Mojo's Scores

  • Music
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For 10,505 reviews, this publication has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Highest review score: 100 Hundred Dollar Valentine
Lowest review score: 10 Milk Cow Blues
Score distribution:
  1. Positive: 6,859 out of 10505
  2. Mixed: 3,612 out of 10505
  3. Negative: 34 out of 10505
10505 music reviews
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per page
    • 79 Metascore
    • 90 Critic Score
    How I Long To Feel That Summer In My Heart
    Their most affecting and cohesive statement to date. [Oct 2001, p.108]
    • Mojo
    • 73 Metascore
    • 70 Critic Score
    Rain On Lens
    Dour, sub-Velvets melodies and droll, haiku-like lyrics tinged with desperation. [Sep 2001, p.110]
    • Mojo
    • 71 Metascore
    • 50 Critic Score
    The Id
    The Id simply turns up the levels on what made her debut so big, in the process overshadowing the background detail that made that album so special. [Oct 2001, p.128]
    • Mojo
    • 65 Metascore
    • 80 Critic Score
    Strange Little Girls
    The power and import of the record is undeniable. [Oct 2001, p.112]
    • Mojo
    • 69 Metascore
    • 80 Critic Score
    Low Kick And Hard Bop
    Great tunes delivered in ways you'd never dreamed of. [Oct 2001, p.122]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    Goodbye Country (Hello Nightclub)
    A triumph, possessing a universal appeal that extends beyond the dancefloor straight to the heart. [Sep 2001, p.100]
    • Mojo
    • 93 Metascore
    • 90 Critic Score
    Love And Theft
    An album virtually bereft of fluff and filler. [Album Of The Month] [Oct 2001, p.104]
    • Mojo
    • 80 Metascore
    • 90 Critic Score
    All Is Dream
    If anything, surpasses its illustrious predecessor. [Sep 2001, p.98]
    • Mojo
    • 58 Metascore
    • 40 Critic Score
    A Funk Odyssey
    Most tracks succumb to unambitious disco stylings. [Sep 2001, p.108]
    • Mojo
    • 75 Metascore
    • 70 Critic Score
    Rockin' The Suburbs
    Folds' songwriting continues to impress. [Oct 2001, p.130]
    • Mojo
    • 75 Metascore
    • 80 Critic Score
    Wonderland
    A transformation beyond all recognition. [Sep 2001, p.114]
    • Mojo
    • 86 Metascore
    • 90 Critic Score
    The Convincer
    Nick Lowe has made the album of his career, a dozen stories of love and loss so beautifully simple that you'll never get to the bottom of them. [Nov 2001, p.12]
    • Mojo
    • 82 Metascore
    • 80 Critic Score
    The Coast Is Never Clear
    Uplifting, exuberant gloom. Tremendous. [Oct 2001, p.108]
    • Mojo
    • 66 Metascore
    • 70 Critic Score
    The Altogether
    A quirkier affair than their previous works.
    • 78 Metascore
    • 70 Critic Score
    Fugu1
    Alluringly odd. [Mar 2002, p.112]
    • Mojo
    • 81 Metascore
    • 90 Critic Score
    It's a Wonderful Life
    This time Linkous lets his gift for fractured folk song to resonate without encumbrance from freaky noise slugs. The results are sensational. [Jul 2001, p.98]
    • Mojo
    • 72 Metascore
    • 80 Critic Score
    All This Sounds Gas
    An album of joyful, desperate and messy songs, as honest and delicious as any on Pavement's 1992 classic, Slanted And Enchanted. [Sep 2001, p.92]
    • Mojo
    • 71 Metascore
    • 80 Critic Score
    Sound-Dust
    Tim Gane and Laetitia Sadier's prettiest songs since '95's Music For The Amorphous Body Study Center. [Oct 2001, p.116]
    • Mojo
    • 77 Metascore
    • 80 Critic Score
    Circulatory System
    A wealth of gorgeous melodies and hallucinogenic kitchen-sink orchestrations. [Dec 2001, p.98]
    • Mojo
    • 88 Metascore
    • 80 Critic Score
    Vespertine
    A gorgeous reverie. [Sep 2001, p.99]
    • Mojo
    • 76 Metascore
    • 60 Critic Score
    Getaway
    More judicious editing might have rendered this a classic return to form, but there are still enough high spots to keep nostalgic fans happy. [Sep 2001, p.92]
    • Mojo
    • 70 Metascore
    • 80 Critic Score
    Sword Of God
    Countless moments of sheer melodic magic. [Dec 2001, p.116]
    • Mojo
    • 67 Metascore
    • 70 Critic Score
    Life On A String
    The perfect album for cool, sequestered evenings in scary cities. [Sep 2001, p.102]
    • Mojo
    • 66 Metascore
    • 70 Critic Score
    A Rock In The Weary Land
    In many ways, My Love is an excessive, ludicrous - no, make that brazen, unapologetic - record; vital because it wasn't born out of a painfully self-conscious view of its maker's place in the world.
    • 75 Metascore
    • 100 Critic Score
    New Favorite
    The bluegrass scene is now offically in touch with its feminine side. [Sep 2001, p.96]
    • Mojo
    • 69 Metascore
    • 70 Critic Score
    Crow Sit On Blood Tree
    Further evidence who believe Coxon is the most creatively restless member of Blur. [Aug 2001, p.98]
    • Mojo
    • 86 Metascore
    • 100 Critic Score
    Time (The Revelator)
    This is a profoundly good record. [Nov 2001, p.102]
    • Mojo
    • 58 Metascore
    • 70 Critic Score
    Beat 'Em Up
    It proves to be a violent, uncompromising record throughout...
    • 77 Metascore
    • 70 Critic Score
    Hot Shots II
    The key problem lies in the album's occasional sense of underachieving drift. [Aug 2001, p.104]
    • Mojo
    • 86 Metascore
    • 80 Critic Score
    White Blood Cells
    The Detroit duo spin sordid tales and lovelorn drama with just the right amount of restrained percussion, blooze picking and screaming confessionals. [Sep 2001, p.93]
    • Mojo
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