies with the insistent, skittish, deep bass rhythms of the footwork genre in an emotional electronic mash. [Jan 2012, p.99]- Mojo
Posted Jun 28, 2012 -
- Mojo
Posted Jun 28, 2012 -
- Critic Score
The warm glow that they engender is palpable, but you do wonder what may happen if The Field broke free from the constraints of the loop. [Jan 2012, p.99]- Mojo
Posted Jun 28, 2012 -
- Critic Score
He wastes half his solo debut dishing out second rate filler. Thankfully, his true colours shine through on I Still Wanna, Raid and Trouble On My Mind ... although they're frustrating glimpses of a potent artist coasting too readily on past glories. [Jan 2012, p.99]- Mojo
Posted Jun 28, 2012 -
- Critic Score
Good news for shoegaze-curious neophytes too afraid to dive headfirst into MBV's loveless, but very backward looking, too. [Jan 2012, p.98]- Mojo
Posted Jun 28, 2012 -
- Mojo
Posted Jun 28, 2012 -
- Critic Score
It's a fine - if eccentric- album, but a bit of extra tinsel wouldn't have hurt. [Jan 2012, p.98]- Mojo
Posted Jun 28, 2012 -
- Critic Score
Weather is so deftly under-produced that you turn it up; so hazy and intimate you're drawn in close. [Jan 2012, p.98]- Mojo
Posted Jun 28, 2012 -
- Mojo
Posted Jun 28, 2012 -
- Critic Score
Whether this is post rock, space rock or ad hoc it's hard to say, but who needs taxonomy when music feels this good? [Jan 2012, p.97]- Mojo
Posted Jun 28, 2012 -
- Mojo
Posted Jun 28, 2012 -
- Critic Score
With the skeleton of a dance beat on Daydream, you can picture Powers doing a little skip around his bedroom, momentarily escaping the sad, hermetic beauty that characterises his record. [Jan 2012, p.96]- Mojo
Posted Jun 27, 2012 -
- Critic Score
Like a very fine wine, after 25 years The Bats are only really just coming on song. [Jan 2012, p.96]- Mojo
Posted Jun 27, 2012 -
- Mojo
Posted Jun 27, 2012 -
- Critic Score
Last Day Of Summer confirms that White Denim have a broad understanding of music as a whole... Their ability to synthesise this knowledge makes them one of the most thrilling forces in rock music right now. [Jan 2012, p.96]- Mojo
Posted Jun 27, 2012 -
- Critic Score
A dauntless spirit permeates; and while there's only fleeting evidence of Berman's later literary wit, or Makmus' skewed rock swagger... [several songs] hint at the riches to come. [Jul 2012, p.101]- Mojo
Posted Jun 26, 2012 -
- Critic Score
The Lost Tapes is such an impressive testament to Can's inspiration and questing spirit that without being greedy, one hopes that there may be more tapes sequestered away. [Jul 2012, p.96]- Mojo
Posted Jun 26, 2012 -
- Critic Score
A sense of closure pervades here. The group's hermeticism-influenced lyrics remain cryptic as ever, it's true, but TSOOL will be missed. [Jul 2012, p.94]- Mojo
Posted Jun 26, 2012 -
- Critic Score
[Nelson] moves effortlessly from pop country balladry to well-heated Western Swing. [Jul 2012, p.94]- Mojo
Posted Jun 26, 2012 -
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Posted Jun 26, 2012 -
- Critic Score
Before comedown-closer Morning Star comes the high point of a very high album: Dream Beat, woozy and sexy, with a bassline you could ride on right through the summer. [Jul 2012, p.94]- Mojo
Posted Jun 26, 2012 -
- Critic Score
When the storm clouds on final cut Protection finally part,Okumu riffing like The Edge mainlining steroids, it completes as astonishing redemptive arc brighter than any rainbow. [Jul 2012, p.92]- Mojo
Posted Jun 26, 2012 -
- Critic Score
The Cherry Thing is quite a brilliant combination, with its creepy, freaky sound and clever reinventions. [Jul 2012, p.92]- Mojo
Posted Jun 26, 2012 -
- Mojo
Posted Jun 26, 2012 -
- Critic Score
Don't take Tellier too seriously and you have a seductive, gently amusing pop album. [Jul 2012, p.90]- Mojo
Posted Jun 26, 2012 -
- Critic Score
That Joe's naturally high-pitched vocals bring urgency and drama is good, but the record's two tail-enders are weak. [Jul 2012, p.90]- Mojo
Posted Jun 26, 2012