Mojo's Scores
- Music
For 10,505 reviews, this publication has graded:
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53% higher than the average critic
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5% same as the average critic
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42% lower than the average critic
On average, this publication grades 0.5 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
| Highest review score: | Hundred Dollar Valentine | |
|---|---|---|
| Lowest review score: | Milk Cow Blues |
Score distribution:
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Positive: 6,859 out of 10505
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Mixed: 3,612 out of 10505
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Negative: 34 out of 10505
10505
music
reviews
- By Date
- By Critic Score
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- Mojo
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- Critic Score
Invigorating and intriguing, as hummable as it is inventive... it's also possibly the best thing Blur have done. [May 2003, p.88]- Mojo
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- Critic Score
In part gripping.... But Gore doesn't always push his voice to its brilliantly effete/effeminate extremes. [May 2003, p.104]- Mojo
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- Critic Score
This record is full of surprises, roping in all manner of esoteria for a sweaty, beer-splattered and tune-drenched rock'n'roll party that rivals even Nevermind for balancing the pop sugar with the twisted underbelly and subtle smarts. [May 2003, p.90]- Mojo
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A phenomenal album.... As always, Wire embrace the technology of the day while always sounding somehow out of time. [May 2003, p.91]- Mojo
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Shine is an intriguing portrait of a civilised chap in turmoil. [Apr 2003, p.110]- Mojo
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Baby I'm Bored's knotty guitars and ramshackle production values recall the Lemonheads' swansong, Car Button Cloth. [Mar 2003, p.94]- Mojo
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American Life is revealing and diverting -- no bad things in a record -- but in the end the brow-beating, finger-wagging and psycho-babbling take their toll. [May 2003, p.86]- Mojo
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She breathes the vocals as if she were drifting in and out of death's door. [May 2003, p.95]- Mojo
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Despite being accessible like an electricity pylon, this trio of art-punk hysterics are as righteous as they are ridiculous. [Jul 2003, p.108]- Mojo
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Sound[s] like a typical Elephant 6-related band--absolutely fantastic. [May 2003, p.108]- Mojo
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If you think The Rutles' Double Back Alley is better than Penny Lane, then this just-over-35-minute's worth of semi-reverential fun is for you. [Aug 2003, p.95]- Mojo
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There are times... when the stripping-down of The Jayhawks' aesthetic reveals [Gary Louris'] designs to be uncomfortably slight. [Apr 2003, p.92]- Mojo
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Adult. add unflinching aggression to the razor-sharp beats and vaguely sinister lyrics first mapped out on 2001's Resuscitation. [May 2003, p.104]- Mojo
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A set of busy beautiful whispers, 62 minutes of exquisite suspended animation. [Apr 2003, p.87]- Mojo
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A claustrophobic, mesmeric soundscape akin to My Bloody Valentine and Spacemen 3's early work. [Apr 2003, p.114]- Mojo
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Diego Garcia has fallen hard for Interpol's diagonal guitar/bass chimes, but his band's debut also suggests The Cure's pop-conscious first album rather than Joy Division. [Jan 2005, p.102]- Mojo
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Where Elephant does differ from what has gone before is in terms of quality. It's just better all round. [Apr 2003, p.88]- Mojo
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A record of substance, one that stands head and shoulders above today's garage bashers. [May 2003, p.89]- Mojo
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There's some terrific and accessible stuff here.... but the result is still an album that retreads old Placebo themes. [Apr 2003, p.110]- Mojo