Mojo's Scores

  • Music
For 10,505 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10505 music reviews
    • 78 Metascore
    • 80 Critic Score
    A gentle triumph. [Jan 2006, p.130]
    • Mojo
    • 74 Metascore
    • 80 Critic Score
    Shows just how focused their rock'n'roll attack has become. [May 2006, p.105]
    • Mojo
    • 85 Metascore
    • 80 Critic Score
    This is, ultimately, music you feel in your body, your gut, your skull, a sensation of constant sonic regeneration and psychoactive power that, like the group's use of grim robes and smoke machines when playing live, survives on its enduring air of mystery. [May 2026, p.82]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    It's frequently beautiful psych-pop songs throb with a gentle electronic pulse. [May 2026, p.93]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    It’s not all dreamy-headed stuff – Relief, for one, achieves rocky lift-off – but for the most part The Good Kind Tom Doyle sustains a compellingly airy atmosphere throughout. [Jan 2024, p.83]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    The 75-year-old's first album in six years is both tough and tender. [Nov 2014, p.93]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    This album pop-pops with pleasure, sunshine and subversion. [Feb 2016, p.96]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    It's yet another beauty. [Mar 2025, p.93]
    • Mojo
    • 90 Metascore
    • 80 Critic Score
    It results in an intimate album shuddering in the blast of an icy onslaught of crisp, wintery piano. [Dec 2013, p.87]
    • Mojo
    • 88 Metascore
    • 80 Critic Score
    Boone delivers these stories like she's divorcing a husband, morose but defiant, while guest Cory Gray's keyboards help turn parochial into widescreen. [Mar 2025, p.90]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    Making a little go a long way on a contagious return, up there with commercial peak Cabs circa The Crackdown and Micro-Phonies. [Aug 2022, p.94]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    Superabundance is a record to treasure. [Apr 2008, p.104]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Sturdy, rousing, crank-it-up Rock'n'roll that's sometimes more punk, sometimes more country. [Feb 2016, p.93]
    • Mojo
    • 74 Metascore
    • 80 Critic Score
    Skinner's grown-up musings are more twisty and cryptic than his rascally early work, but no less incisive or well-wrought. Inimitable, humane, flawed, it's good to have him back. [Dec 2023, p.86]
    • Mojo
    • 90 Metascore
    • 80 Critic Score
    The emphasis on experiment and process means there are fewer newly-excavated compositions - Like Veils Said Lorraine, a For The Roses orphan; the modal guitar reveries Sunshine Raga and Bonderia, the former with tabla and free-form trilling - but no less in the way of surprises. [Dec 2023, p.96]
    • Mojo
    • 80 Metascore
    • 80 Critic Score
    Brainy music is back--about time. [Feb 2015, p.95]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    It's a journey worth taking with him. [Mar 2014, p.95]
    • Mojo
    • 92 Metascore
    • 80 Critic Score
    The demos here colour in the blanks and the alternative mixes are like watching a favourite movie from a different camera angle. But Against The Odds reminds the listener that there were always two Blondies. [Sep 2022, p.98]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    Some of the vocals sound like first takes, which gives them an honesty (maybe a bit too honest on opening track In the Summertime). But from here on, it's just lovely. [Aug 2021, p.82]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Two Sisters is arguably Davachi's finest work to date. [Nov 2022, p.87]
    • Mojo
    • 73 Metascore
    • 80 Critic Score
    Quietly dazzling. [Nov 2009, p.100]
    • Mojo
    • 76 Metascore
    • 80 Critic Score
    Circuital sees them negotiating their place in the world with heartening vigour. [July 2011, p. 103]
    • Mojo
    • 73 Metascore
    • 80 Critic Score
    Invitations rushes of feeling are rich and real. Filthy Friends are a genuine supergroup surprise. [Oct 2017, p.96]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    With its poetic allusions to loss and loneliness, will resonate with many who have felt the same. [Dec 2021, p.90]
    • Mojo
    • 88 Metascore
    • 80 Critic Score
    A gorgeous reverie. [Sep 2001, p.99]
    • Mojo
    • 61 Metascore
    • 80 Critic Score
    The perfect vehicle for Eitzel's gorgeous, weary voice and wry, savage humour. [June 2002, p.106]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    [The album] effortlessly skips across sounds and styles like a human Wurlitzer. [Aug 2013, p.98]
    • Mojo
    • 81 Metascore
    • 80 Critic Score
    It's sometimes easy to lose sight of the humanity in Randy Newman's songwriting. Some redress is afforded by an album which--as with its 2003 predecessor--sees 67-year-old Newman pare back songs spanning four decades to voice and piano. [Jun 2011, p.92]
    • Mojo
    • 78 Metascore
    • 80 Critic Score
    An album of rich, intricate grooves that use house and techno merely as a jump-off point. [Jul 2014, p.94]
    • Mojo
    • 90 Metascore
    • 80 Critic Score
    A tightly coiled album, covering 17 tracks in 45 minutes, Maps leaves much to unpick. [Jul 2023, p.87]
    • Mojo