Mojo's Scores
- Music
For 10,505 reviews, this publication has graded:
-
53% higher than the average critic
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5% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
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Positive: 6,859 out of 10505
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Mixed: 3,612 out of 10505
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Negative: 34 out of 10505
10505
music
reviews
- By Date
- By Critic Score
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- Critic Score
This eponymous offering once again demonstrates his effortless, and seemingly innate, ability to make the familiar feel fresh and enticing. [Feb 2017, p.90]- Mojo
- Posted Jan 20, 2017
- Read full review
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- Mojo
Posted Jan 20, 2017 -
- Critic Score
The DIY disco maverick channels vintage R&B and thrilling dancefloor pop of an '80s Madonna/Janet/TLC stripe, in a voice that's crystal cool in up and downtempo settings. [Feb 2017, p.99]- Mojo
Posted Jan 19, 2017 -
- Critic Score
It's dense and intense digital compositions enter your headspace with stealth or, at other times, occupy it with an assault of breathless beats. [Feb 2017, p.95]- Mojo
Posted Jan 19, 2017 -
- Critic Score
Stellular serves up a lovely, liberated tonic in dark times. [Feb 2017, p.93]- Mojo
Posted Jan 18, 2017 -
- Critic Score
This follow-up is more considered, though occasionally suffers from one too many mid-paced hard rock standards. [Feb 2017, p.90]- Mojo
Posted Jan 17, 2017 -
- Critic Score
Michael Chapman sounds just fine exactly where he is, deep in the knowledge of what is coming, but finally aware of how far he's come. [Feb 2017, p.88]- Mojo
Posted Jan 17, 2017 -
- Critic Score
Despite the presence of a few additional collaborators, much in Half Japanese-world is as anticipated. [Feb 2017, p.94]- Mojo
Posted Jan 17, 2017 -
- Critic Score
Closure is more substantial than that implies, carrying on the more direct approach of 2005's Disaffected. [Feb 2017, p.95]- Mojo
Posted Jan 12, 2017 -
- Critic Score
Retour Au Champs De Mars oscillates malevolently with throaty, Death Star bass synths; like much of Iris, it uses a covert approach to win you over. [Feb 2017, p.95]- Mojo
Posted Jan 12, 2017 -
- Critic Score
Here the formula is still fresh and potent, with punchy production, twisting song structures and sweeping choruses. [Feb 2017, p.96]- Mojo
Posted Jan 11, 2017 -
- Critic Score
This covers collection moves with mysterious grace. [Feb 2017, p.90]- Mojo
Posted Jan 11, 2017 -
- Mojo
Posted Jan 11, 2017 -
- Critic Score
From the spooked synth attack of hellish 12-minute opener A Natural Satellite inwards, they do little to dispel those fears, robust drums and dirty organs underscoring the swaggering menace of Grace Jones and The Murder of Maria Marten. [Jan 2017, p.98]- Mojo
Posted Jan 10, 2017 -
- Mojo
Posted Jan 10, 2017 -
- Critic Score
Languid piano, sleazy Rickenbacker, intellectual Lothario. Lethal. [Oct 2016, p.96]- Mojo
Posted Jan 10, 2017 -
- Critic Score
An unexpected sound-palette of smouldering beauty, often lit up by sumptuous orchestral arrangements from one Sebastian Hoffmann. [Jan 2017, p.101]- Mojo
Posted Jan 10, 2017 -
- Critic Score
Still crossing the many rivers of doubt, hope and despair that have faced him since his American Music Club days, Mark Eitzel's tenth solo album can nonetheless throw out surprises. [Feb 2017, p.96]- Mojo
Posted Jan 6, 2017 -
- Mojo
Posted Jan 6, 2017 -
- Critic Score
The jazz roots of George Clinton's Mothership, Ra's visionary music now sounds simultaneously joyous and bereft, a possible future now consigned to the past. [Feb 2017, p.107]- Mojo
Posted Jan 6, 2017 -
- Mojo
Posted Jan 6, 2017 -
- Critic Score
When they crank out breathless melodic euphoria like Darkened Rings, originality seems a pointless objective anyway. [Feb 2017, p.98]- Mojo
Posted Jan 6, 2017 -
- Critic Score
Soft Error's background in film and TV composition is the foundation for the opulent, operatic electronica on Mechanism. [Feb 2017, p.95]- Mojo
Posted Jan 6, 2017 -
- Critic Score
For his fourth album, which fuses poo, techno and retro-futuristic disco with deftness, direction and a thick slice of humour. [Feb 2017, p.95]- Mojo
Posted Jan 6, 2017 -
- Critic Score
The eight-song concoction is a joyful, lush and fittingly grandiose suite. [Feb 2017, p.93]- Mojo
Posted Jan 5, 2017 -
- Mojo
Posted Jan 5, 2017 -
- Critic Score
He's at his best, however, when he takes it all very seriously indeed. [Feb 2017, p.96]- Mojo
Posted Jan 5, 2017 -
- Mojo
Posted Jan 5, 2017 -
- Critic Score
Future Politics' galvanised vision takes myriad forms. [Feb 2017, p.95]- Mojo
Posted Jan 4, 2017 -
- Critic Score
I See You is more nuanced and upbeat than their previous records but, perhaps shrewdly, it enhances their blueprint rather than completely redrawing it. [Feb 2017, p.91]- Mojo
- Posted Jan 4, 2017
- Read full review