Mojo's Scores

  • Music
For 10,509 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10509 music reviews
    • 59 Metascore
    • 60 Critic Score
    At its best during the cinematic rock of Coming Home, the epic, plangent Roses and pugilistic opener The Factory Gates. It's less successful on the woozy stomp-alongs of Misery Company and Meanwhile Up in Heaven. [Apr 2014, p.92]
    • Mojo
    • 51 Metascore
    • 40 Critic Score
    Man On the Rocks is better when he dials down the mawkish choruses and over-emoting vocals. [Apr 2014, p.97]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    Her confidence as a performer is clear, as is her growth as a songwriter. [Mar 2014, p.93]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Sciubba turns in surreal, lo-fi rock, delivered with the drop-dead charisma of Patti Smith and in the dark-brown tenor of Nico. [Apr 2014, p.97]
    • Mojo
    • 73 Metascore
    • 60 Critic Score
    JRW's third has enough honky-tonk brio to merit comparison with Kings Of Leon. [Apr 2014, p.98]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    Thoughtful, slow-burning dream pop. [Apr 2014, p.98]
    • Mojo
    • 59 Metascore
    • 60 Critic Score
    Sweet, then, but you wouldn't eat a whole one. [Apr 2014, p.98]
    • Mojo
    • 64 Metascore
    • 60 Critic Score
    It's breathless stuff, but can feel homogenous after a while. [Apr 2014, p.98]
    • Mojo
    • 68 Metascore
    • 60 Critic Score
    With the frustrating Violent Light, Wilson has surrendered his own persona. [Apr 2014, p.97]
    • Mojo
    • 73 Metascore
    • 80 Critic Score
    If anything, it's darker [than Fenster's debut album], like clotted blood. [Apr 2014, p.97]
    • Mojo
    • 64 Metascore
    • 40 Critic Score
    Slo Light's sky-high production values come at the expense of soul. [Apr 2014, p.96]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    Where time truly has no meaning is in the lyrics. [Apr 2014, p.96]
    • Mojo
    • 85 Metascore
    • 80 Critic Score
    It sounds wonderful. [Apr 2014, p.96]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    There's a weight and scale reminiscent of Ingram Marshall's epic sea-mist tone-paintings. [Apr 2014, p.95]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    The skittish energy of a Lene Lovich is still there but now that quirkiness is crossed with slices of JAMC-fuzz and dream-pop trails. [Apr 2014, p.94]
    • Mojo
    • 75 Metascore
    • 60 Critic Score
    Close To The Glass is full of charming, understated yearning. [Apr 2014, p.94]
    • Mojo
    • 79 Metascore
    • 80 Critic Score
    Lord Steppington simultaneously engages the grey matter while snapping at the neck muscles. [Apr 2014, p.93]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Despite the record's impromptu genesis, its results sound endearing. [Apr 2014, p.93]
    • Mojo
    • 75 Metascore
    • 80 Critic Score
    Those inimitable Laibach humours look set to endure. [Apr 2014, p.92]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    Mostly she's clever, soulful, sexy, and only a gram of venturesomeness short of her early best. [Apr 2014, p.90]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    This is not an uplifting listen. [Apr 2014, p.91]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    Polar Bear remain gratifyingly dislocated from the mainstream. [Apr 2014, p.91]
    • Mojo
    • 60 Metascore
    • 60 Critic Score
    Symphonica is decidedly upmarket, but more picks in keeping with its ballsy take on the Newley & Bricusse standard Feeling Good wouldn't have hurt. [Apr 2014, p.90]
    • Mojo
    • 75 Metascore
    • 40 Critic Score
    Mess's crepuscular predecessor felt both more innovative, and more likely to open up Liars' demographic. [Apr 2014, p.92]
    • Mojo
    • 73 Metascore
    • 80 Critic Score
    Instead of dynamism there is a defiantly "demos" feel to tracks that makes for a charming, fat-free album. [Apr 2014, p.96]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    Luna's obsessive valve-amp loveliness is here supplanted by a more varied spread. [Apr 2014, p.95]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    The almost tangible sonic richness, like much here, redolent less of lyrical conservatoire pianism and more of a twitching avant-chamber orchestra co-conducted by Basil Kirchin and Harry Patch. [Apr 2014, p.95]
    • Mojo
    • 74 Metascore
    • 60 Critic Score
    A single-minded, yet ultimately baffling experience. [Apr 2014, p.95]
    • Mojo
    • 71 Metascore
    • 60 Critic Score
    Heroic, to a degree, but they'd need to hurdle the rainbow to warrant any pot of gold. [Apr 2014, p.95]
    • Mojo
    • 70 Metascore
    • 60 Critic Score
    The truth is, her lion's mane voice is best suited to expressing thick-browed emotions like paranoia or picking at the carcass of a long dead relationship. [Apr 2014, p.94]
    • Mojo