Mojo's Scores

  • Music
For 10,504 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
10504 music reviews
    • 84 Metascore
    • 100 Critic Score
    Dream River may be Callahan's most beguiling album yet. [Oct 2013, p.89]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    An exquisite, sometimes spectacular achievement rich with emotive resonance. [Jun 2025, p.80]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    These songs convey a sense of the work put into them, a sense of the world outside, but that doesn't undermine Big Thief's ability to lock in on something profound. [Oct 2025, p.78]
    • 84 Metascore
    • 80 Critic Score
    A soaring, feverish conflagration of sense and sensuality. [Sep 2018, p.90]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    This is hard rock as anthropology, administered like only this band can. [Dec 2014, p.88]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Johannsson's austere musical settings continue to conjure up a world in which the old trade union slogans which give these pieces their titles .. are not so much throwbacks to a lost ideal of altruism, as mantras that we all might still live by. [Aug. 2011, p. 93]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Two Sisters is arguably Davachi's finest work to date. [Nov 2022, p.87]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    A profoundly satisfying album, unreservedly recommended. [Sep 2023, p.86]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    These non-linear creations are vehicles for an incredible contralto that echoes Anohni, Diamanda Galas, Jarboe, even late-era Scott Walker. [Jun 2024, p.84]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    There are straight-ahead, stripped down, old-style blues rockers. ... Also there just the blues - slow beauties that seem to be about depression and being lost, that feel more personal than political. [Jun 2020, p.88]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Hyper-melancholic, ultra-vivid, CrazyMad, For Me showcases Thompson's off-beam pop skills, a distinctive voice in every way. [Nov 2023, p.86]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    [A] slower tempii dominate the first half of Emma Jean, leaving the lapel-grabbing soul struts until the second half of the record. [Jul 2014, p.89]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    See-saws between manic joy and depressive darkness but never loses its sense of wit, grace or noise-dipped tunefulness. [Oct 2021, p.96]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    An electrifying exercise in first thought as best thought, ... One Day is thrillingly direct. [Feb 2023, p.83]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    This is a record that more frequently speaks and embodies the language of connection, of entwining and union, the clash between hard-edged politics and the beautiful fractals of their music less stringently juxtaposed than in earlier work. [Jul 2025, p.76]
    • 84 Metascore
    • 80 Critic Score
    For a man with a suspect hipster mustache and a vast lick of asymmetrical hair, Lewis' music has serious depth. [Dec 2010, p.106]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    The sounds here do at times recall territories previously mapped by Brian and RD James, with or without MDMA, but Song For Alpha still makes for an electronic listening album of particular quality. [May 2018, p.93]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    The Candy House's garbled distress flare or the My Bloody Neubauten of I Don't Miss My Mond confirm she is still picking up signals nobody else can, [Apr 2024, p.88]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    An astonishing landmark, and great record, wherein the Mod once again becomes The Modernist. [May 2010, p.94]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    If he wasn't there already, Freedom's Goblin puts Segall in the very top flight of late-'teens rock contenders. [Mar 2018, p.90]
    • Mojo
    • 84 Metascore
    • 90 Critic Score
    The most fully realised Lambchop record, the most perfect blend yet of their alt country roots and their obsession with soul.
    • 84 Metascore
    • 60 Critic Score
    Great in places, but somehow not quite Ron. [Dec 2002, p.122]
    • Mojo
    • 84 Metascore
    • 90 Critic Score
    Godspeed have taken their by-now familiar elements and rearranged them in often beautiful or surprising ways.
    • 84 Metascore
    • 80 Critic Score
    Malin and Adams have managed to create a record whose fearless classicism is all part of the point. [Dec 2002, p.114]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Holmes's genius is to create a space in which these records are not only at home, but where they shine. [Apr 2002, p.128]
    • Mojo
    • 84 Metascore
    • 70 Critic Score
    Some may bemoan the lack of scope in these hushed meditations.... But more will find comfort in the warm surrender of The Clientele's aesthetic. [Sep 2003, p.113]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    This album makes good on the promise of earlier benchmarks like Ease Down The Road and Master And Everyone. [Oct 2006, p.102]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    'Where to Here,' Slippery Slope (easier),' and 'In My Arms' are equally deadly writing, with gripping melodies and sing-out performances that seem to have benefited from listening to his pal Rufus Wainwright--and from arrangements by Wainwright's latest producer. [Sep 2008, p.112]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    This newly winged Barn Owl glide on through celestial panoramas, a tempestuous sonic asteroid belt and heady, intergalactic drift. [Oct 2011]
    • Mojo
    • 84 Metascore
    • 80 Critic Score
    Whether this is post rock, space rock or ad hoc it's hard to say, but who needs taxonomy when music feels this good? [Jan 2012, p.97]
    • Mojo