Mojo's Scores
- Music
For 10,509 reviews, this publication has graded:
-
53% higher than the average critic
-
5% same as the average critic
-
42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
-
Positive: 6,863 out of 10509
-
Mixed: 3,612 out of 10509
-
Negative: 34 out of 10509
10509
music
reviews
- By Date
- By Critic Score
-
- Mojo
Posted Oct 2, 2014 -
- Critic Score
It's unequivocally the guitarist's most cohesive and satisfying artistic statement yet. [Oct 2014, p.91]- Mojo
Posted Oct 1, 2014 -
- Critic Score
The Breaks is an album of staggering neo-classic rock ambitions. [Oct 2014, p.86]- Mojo
Posted Sep 29, 2014 -
- Mojo
Posted Sep 25, 2014 -
- Critic Score
There's still precious little here that's not been said before with more originality. [Oct 2014, p.93]- Mojo
Posted Sep 24, 2014 -
- Critic Score
If your perfect musical Venn diagram contains Oneohtrix Point Never, Machinedrum and Terry Riley, Suicideyear will satisfy your equation. [Oct 2014, p.93]- Mojo
Posted Sep 24, 2014 -
- Critic Score
On this recording--as well as his body of work--Trane proved that music is the superior language. And that there is only one John Coltrane. [Oct 2014, p.100]- Mojo
Posted Sep 23, 2014 -
- Mojo
Posted Sep 23, 2014 -
- Critic Score
It's the heartfelt lyrics, however, that will keep you coming back to this album time and time again. [Oct 2014, p.92]- Mojo
Posted Sep 18, 2014 -
- Critic Score
If Lerche lack Beck's nous, he makes up for it with a cavalier freedom. [Oct 2014, p.92]- Mojo
Posted Sep 18, 2014 -
- Mojo
Posted Sep 12, 2014 -
- Critic Score
James Brooks conjures the motorik rhythm and magnificent vistas. [Oct 2014, p.96]- Mojo
Posted Sep 12, 2014 -
- Mojo
Posted Sep 12, 2014 -
- Mojo
Posted Sep 12, 2014 -
- Critic Score
The album isn't defined by what is on the record but what's missing, and sometimes less is just, well, less. [Oct 2014, p.94]- Mojo
Posted Sep 12, 2014 -
- Critic Score
A riotous union of scabrous '60s punk, resonant surf licks and grimy, narcotic song-craft. [Oct 2014, p.94]- Mojo
Posted Sep 12, 2014 -
- Critic Score
If quality control on Sukierae sometimes sags amid the fecundity, all is forgotten when Jess Wolfe and Holly Laessig of Brooklyn-based new lights Lucius help gild country-folk standouts Wait For Love and Nobody Dies Anymore with calm-yet-striking backing vocals. [Oct 2014, p.94]- Mojo
Posted Sep 12, 2014 -
- Critic Score
There's much of Lawrence's beguiling attention to detail present here. [Oct 2014, p.94]- Mojo
Posted Sep 12, 2014 -
- Critic Score
Things work best when the musical surroundings match their respective vocal style and they create something resembling the cinematic edge of Johnny Jewel's Chromatics. [Oct 2014, p.93]- Mojo
Posted Sep 12, 2014 -
- Critic Score
This is a musical round-trip calculated to delight anyone who has previously enjoyed Can or Amon Duul's loose-limbed walks on the cod-tribal wild side--and enlighten anyone who hasn't. [Oct 2014, p.93]- Mojo
Posted Sep 12, 2014 -
- Mojo
Posted Sep 12, 2014 -
- Critic Score
Tricky may not be reinventing the wheel, but his focus is sharper than ever. [Oct 2014, p.93]- Mojo
Posted Sep 12, 2014 -
- Mojo
Posted Sep 12, 2014 -
- Critic Score
[MC Taylor's] voice is a gorgeous, low-slung burr, his melodies are fireside-warm, his restless imagination follows the lineage of Southern literary giant Eudora Welty and the collective chops, overseen by long-time studio accomplice Scott Hirsch, are impeccable. [Oct 2014, p.92]- Mojo
Posted Sep 12, 2014 -
- Critic Score
It's an even more pop-centric prism of West Coast folky radiance. [Oct 2014, p.92]- Mojo
Posted Sep 12, 2014 -
- Critic Score
A great country music record. Nothing less. [Oct 2014, p.91]- Mojo
Posted Sep 12, 2014 -
- Critic Score
It's a parade of warhorses and they sometimes ride a little wearily, but Winter pepped their steps by four-handed guitar shootouts with Eric Clapton on Don't Want No Woman and Ben Harper in Can't Hold Out. [Oct 2014, p.91]- Mojo
Posted Sep 12, 2014 -
- Mojo
Posted Sep 12, 2014 -
- Mojo
Posted Sep 12, 2014 -
- Critic Score
For every two triumphs there's a setback like the overwrought glitchy electro Eat Rich, yet it's hard to deny the imagination that fuels these flights of fancy. [Oct 2014, p.90]- Mojo
Posted Sep 12, 2014